Bronze End Tables

Tripod hand-forged iron cocktail tables with bronze edging around top. Great patina. Can be custom-made in square or round and in any size and height. Sold and priced individually. M...

Matching pair of blond bleached mahogany end tables with two levels and drawer accented by bronze fittings. USA circa 1940. Features original period finish.

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Modern Bronze End Table with Shelf designed by Greg Sheres. The "Piero" side table is a beautifully scaled simple rectangular form. Both horizontal surfaces are usable for storage ...

We call this round side table black oak with bronze details the Waverly table. This table is made of the finest repurposed urban timber and is so versatile. Sturdy yet lightweight, the Waverly can be easily moved around as a martini table or place to rest your latest book and cup of coffee. Group them or use them singularly; we love this little table. Use the Waverly Table in a living room or den. Try it as a side table in a bedroom or any seating area. A cluster of round side tables makes a beautiful coffee table in a conversation pit...

Stunning rectangular "Tao" end table in patinated and engraved bronze and pewter with hand-applied gold leaf by Philip and Kelvin LaVerne, American 1960's (signed “Philip. Kelvin LaV...

A pair of fine gilt bronze ormolu mounted porcelain tiered étagères. Decedent French Aesthetic Movement styling, circa 1890, brilliant bronze doré suppo...

Tripod hand-forged iron cocktail tables with bronze edging around top. Great patina. Can be custom-made in square or round and in any size and height. Sold and priced individually. M...

TABLE NO. 3 - BRONZE J.M. Szymanski d. 2023 Playfully imagined, this sculpted bottom-frame supports a smooth top-surface that is ideal for drinks and small items--some might say it’...

The Sorgue side tables by Bourgeois Boheme Atelier exude elegance and versatility. Each table features a luxurious brown marble top, known for its durability and timeless appeal. The...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Carved French Rococo style pair of nightstands with open shelve and three drawers, circa 1930s. The tables stands on four ornately carved cabriole shaped legs and depicts a basket...

A Fine Pair of French Neoclassical Style Gilt and Silvered Bronze Marble-Top Tables ATTRIBUTED TO FERDINAND BARBEDIENNE AND GEORGES-EMILE-HENRI SERVANT, THE BRONZES AFTER THE ANTIQU...

Pair of lovely antique Italian night stands or side tables with greatly carved doors and drawers and Portoro marble top. Portoro is a high-quality black marble, where the vast crysta...

Maison Bagues rectangular side table 2 tiers, 1st tiers height: 8 in Bronze ans brass, gold cloudy mirror.

Custom repurposed vintage iron with bronze edged round top. Hand-forged iron legs. Sealed surfaces. Light and narrow profile. Can be made in any size. Made in Los Angeles by Dos Gall...

Sold and priced separately. Iron tripod table with a bronze edge. Can be made in custom sizes. Made in Los Angeles by Dos Gallos Studio One is available off the floor. Custom pieces ...

Pair of bedside cupboards in the Louis XV manner Of shaped form, being constructed in mahogany, with gilt bronze accents, rising from cabr...

Shown in multiple material combinations, the San Simeon end table features custom-made hardware and hand applied finishes. Dimensions (as pictured): 18" W ...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delivery needs! They offer a reasonable flat-rate fee for delivery and set up to the ground floor of your home. They deliver to the vast majority of the lower 48 states. They offer a flat rate for most of our items with exclusions for the largest or most complex items such as breakfronts or crystal chandeliers or other items of greater complexity. For those items please ask for a shipping quote prior to purchase as these rates are different from our stated pricing. For those items please ask for a shipping quote prior to purchase. Most deliveries to the East Coast will be 295.00, to the mid-west and Southern mid-west 395.00. To the areas west of Kansas 495.00 and the farthest points to the West coast will be 595.00. Again, some areas we can't cover, however we can deliver to most of the lower 48 states so please inquire to be sure! Delivery times range from as fast as 1-4 weeks for the east coast to 5-9 weeks to the farthest areas of the west coast, sometimes longer and sometimes even shorter. If it is a time sensitive purchase, we may be able to accommodate you for a higher price. It is our goal to please each and every one of our customers with the highest standard of service possible. You must realize and accept that we are shipping antique, vintage and quality used furnishings to your home. We cannot control traffic, weather, and acts of God. There will be times when additional patience will be necessary. This is a very unique end table...

With spare, circular tops and slender, solid-metal supports, the Acantha table series is a tribute to the subtlety of craft and richness of rare material...

Ten10 Tivoli side table with 3 legs. Measurements are 26" diameter x 13" high. The base is stainless steel tube plated in oil rubbed bronze. The...

The Forma side or drinks table by DeMuro Das has a top in pink quartz and a sculptural hand cast base in solid antique bronze.

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), in manner of François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

A very fine quality French gueridon, exceptionally executed in the manner of the original design by Adam Weisweiler (1744-1820). Finished in sophis...

This is a gorgeous pair of signed Maison Jansen Maison Jansen marble top bouillotte tables with bronze feet and brass galleries. The tops are beautiful green, creme and gray hued mar...

This is a gorgeous end table in the French Regency style, made of marble and bronze. The table is good condition with gorgeous marble and a beautiful Dore' finished bronze paw footed...

A Maison Jansen Hollywood Regency Style Table, Demi Lune, Marble Top, Bronze Mounted A finely detailed custom quality end or side table for Livingroom or as Bedside tables. Fully re...

Wood side table with round tops and made from ebony veneer with bronze inlays. This table was titled after the famous building Palais de Tokyo in Pari...

A bronze studio-made cocktail table, having a square banded apron holding a glass tile that rests on four faceted legs.

Inspired by the iconic designer Paul Frankl, these rustic modern dressers blend timeless elegance with contemporary flair. The oversized drawer ...

Hand-forged iron tripod tray tables with bronze edging. Great, thin profile with patinated finish. These two are available off the floor but can also...

These stunning modernist nightstands feature a clean shadow box design in Macassar resting on four tapered legs with an open alcove area with a drawer above with front panel of bronz...

The Acantha side or end table by DeMuro Das features a circular top in blue tiger's eye, a semi-precious stone with striking blue, gold and brown coloration. This top is supported by...

An unusual, delicate and rare set of two mid century Italian side tables with outstanding hand painted scenes of Italian gardens with flowing fountains on each of the table tops. The top four corners of each table having ormolu busts of women...

Bronze and lacquer end table designed by Greg Sheres. Now in stock. Sophisticated original sculpture in Antiqued Bronze. The polished Black lacquer top is designed so that it appear...

This is a truly extraordinary inlaid pair of kingwood and satinwood bronze mounted nightstands. The stands are just gorgeous with their "Coke bottle" curves and suprisingly figured k...

This is a rare iteration of the classic and highly sought after 'Chan' coffee table by father and son team, Philip and Kelvin LaVerne (New York), produced in the 1960s and signed with the artists names on the top (see photos). Ingeniously designed with international patination and polychromed bronze and pewter, this rare form coffee table which also functions excellent as a large end table...

This sculptural vintage solid bronze decorative side table from the Art Deco era features a square shape with leaf and floral pattern and glass top. Very significant and heavy. Han...

A pair of side tables in bronze with base in black patina and a top in natural bronze.

An original and authentic Meret Oppenheim Traccia table. This table manufactured by Gavina, Italy as part of the initial production in th...

This pair of tables are made from vintage railroad spikes with Texas shell limestone tops. One table has a bronze inlay corner. The Texas shell limestone is a soft, porous white ston...

Emma Donnersberg was born and raised in Paris. As a young adult she moved to the United States and attended Tulane University in New Orleans, obtaining a Bachelor of Arts degree. She...

An exceptional French side cabinet from the late 19th century. Likely Parisian in origin, elegantly refined, finished in the luxurious and sophisticated Louis XV taste, presenting with the striking original decoratively shaped variegated specimen marble top with molded edge, atop the gravefully curvacious bombe form case, adorned with intricate geometric diamond parquetry, hand-crafted, of fine quality, craftsmanship and rich detailing throughout, the solid wooden chest fitted with two dovetailed drawers over a spacious single large cabinet door, all open to reveal luxurious rich mahogany finished interior, decorated with finely gilded chiseled and sculpted bronze ormolu fiolate motif mounts, original pull fittings, gilt brass running ornamentation accents the scalloped apron, flowing elegantly down the short cabriole legs, terminating in elaborate bronze sabots. As warm and attractive as it is useful, having the ideal proportions for a variety of different uses, including as a hall console, dry bar cart - liquor cabinet, side table, accent table, sideboard server, linen or towel storage...

Modern Bronze lamp table designed by Greg Sheres. Cantilevered 3/4” glass top. This sculptural bronze table is one of Greg’s classic designs. It...

An antique French side stand offers specimen marble top over kingwood and satinwood case in demilune form with shaped skirt and having two drawers, cast bronze mounts and raised on c...

A magnificent set of three French mid 20th century gilded brass marble top nesting tables attributed to Maison Baguès for Parisian design firm Maison Jansen. Finished in luxurious Louis XVI taste, each table graduated in size, having a striking dramatically white veined verde green marble oval shaped top, resting on a triangular shaped patinated gilt metal frame in brilliant bronze dore style finish, adorned in foliate relief trim to apron, floral medallions above tripartite stretcher-joined fluted legs, terminating on tapered feet. Dimensions: (approx) Largest: 17.25"H, 24.25"W, 14"D Since its establishment, circa 1860, Maison Baguès has been an emblem of French elegance and sophistication in luxury interior design, originally the finest lighting, expanding into the finest quality furniture and decorative accessories. Each piece the firm makes is hand-assembled using traditional techniques in order to emphasize the elegant excellence of their detailed artisanal work. Still the epitome of savoir-faire, Maison Baguès’ luxurious pieces are prized for their craftsmanship, beauty and harmony. The master metalsmith Noël Baguès founded the company as specialists in liturgical bronzes, but by 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters, gates and accessory tables. Baguès began selling internationally in the interwar period, expanding the company’s operation to New York, Rome and Cairo. Noted for their high-end handcrafted work, such as complex carved sconces and hand-strung crystal chandeliers, Maison Baguès appealed to an elite clientele. While Baguès’ Art Deco crystal lighting fixtures drew the most attention, the company was also known for bespoke metalwork that drew commissions from important interior designers and decorating firms such as Maison Jansen and Raymond Subes. In 1928, eminent bourgeoisie décorateur Armand-Albert Rateau famously used a selection of Maison Baguès accessories to furnish the townhouse interiors of haute couturist Jeanne Lanvin. Beyond Rateau, the atelier was commissioned by many chic interiors icons like Raymond Subes and the legendary decorating firm Maison Jansen. International decoration offices such as Alberto Pinto, Pierre Yves Rochon...

Wonderful early 20th century French craftsmanship end or side table. Finding the most beautiful and rarest antiques in the best possible condition is w...

Hand-forged iron tripod tray tables with bronze edging. Great, thin profile with patinated finish. These two are available off the floor but can also...

The table was in part influenced by Armand Albert Rateau and Eileen Gray. Their influence is evident in this complex piece of many art processes. Sketched while listening to Bjork’s song “Bachelorette”, (which has absolutely nothing to do with the show or dating), the table is dark and pays homage to the cephalopods of the deep and the corals near the surface, while octopus’ suckers or coral polyps break the surface. Comprised of custom cast and blacken bronze of great weight supporting an ultra-thin and hollow surface of a moonlit blue...

An impressive late 20th century two tier side table / sculpture stand by Maitland Smith. Features a round form inset top over three downswept and pierced square form legs leading to ...

A freestanding, vintage Art Deco Swedish writing table made of hand crafted polished Jacarandawood, in good condition. The rectangular Scandinavian desk has one large drawer in the c...

A rare pair of stunning French gilt-bronze and Chinoiserie top side tables with three tiers (attributed to Maison Baguès, mid-Century). Each table has three rectangular burgundy-lacq...

A magnificent handcrafted vintage oak wood framed glass top haberfeld table with substantial gilded bronze and pierced brass accents, having six legs ...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

An exceptional pair of Louis XVI style french ormolu-mounted parquetry and marquetry side tables, late 19th-early 20th century, in the manner of RVLC. These tables are truly excep...

Side table in stock at our factory abroad. Please allow 8-10 weeks for international ocean shipping. Cast bronze side table with antique bronze finish. Fluid shape inspired by the...

Very elegant, handcrafted table with lid and beveled mirror. If you have an eye for elegant designs then this French, antique nutwood table is a visual treat every time you will loo...

Vintage Erin Lane Bronze Elephant Pedestal Side Table Vintage bronze elephant pedestal side table by Erin Lane Estate from India. Bronze elephant standing on a carved wood plinth with decorative brass nail-heads. Surmounted by a bronze pedestal halo with a swag faux rope terminating in four tassels. The trunk up elephant...

Maison Baguès superb two-level bar trolley. Made of high quality brass and bronze. With bottle holder.  

Louis XV parquetry occasional table, Circa 1760.

A Zora side table by Chicago artist Karl Geckler in polished bronze with a guitar-pick shaped bronze tinted glass top. Alternative finishes available. Inquire for details. Karl Geckler works as an interdisciplinary sculptor, architect, and designer based in Chicago, Illinois. He graduated with a Bachelor of Architecture degree from Virginia Polytechnic Institute and later studied astronomy and physics before pivoting to art. His scientific background influenced his artwork greatly and he is inspired by geometry and biological forms, nature and medical diagrams...

Pair Paul Ferrante Edward bronze end tables with Louis XVI style fluted legs, rectangular pulls, hoof sabobts and honed gray brown marble tops.

Pair of bronze elephants with glass tops mounted on gold leaf tooled leather plinth. Top quality attributed to Maitland Smith.

A WYETH Original, framed glass block cocktail / side table on faceted legs with forged feet in patinated bronze.

This is a gorgeous pair of Maison Jansen attributed Directoire style end tables with Carrara marble on top and superb brass and bronze ormolu mounts. The tables have their original f...

This is a superb, absolutely decadent bronze mounted end table with a single drawer and drop-dead-gorgeous marquetry inlay of tulipwood and kingwood. The bronze ormolu is superbly ca...