Etching Press Used

Along the right side of the heart, hand-drawn text reads: “Red design for satin heart”. This is an etching from one of his most important artist’s books – completely designed and ill...

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Jim Dine Shoe (third state) 1973 Etching from one 20 x 26 in / 51 x 66 cm  copper plate Printed in black on sheet of 22 x 30 in / 56 x 76 cm  Copperplate Deluxe paper Edition of 15 w...

Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York.

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

. / 54 x 69 cm Softground etching and aquatint (from two plates) with hand coloring in watercolor (green and orange).

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Printed by Maurice Payne and Dany Levy at Petersburg Press, London. Published by Petersburg Press, New York and London. 1 run from 1 plate: Blue and Crimson Based on the drawing: Pa...

Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become...

Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York.

They are marks on paper, made directly or through the intermediation of etching plate and printing press. In both his drawings and his etchings, Ziemann works immediately in the land...

Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator.

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Though known today primarily for his paintings, Rembrandt's fame spread outside the Netherlands thanks to his etchings. He made hundreds of etchings throughout his career from 1626 u...

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

They are marks on paper, made directly or through the intermediation of etching plate and printing press. In both his drawings and his etchings, Ziemann works immediately in the land...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Mark Tobey, Movement in White 1970 Plate 7 from Transitions portfolio Etching and aquatint on wove paper 11 3/8 x 9 1/2 in. / 28.9 x 24.1 cm 21 x 16 3/4 in. / 53.3 x 42.5 cm Edition...

Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated.

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press, New York. Published by Petersburg Press, London and New York, for the Artists Benefit for Attica Defense Fund

Howard Hodgkin was introduced to the etching technique used in Early Evening in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become ...

Edition of 50 with 12 Artist’s Proofs: this copy 50/50 Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York.

Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press, New York. Published by Petersburg Press, London and New York, for the Artists Benefit for Attica Defense Fund

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98.

Howard Hodgkin was introduced to the etching technique used in DH in Hollywood at Petersburg Press, where he was a long-time collaborator.

Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen.

Howard Hodgkin was introduced to the etching technique used in After Lunch at Petersburg Press, where this print was produced, and where he would become a long-time collaborator.

Containers 1972 (published 1973) Portfolio of 33 signed and numbered prints: nine etchings (eight with various collage additions), four offset lithographs, one etching, one transfer...

In 1975, Scholder did his first etchings at El Dorado Press in Berkeley, California.

Artwork Details: Artist: Jacques Maret (1900–1980) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: 1...

Artwork Details: Artist: Roger Vieillard (1907–1989) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions:...

Artwork Details: Artist: Hermine David (1886–1970) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: 9...

Artwork Details: Artist: Jean-Gabriel Daragnes (1886–1950) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimen...

Artwork Details: Artist: After Jean Emile Laboureur (1877–1943) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper ...

Artwork Details: Artist: Andre Lhote (1885–1962) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: 9.8...

Artwork Details: Artist: Andre Dignimont (1891–1965) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions:...

Artwork Details: Artist: Edouard Goerg (1893–1969) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: 1...

Artwork Details: Artist: Marie Laurencin (1883–1956) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions:...

Artwork Details: Artist: Valentine Hugo (1887–1968) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: ...

Condition: Well preserved, consistent with age and medium Provenance: From the album Alternance (Alternation), published by Le Gerbier, Paris; printed by Atelier Lacouriere-Frelau ...

Artwork Details: Artist: After Pierre Dubreuil (1872–1944) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimen...

Artwork Details: Artist: Henri de Waroquier (1881–1970) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensio...

Artwork Details: Artist: Jacques Villon (1875–1963) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: ...

Artwork Details: Artist: Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Alternance (Alternation) Medium: Etching on velin de Rives paper Dimensions: 12...

Krakower was invited to make monotypes at Smith-Andersen Editions in Palo Alto, and etchings at Crown Point Press in San Francisco. He also was invited to artists' residencies in Otr...