Etched Copper Plate

, photo-etched copper plates. The surface of the print is velvety with the buildup of the ink layers

, photo-etched copper plates. The surface of the print is velvety with the buildup of the ink layers

An intense, hand painted monotype made from variously etched copper plates, hand signed in pencil

series are hand-printed from two etched copper plates in cool gray and warm black inks on Somerset Satin

series are hand-printed from two etched copper plates in cool gray and warm black inks on Somerset Satin

series are hand-printed from two etched copper plates in cool gray and warm black inks on Somerset Satin

"Intersection/Skies 13" is an intense, monoprint made from variously etched copper plates

copper plates, reflecting the artist's awe at the immensity of the universe. It is printed in Indian and

"Intersection/Skies 11" is An intense, abstract monoprint made from variously etched copper plates

photogravure print is printed on paper from the etched copper plate that has been inked and wiped as a regular

-intensity UV light is adhered to a copper plate and then etched. The result is a high quality intaglio print

adhered to a copper plate and then etched. The result is a high quality intaglio print that can reproduce

photogravure print is printed on paper from the etched copper plate that has been inked and wiped as a regular

aquatinted copper plates. It's layers of graphic marks create a surface of organic lines and shapes that

"Shattered Scaffold 11" is an abstract monoprint created using an etched and aquatinted copper

"Shattered Scaffold 9" is an abstract monoprint created using an etched and aquatinted copper

MERYON Charles Paris 1821 † Saint-Maurice (Seine) 1868 San Francisco. 1856. Original copper plate

etched deeply into the copper plate and then etched again with aquatint. White ink was applied to the

etched into a copper plate using the technique of photogravure, and the plate became a repeatable matrix

into a copper plate using the technique of photogravure, and the plate became a repeatable matrix for

into a copper plate using the technique of photogravure, and the plate became a repeatable matrix for

into a copper plate using the technique of photogravure, and the plate became a repeatable matrix for

a copper plate using the technique of photogravure, and the plate became a repeatable matrix for the

drawing made on translucent film was etched into a copper plate using the technique of photogravure, and

was etched into a copper plate using the technique of photogravure. The plate became a repeatable

was etched into a copper plate using the technique of photogravure. The plate became a repeatable

was etched into a copper plate using the technique of photogravure. The plate became a repeatable

was etched into a copper plate using the technique of photogravure. The plate became a repeatable

aquatinted copper plates, inspired by the artist’s awe at the immensity and boudlessness of the universe

aquatinted copper plates, inspired by the artist’s awe at the immensity and boundlessness of the universe

"Way" is a contemporary linear etched monotype made with multiple copper plates, with layers of

copper plates, a reflection of the artist's awe at the immensity and boundlessness of the universe

aquatinted copper plates. Printed in metallic gold with a gold grid, and hand painted by the artist with

copper plates, a reflection of the artist's awe at the immensity and boundlessness of the universe

etched and aquatinted copper plates, reflecting the artist's awe at the immensity and magnificence of

aquatinted copper plates. It is printed in shades of sap and spring green with a metallic gold grid, with

aquatinted monotype copper plates, reflectinting the artist's awe at the immensity and boundlessness of the

aquatinted copper plates, with a diaphanous green background over printed silver metallic grid. The print is

copper plates. It is printed in silvered gray, blues, reds, and gold ink on 100% rag paper, signed in

copper plates, a reflection of the artist's awe at the immensity and unknowableness of the universe

aquatinted copper plates. This print was made using a diaphanous silver aquatint, overprinted with a

An intense monoprint, "Intersections/Cosmos 12" made from variously etched and aquatinted copper

copper plates, reflecting the artist's awe at the immensity and enormity of the universe. Printed in

and aquatinted copper plates, reflecting the artist's awe at the immensity and beauty of the universe

aquatinted copper plates, inspired by the beauty and serenity of the universe. Printed in cerulean and

aquatinted copper plates, reflecting the artist's awe at the immensity and magnificence of the universe

aquatinted copper plates, a meditation on the immensity and mystery of our universe. Printed in cerulean and

aquatinted copper plates, reflecting the artist's awe at the immensity and boundlessness of the universe

copper plates, a reflection of the artist's awe at the immensity and unknowableness of the universe

etched and aquatinted copper plates, reflecting the artist's awe at the immensity and boundlessness of

aquatinted copper plates, reflecting the artist’s awe at the immensity and boundlessness of the universe

aquatinted copper plates, reflecting the artist's awe at the immensity and boundlessness of the universe

"Shattered Scaffold 18" is an abstract monoprint created using an etched and aquatinted copper

"Shattered Scaffold 16" is an abstract monoprint created using an etched and aquatinted copper

"Shattered Scaffold Six” is an abstract monoprint created using an etched and aquatinted copper

"Shattered Scaffold Seven" is an abstract monoprint created using an etched and aquatinted copper

"Shattered Scaffold 21" is an abstract monoprint created using an etched and aquatinted copper

large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions Persephone VI by Erik Pawass...

Original large format still life photograph from Linda Rosewall's botany study series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Itali...

Greek key stools with gold leaf finish and blue velvet cushions.

This is a made-to-order round traditional mahogany accent/foyer table made in the Leighton Hall shop. It features a field of crotch mahogany and borders of crotch mahogany and straig...

A plaster pendant in a smooth, undulating shell shape, with scalloped edges. A newer take on Francis Elkins's 1940s plaster plafonnier. Hanging by four white chains; with 3 medium ba...

The word "ensamble" means a set and comes from the French "ensemble," referring to one with another, together. From their own individuality, Peca (Guadalajara, 2007) and Studio84 (M...

Free shaped wall sconces made of layers of green splatter like Murano glass pieces covering a metal structure with three sources of light.

A mid 20th Century carved, hand painted and ebonized continental chinoiserie chest. The three drawers with Asian style decoration with gilt highlights. The French form with curved bo...

This Chinoiserie secretary is an elegant and intricately designed piece of furniture that combines the functional aspects of a writing desk with the aesthetic elements of Chinoiserie...

Pair of "Leaf" wall sconces in sculpted Murano glass and brass structure. One light bulb. Creation by Studio Glustin.

Mae nightstands with shelf by Crump and Kwash This listing is for a pair of new nightstands. Features Solid wood frame / hand turned legs / hand rubbed oil finish / solid brass p...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting ...

Daybed or bed, walnut, sheepskin, Italy, 1940s This daybed evokes the stylistic hallmarks of the Art Deco movement of the 1940s. Its design embraces a sense of unity and purity thro...

This 22" x 22" pillow features Bezique Flamestitch in blue and green on the front with Piet Performance Linen in Flax on the back. The Old World motif packs a lot of pizzazz into a c...

A pair of end tables in oak by Guillerme & Chambron, a very atypical design that rests on asymmetrical legs.

A wonderfully sculptural round side table with a wonderful hand-carved design on its exterior. Its neutral pigment and subtle wood texture makes it perfect for any space. A uniquely ...