Matthew Patton

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Antique and vintage wall-mounted sculptures can tie a room together and will work well with existing decor. From mid-century modern works to Art Deco to brutalist sculptures, there’s something to pair with every furniture style and aesthetic taste.

Whether you tend toward the dramatic or prefer to keep things casual with understated works of metal or wood, introducing wall-mounted sculpture as part of your decor is going to make a statement. Any sculpture, no matter its size or shape, will bring life into a space and accentuate the work you’ve already done to create a welcoming environment.

A unique three-dimensional figurative sculpture mounted on your dining-room wall is definitely going to stir reflection and conversation over meals and cocktails, while a trio of abstract works arranged on the bookshelves in your living room can add spontaneity and draw attention to your collection of first-edition artist monographs. And while decorating with busts, which are sculpted or cast figurative works, hasn’t topped the list of design trends every year, busts are back.

In your living room, perhaps you’re thinking about integrating a dazzling wallpaper design or large-scale landscape paintings.

If you’re instead considering creating a single focal point with a wall-mounted sculpture, there is an array of objects that you might not have top of mind. Art Deco wall mirrors, your collection of Fornasetti dinner plates or a grouping of ceramic wall planters, for example, when positioned to face the main entrance of your living room, will help you plan for furniture placement and can amount to a warm and inviting touch for an area that will see a lot of foot traffic.

The good news is that design is personal. Perhaps your space will benefit from a maximalist touch? Alongside his scores of Instagram followers, for example, unapologetic maximalist James Kivior, a design enthusiast and national educational manager for French cosmetics brands, is inspired by the idea of too much tiger print. If a maximalist approach sounds like too much for your modest-sized space, consider a sparse distribution of your collection instead — some vintage mid-century modern wall sculptures can go here, some vibrant folk art or Italian art glass can go here. Get creative!

Whatever your preference, find an extraordinary range of antique, new and vintage wall-mounted sculptures today on 1stDibs.