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Emile Colas

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In the Garden - Impressionist Oil, Figures in Landscape by Henri Edmond Cross
By Henri Edmond Cross
Located in Marlow, Buckinghamshire
by Carolus Duran who also came from Douai, Alphonse Colas, and later, after moving to Paris in 1876
Category

Early 1900s Impressionist Figurative Paintings

Materials

Oil, Board

L'allee d'arbres - Impressionist Watercolor, Landscape by Henri Edmond Cross
By Henri Edmond Cross
Located in Marlow, Buckinghamshire
who also came from Douai, Alphonse Colas, and later, after moving to Paris in 1876, François Bonvin
Category

Early 1900s Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

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Henri Edmond Cross for sale on 1stDibs

Henri Edmond Cross was born in the marches of Flanders. His mother, Fanny Woollett, was English. From 1890 he chose to spend most of the year in the Var region. Signac and Van Rysselberghe were regular visitors to St-Clair. During the Fin-de-siècle years, Cross was a friend of the Anarchists, sharing their dream of harmony between man and nature, and contributed to Jean Graves’s magazine Les Temps Nouveaux. In the early 1900s he travelled to Italy and was captivated by the works of Tintoretto in Venice. However, Cross was soon overcome by poor health, suffering bouts of rheumatism and eye problems. His stoicism during these difficult times astonished his friends, who also included Roussel, Vuillard, Bonnard, Valtat and Lucie Cousturier. The latter wrote that ‘these terrible bouts of arthritis which deformed and paralysed his joints always resulted in younger and younger paintings, like acts of revenge’. Towards the end of his life, Cross visited Tuscany and Rome before returning to Le Lavandou. He died from cancer on 16 May 1910, aged 54. At the age of 25, Cross exhibited for the first time at the 1881 Salon, from then on called the Salon des Artistes Français. He showed his work under his real name, H. E. Delacroix, which he quickly translated into English on the advice of Bonvin. He then exhibited at the Salon des Indépendants from 1884, the year it was founded, having been one of its promoters. His paintings and watercolours were exhibited in 1894 at the gallery rented by the Neo-Impressionists at 20 Rue Lafitte (alongside the works of the elegiac Neo-Impressionist painter Hippolyte Petitjean), in 1896 at the Salon de l’Art Nouveau, and in 1899 at the Galerie Durand-Ruel as part of the exhibition Homage to Odilon Redon (Hommage à Odilon Redon). The exhibitions at the Galerie Druet in 1905 (presented by Émile Verhaeren), then at the Galerie Bernheim two years later (with a catalogue prefaced by Maurice Denis), were considered a triumph of colour. It was around the time of Seurat’s death that Cross turned to Neo-Impressionism, breaking with the aesthetic principles he had followed for 10 years, adopting instead those of the group who exhibited at the Salon des Indépendants. For his friends Angrand, Signac and Luce, he brought rare sensitivity and re-introduced Romanticism to painting in these last years of the 19th century. It was in the Var, while working on sunrises and sunsets, that Cross created some of his most important works, such as Farm in the Morning and Farm in the Evening (1893), and Mother Playing with her Child (1897). Cross achieved an almost Romantic liberation of the landscape in his painting Wave. Together with Signac and Van Rysselberghe, he revealed the beauty of Provence, a beauty that, until then, had been sought by the Impressionists mostly in the Île-de-France or Normandy.

A Close Look at impressionist Art

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

Finding the Right landscape-paintings for You

It could be argued that cave walls were the canvases for the world’s first landscape paintings, which depict and elevate natural scenery through art, but there is a richer history to consider.

The Netherlands was home to landscapes as a major theme in painting as early as the 1500s, and ink-on-silk paintings in China featured mountains and large bodies of water as far back as the third century. Greeks created vast wall paintings that depicted landscapes and grandiose garden scenes, while in the late 15th century and early 16th century, landscapes were increasingly the subject of watercolor works by the likes of Leonardo da Vinci and Fra Bartolomeo.

The popularity of religious paintings eventually declined altogether, and by the early 19th century, painters of classical landscapes took to painting out-of-doors (plein-air painting). Paintings of natural scenery were increasingly realistic but romanticized too. Into the 20th century, landscapes remained a major theme for many artists, and while the term “landscape painting” may call to mind images of lush, grassy fields and open seascapes, the genre is characterized by more variety, colors and diverse styles than you may think. Painters working in the photorealist style of landscape painting, for example, seek to create works so lifelike that you may confuse their paint for camera pixels. But if you’re shopping for art to outfit an important room, the work needs to be something with a bit of gravitas (and the right frame is important, too).

Adding a landscape painting to your home can introduce peace and serenity within the confines of your own space. (Some may think of it as an aspirational window of sorts rather than a canvas.) Abstract landscape paintings by the likes of Korean painter Seungyoon Choi or Georgia-based artist Katherine Sandoz, on the other hand, bring pops of color and movement into a room. These landscapes refuse to serve as a background. Elsewhere, Adam Straus’s technology-inspired paintings highlight how our extreme involvement with our devices has removed us from the glory of the world around us. Influenced by modern life and steeped in social commentary, Straus’s landscape paintings make us see our surroundings anew.

Whether you’re seeking works by the world’s most notable names or those authored by underground legends, find a vast collection of landscape paintings on 1stDibs.