Citrine Diamond Parure

Suzanne Belperron (1900–83) may not be a household name, but anyone who knows jewelry will recognize her as one of the industry’s 20th-century greats. She was born Suzanne Vuillerme in Saint-Claude, France, a center of the French diamond-cutting industry. Displaying an early talent for design, Belperron studied at the Besançon École des Beaux-Arts before moving to Paris and landing her first job as a model-maker and designer at French jewelry house Boivin when she was 19. Within a few years, she was named codirector — a meteoric rise that would jump-start her legacy.

In 1932, Belperron left Boivin to partner with gemstone and natural pearl dealer Bernard Herz, with whom she would develop her distinct avant-garde aesthetic. Unlike most jewelry designers of the day, Belperron decided against signing her works, feeling so confident in her uniqueness that she declared, “My style is my signature.” Her exceptionally dramatic works were nothing like the angular Art Deco pieces that were popular at the time, taking on large-scale sculptural forms and featuring various design motifs from cultures around the world. The designer was a favorite of couturier Elsa Schiaparelli, who modeled her Belperron jewelry in Vogue in 1933. (Belperron jewels would grace the cover of Vogue Paris in 1934.) She would also count Diana Vreeland and Wallis Simpson, the Duchess of Windsor, among her fans.

World War II changed everything. When the Germans occupied Paris, the Jewish Herz transferred the company to Belperron in order to preserve the business. Both would later be arrested by the Nazis. Belperron was released; Herz was sent to the Drancy internment camp. He later died at Auschwitz, despite Belperron’s best efforts to get him released.

Belperron kept the firm going during the war and after its end Herz’s son, Jean — a released prisoner of war — became Belperron’s equal partner per Bernard Herz’s final wishes. The two would work together under the name Jean Herz-Suzanne Belperron for the rest of her career. In 1963, Belperron was awarded the rank of Chevalier de la Légion d’Honneur, and she quietly retired in 1974.

In 1987, there was a resurgence of interest in Belperron’s work, thanks to the auction of the Duchess of Windsor’s personal collection, which included at least 16 pieces by the designer. In 1999, Ward Landrigan of Verdura acquired both the rights to the Belperron name as well as a design archive of thousands of drawings, leading to the relaunch of the brand in 2015 with a new salon on Fifth Avenue in New York.

Find Suzanne Belperron rings, brooches and other jewelry on 1stDibs today.

Antique and vintage brooches, which are decorative jewels traditionally pinned to garments and used to fasten pieces of clothing together where needed, have seen increasing popularity in recent years.

Given their long history, brooches have expectedly taken on a variety of different shapes and forms over time, with jewelers turning to assorted methods of ornamentation for these accessories, including enameling and the integration of pearls and gemstones.

Cameo brooches that originated during the Victorian age are characterized by a shell carved in raised relief that feature portraits of a woman’s profile, while 19th-century micromosaic brooches, comprising innumerable individually placed glass fragments, sometimes feature miniature depictions of a pastoral scene in daily Roman life.

At one time, brooches were symbols of wealth, made primarily from the finest metals and showcasing exquisite precious gemstones. Today, these jewels are inclusive and universal, and you don’t have to travel very far to find an admirer of brooches. They can be richly geometric in form, such as the ornate diamond pins dating from the Art Deco era, or designer-specific, such as the celebrated naturalistic works created by Tiffany & Co., the milk glass and gold confections crafted by Trifari or handmade vintage Chanel brooches of silk or laminated sheer fabric.

Brooches are versatile and adaptable. These decorative accessories can be worn in your hair, on hats, scarves and on the lower point of V-neck clothing. Pin a dazzling brooch to the lapel of your blazer-and-tee combo or add a cluster of smaller pins to your overcoat. And while brooches have their place in “mourning jewelry,” in that a mourning brooch is representative of your connection to a lost loved one, they’re widely seen as romantic and symbolic of love, so much so that a hardcore brooch enthusiast might advocate for brooches to be worn over the heart.

Today, find a wide variety of antique and vintage brooches on 1stDibs, including gold brooches, sapphire brooches and more.