Antique Landscape Engravings

Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of landscapes and

Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of landscapes and

Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of landscapes and

landscapes and topographical views mainly to his own designs. Green was permanently resident in the Lake

publishing house that specialized in engravings. The firm flourished, becoming the leading map publisher in

Environs de Naples)" Circa: 1740 Medium: Original Engraving on watermarked laid paper Limited edition

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hoge...

1702, Johann founded a publishing house that specialized in engravings. The firm flourished, becoming

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

Mirror, c1835. Engraving on wove paper, 10 x 13 3/4 inches (254 x 349 mm), the full sheet. The sheet is

London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4

: 1736 (First edition) Medium: Original Engraving on light laid paper Limited edition: Unknown Printer

Set of Four Antique Marine engravings plates hand colored. Each measure 18x21x1 framed. Benard

Cartographers Christopher (1786-1855) and John (1791-1867) Greenwood were surveyors from Yorkshire, who undertook an ambitious project to produce a series of large-scale maps of the ...

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream

Paris: Charles Hullmandel, circa 1850. Lithograph with engraving on white wove paper, 9 7/8 x 7 1

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm

Paris, Delpech. Lithograph with engraving on cream wove paper, 11 7/8 x 8 inches (299 x 203 mm

This is an original 18th century hand-colored map entitled "A New & Accurate Map of Europe Drawn from the Best Authorities Assisted by the Most Improved Modern Charts and Maps." by E...

This is a framed 16th century map and city view of Canterbury, England entitled "Cantuarbury" by Braun & Hogenburg, from their famous landmark atlas of city views 'Civitates Orbis Te...

This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was publis...

This attractive and interesting map of Bermuda by Henricus Hondius in 1633 is entitled "Mappa Aestivarum Insularum, Alias Barmudas". It is based on a survey of Richard Norwood in 161...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark

following complaints of under-recognition of their works. Latterly primarily a landscape painter he toured

of Rome, illustrated with numerous maps and engravings, depicting its people, customs, and

Repton was commissioned to landscape. Published by Rudolf Ackermann in his 'Repository of the Arts

engraving in the straight lines darkening the trees at the right. In all, a complex, and marvelously

4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides. [Published

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: printed for J. Taylor, 1844. Etching with aquatint and engraving with hand coloring in

This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atl...

This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg...

This is a 16th century original hand-colored copperplate engraved map of View of View of Meissen, Germany entitled "Misena Hermun Duvorum Urbs" by Georg Braun & Franz Hogenberg, fro...

This is an original 16th century copperplate originally hand-colored engraved map of View of Seravalle, Italy entitled "Seravallum Celeberrimum Marchiae Tarvisiniae in Agro Foro Juli...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

Year: 1756 (Second edition) Medium: Original Etching and Engraving on laid paper Limited edition

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer

London: Robert Wilkinson, c1620 Engraving on thin Japon paper,16 1/8 x 11 3/4 iches (408 x 297 mm

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

John Veitch, one of the leading landscape designers of the time. Killerton was given to the National

Vienna: Chez Artaria. Engraving with hand coloring in watercolor on cream laid Van Gelder Zonen

quality of engraving and decoration, and the geographical accuracy of their many maps.

Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). These engravings were created

Palais Royal Paris: J P Quénot, c1830. Stipple point engraving with extensive hand coloring in

. Engraving on cream laid paper, 11 1/2 x 7 1/2 inches (290 x 190 mm) sheet, full margins. In good condition

London: Robert Wilkinson, 1820 Copperplate engraving on buff wove paper, 13 x 9 3/4 inches (330 x

This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...