Etching Plate

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit e...

Ernst Fuchs (1930-2015), color etching, "Bachnymphe", (Brook Nymph), 1976, hand-signed: Fuchs, numbered: 10/500, color etching on wove paper, plate size approx. 19.2 x 16.7 cm, glaze...

Jules Pascin (French, 1885-1930) "Two Women Reclining" Original Etching C.1920 Plate dimensions 9" wide x 12" high Frame dimensions 19.5" wide x 26.5" high Plate signed The etchi...

Vintage French Art Silverplate: Le Colin-Maillard Etching Jacques Firmin Beauvarlet Artist: Jacques Firmin Beauvarlet (French, Abbeville 1731–1797) Artist: After Jean Honoré Fragonar...

Lily of France is an original Modern artwork realized in the late 18th Century. Original B/W etching on paper. Signed on plate on the lower right corner: Papillon f..

They were later published in two portfolios, engraved by Maurice Potin and finally published in 1934. This plate comes from the archives of Maurice Potin.

William Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) & Walworth Stilson, (in the plate, lower, right) " St. John's Chapel, Varick S...

Cataloging: Micheler-Löpsinger 561; Field 72-8 Plate J

Medium: etching, engraving and mezzotint (after Claude Lorrain).

He was a painter, engraver and illustrator. Etching print, signed on plate on the lower right, titled.

Marc Chagall Fables : The frog who wanted to be as big as the ox, 1952 Original etching Signed in the plate Numbered out of 85 copies On vellum 39 x 30 cm (c. 15 x 11.8 in) With COA...

"The Rag Gatherers" is an original etching on zinc plate by J. A. M. Whistler. The artist signed and dated the piece in the plate.

Medium: etching, engraving and mezzotint (after Claude Lorrain).

Sacrifices among the natives - From “New Scientific and Curious Dictionnary concerning the Sacred and the Profane Etchings, Hand-Watercoloured. Tom.VII, Plate XIV Image Dim: cm 25....

In 1768 Piranesi began creating etchings depicting these objects. The plates were eventually published together as a set in 1778 in "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Luce...

Signed by the artist Edition of 75 Certificate of Authenticity Etching on 300gsm Somerset paper Plate: 85.5 x 60cm Paper size : 96cm x 71cm

Les Bords de l'Escaut is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Etching print. Signed on plate on the lower left.

"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white.

Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Boy with Cherries is a modern artwork realized after Edouard Manet by Henri Bérengier. Black and white etching. Signature on plate. Proof printing before the print run. 17 x 15 c...

Artist: Pablo Picasso Title: Monogram "J" with Landscape (Plate XI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed:...

Estan Calientes is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of the T...

In 1768 Piranesi began creating etchings depicting these objects. The plates were eventually published together as a set in 1778 in "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Luce...

George Segal (American, 1924-2000) Walter from the series Portraits Printed by Vigna Antoniniana Stamperia d'Arte, Rome, Italy Published by Stamperia d'Arte 2RC, Rome, Italy Hand sig...

From the series of 18 etchings "Mein Weg mit dem Weib", published in Dresden in 1919.

Both were synchronized with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even af...

Both were synchronized with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even af...

Both were synchronized with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even af...

Both were synchronized with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even af...

Both were synchronized with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even af...

Both were synchronized with the moon's path by a sophisticated preset clock system, and the resulting images, such as this example, maintained an impressive amount of detail, even af...

Atin Basak - Untitled - 11 x 15 inches (Plate Size) Etching on paper Inclusive of shipment in a roll form Style : Atin Basak says that his recent body of work represents the belief...

In etching, the plate can be made of iron, copper, or zinc.

Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) Very good condition

The Arrival of the Angels is an original artwork realized by Jean-Baptiste Huet (1745-1811) in the Late 19th Century. Etching print. Signed on plate. Good conditions.

Artist: Pablo Picasso Title: Square Head of a Man (Plate XXXI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 32/289 Frame Size: 21" x 18" Sheet Size: 13...

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

Cataloging: Micheler-Löpsinger 674; Field 74-8 Plate J Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long involvement with the genre fro...

Micheler-Löpsinger 669; Field 74-8 Plate B From the total edition of 462 plus artist proofs - numbered A 11/195.

‘Le Chapeau Épinglé’ is a color lithograph by Impressionist artist, Pierre-Auguste Renoir. Of the 200 editions of this print in color, some are done in 8 colors, and some are done ...

In 1768 Piranesi began creating etchings depicting these objects. The plates were eventually published together as a set in 1778 in "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Luce...

This is one of 30 copies with roman numerals reserved for the artist and his friends ("Imprimé pour l'artiste et ses amis") from an edition limited to 230 special copies; our copy al...

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

PRINTMAKER: Carlo Faucci (1729–1784) AFTER: Giuliano Traballesi (1727–1812) SITTER: Benedetto Menzini (1646–1704) DATE: 1769, dated in the plate MEDIUM: Original etching on paper...

They are marks on paper, made directly or through the intermediation of etching plate and printing press. In both his drawings and his etchings, Ziemann works immediately in the land...

As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the imag...

As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the imag...

As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the imag...

Pair of circa 1940s French mercury glass table lamps with etched floral decoration and silver plated bases. Measurements Height to shade rest: 26" Height of body: 18" Diameter: 7"

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.

My etchings were in black & white (not required), and all plates are worked in reverse so the immediacy of watercolor was very satisfying.