Borne Betone Petite

Swiss-born Charles-Édouard Jeanneret, best known by his adopted name Le Corbusier, was a highly influential architect, designer, painter, urban planner and writer whose career spanned almost five decades.

A pioneer of progress-minded modern architecture, Le Corbusier sought to impose a rational order on the chaos of the world through design. He rejected the excessive architectural ornament and developed a style that became known as brutalism, creating buildings with elemental geometric forms that were made of industrial materials such as steel and reinforced concrete. Le Corbusier believed that pure, well-designed spaces could offer a lesson in how little is needed to achieve happiness. To convey this notion, the architect prioritized modern, open interiors and emphasized light, rational designs. His architecture and interiors share a clear sense of space and structural order, underlining the beauty in harmony, proportion and simplicity.

Le Corbusier’s furniture espouses these same ideals. His designs are spare, minimal and efficient but at the same time offer supreme comfort. Collaborating with his cousin, Pierre Jeanneret, and trailblazing designer Charlotte Perriand, he devised such iconic pieces as the LC2 Petit Confort armchair and the LC4 chaise longue. Each couples a tubular chrome frame with soft, supple leather upholstery, lending an organic warmth to an industrially made design. In his furniture, Le Corbusier broke new ground in ergonomics. The shape of the LC4 chaise is taken directly from the human form; the classic cowhide upholstery makes the sitter feel weightless; and the piece features an adjustable positioning mechanism to promote total relaxation.

Such planning and intelligence were the hallmarks of Le Corbusier’s career. Whether in his designs for private residences such as the Villa Savoye near Paris, apartment towers like the Unité D'habitation in Marseilles, or in his furniture, he worked toward a style of living that was expansive and flexible. The strength and simplicity of line of Le Corbusier’s sofas and other seating pieces give them a sculptural presence in any décor, yet they are sublimely restful. And as you will see on 1stDibs, Le Corbusier’s furniture reflects a worldly taste: it is at once refined, cosmopolitan and chic.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Well-crafted antique and vintage table lamps do more than provide light; the right fixture-and-table combination can add a focal point or creative element to any interior.

Proper table lamps have long been used for lighting our most intimate spaces. Perfect for lighting your nightstand or reading nook, table lamps play an integral role in styling an inviting room. In the years before electricity, lamps used oil. Today, a rewired 19th-century vintage lamp can still provide a touch of elegance for a study.

After industrial milestones such as mass production took hold in the Victorian era, various design movements sought to bring craftsmanship and innovation back to this indispensable household item. Lighting designers affiliated with Art Deco, which originated in the glamorous roaring ’20s, sought to celebrate modern life by fusing modern metals with dark woods and dazzling colors in the fixtures of the era. The geometric shapes and gilded details of vintage Art Deco table lamps provide an air of luxury and sophistication that never goes out of style.

After launching in 1934, Anglepoise lamps soon became a favorite among modernist architects and designers, who interpreted the fixture as “a machine for lighting,” just as Le Corbusier had reimagined the house as “a machine for living in.” The popular task light owed to a collaboration between a vehicle-suspension engineer by the name of George Carwardine and a West Midlands springs manufacturer, Herbert Terry & Sons. 

Some mid-century modern table lamps, particularly those created by the likes of Joe Colombo and the legendary lighting artisans at Fontana Arte, bear all the provocative hallmarks associated with Space Age design. Sculptural and versatile, the Louis Poulsen table lamps of that period were revolutionary for their time and still seem innovative today. 

If you are looking for something more contemporary, industrial table lamps are demonstrative of a newly chic style that isn’t afraid to pay homage to the past. They look particularly at home in any rustic loft space amid exposed brick and steel beams.

Before you buy a desk lamp or table lamp for your living room, consider your lighting needs. The Snoopy lamp, designed in 1967, or any other “banker’s lamp” (shorthand for the Emeralite desk lamps patented by H.G. McFaddin and Company), provides light at a downward angle that is perfect for writing, while the Fontana table lamp and the beloved Grasshopper lamp by Greta Magnusson-Grossman each yield a soft and even glow. Some table lamps require lampshades to be bought separately.

Whether it’s a classic antique Tiffany table lamp, a Murano glass table lamp or even a bold avant-garde fixture custom-made by a contemporary design firm, the right table lamp can completely transform a room. Find the right one for you on 1stDibs.