Etching Press Used

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York.

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit.

. / 54 x 69 cm Softground etching and aquatint (from two plates) with hand coloring in watercolor (green and orange).

Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become...

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Though known today primarily for his paintings, Rembrandt's fame spread outside the Netherlands thanks to his etchings. He made hundreds of etchings throughout his career from 1626 u...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in.

Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator.

They are marks on paper, made directly or through the intermediation of etching plate and printing press. In both his drawings and his etchings, Ziemann works immediately in the land...

They are marks on paper, made directly or through the intermediation of etching plate and printing press. In both his drawings and his etchings, Ziemann works immediately in the land...

Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Mark Tobey, Movement in White 1970 Plate 7 from Transitions portfolio Etching and aquatint on wove paper 11 3/8 x 9 1/2 in. / 28.9 x 24.1 cm 21 x 16 3/4 in. / 53.3 x 42.5 cm Edition...

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press, New York. Published by Petersburg Press, London and New York, for the Artists Benefit for Attica Defense Fund

Edition of 50 with 12 Artist’s Proofs: this copy 50/50 Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York.

Howard Hodgkin was introduced to the etching technique used in Early Evening in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become ...

Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press, New York. Published by Petersburg Press, London and New York, for the Artists Benefit for Attica Defense Fund

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98.

Howard Hodgkin was introduced to the etching technique used in DH in Hollywood at Petersburg Press, where he was a long-time collaborator.

Howard Hodgkin was introduced to the etching technique used in After Lunch at Petersburg Press, where this print was produced, and where he would become a long-time collaborator.

Containers 1972 (published 1973) Portfolio of 33 signed and numbered prints: nine etchings (eight with various collage additions), four offset lithographs, one etching, one transfer...

In 1975, Scholder did his first etchings at El Dorado Press in Berkeley, California.

Krakower was invited to make monotypes at Smith-Andersen Editions in Palo Alto, and etchings at Crown Point Press in San Francisco. He also was invited to artists' residencies in Otr...

She uses both copper and zinc plates which are printed on a Rochat press. Sheila finds etching forms an ideal counterpoint to her earlier work as a book illustrator.

In addition to a great deal of print work in Japan, he produced five etching projects with Crown Point Press between 1984 and 1992 and a woodcut in Crown Point’s Japan program in 198...

She is also a patron and member of the advisory board of Tandem Press, Madison, WI, which affords her continued artistic influence and education.

Designed and produced under the direction of Luke Ives Pontifell of Thornwillow Press, with copper etchings by Lothar Osterburg hand-printed by Jan Mauler.