Michael Wright Paintings

May Hill by Eleanor Woolley [May 2021] original Oil Painting on Gesso Board Image size: H:15.2 cm x W:15.2 cm Complete Size of Unframed Work: H:15.2 cm x W:15.2 cm x D:2cm Sold U...

‘Springer Spaniel in Winter landscape is by British artist John Trickett, known for his paintings of dogs and hunting scenes. In this painting the black and white Spaniel is looking...

This is the left panel of what was originally a diptych, hence the name, but the right panel is no longer available. A new right panel will be made shortly. This painting in delicate...

Landscape in the works of Marilina Marchica the landscape and nature are the protagonists The trace and the sign of the passage of man is testimony of a time in constant evolution In the series “Landscapes” and “Signs”, poetic and rarefied images in which stasis and memory merge, the synthetic trait and minimalist practice give rise to entropic landscapes and signs, imprints of a universe made of abandonment and fragility. the deeper meaning of the relationship between man and nature over time mixed media on Cotton Canvas 80x95 cm 2022 pure cotton canvas and handmade wooden frame...

David A. Dreyer earned his BFA and MFA at Southern Methodist University in Dallas. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has had solo exhibitions a...

Brian Elwell began his artistic career at Chelsea School of Art, and was awarded the Chelsea Diploma in Fine Art and a Leverhulme Travelling Scholarship. He subsequently studied for ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with contrasting light, create a landscape in which, like a counterpoint, we come across a figure – sometimes one, perhaps two or more. The synthetic construction of form, clean contours, and strong divisions are elements which at first sight are the defining characteristics of the artist's style. It is impossible to pass one by and remain indifferent to the subdued harmony flooding these spaces which not totally defined. The drawings, however, are somewhat different. Although they contain the same motifs, at times even the same compositions – the value strategems employed by Julita create a sense of foreboding in a world already balancing on the edge. The painterly and graphic form constructed by the artist is itself thought- provoking . The heightened tones, the light which at times goes off the scale and the almost classic contours lead us to look at Malinowska's work through the prism of classicism and the great art theories of the 17th century. Such references are quite rare in the painting of today and beyond – in art. The search for a language allowing the artist to deal with universal issues and fundamental questions in order to understand the sense of not only art, but also life, has not been too popular a phenomenom in art over the last century. The artist has, however, for the last few years quite consciously defined the sphere of her search. It could first be seen in the diploma cycle of paintings, the summary of her years of study. “The role of the painting defined then and the concious selection of formal sources became the starting point for further artistic exploration, which I have been following carefully ever since.” Julita Malinowska Born in Otwock in 1979. Studied in the Art Department of the University of Maria Curie-Sklodowska in Lublin from 1999-2000, and then from 2000-2005 in the Painting Department of the Academy of Fine Arts in Cracow. Received a Sokrates/Erasmus scholarship in 2003 for Wolverhampton University in the UK. Graduated (MA degree) from the Painting Department in 2005 with distinction. From 2008 till 2011 was making Doctoral studies (PhD degree) at the Academy of Fine Arts in Cracow. In December 2012 defended PhD degree. In 2005 won Second Prize at The Samsung Art...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surface of the sky with the rough texture of earth or grass. I paint symmetrical reflections in water and rhythmic repetitions of trees. Even an ordinary, seemingly uninteresting fragment of the suburban landscape hides a beauty that I want to see and then transfer to the canvas. I am inspired by nature because it contains a hidden secret of existence. For me, painting it is a reflection on life and passing away. It is an attempt to capture the imperceptible essence, to paint what cannot be seen. I think that my paintings can be a respite, an antidote for a man tired of technology, constant rush, hustle and bustle of the city. Grzegorz Wójcik...

Street Shadows 1 [January 2021] Original Figurative Oil Painting on Gesso board Size: H:20 cm x W:20 cm x D:1.9cm Sold Unframed Please note that insitu images are purely an indicatio...

Abstract Landscape of Horses in Cornfield in Warm Colours by Modern Irish Artist Desmond Kinney Art measures 18 x 12 inches Frame measures 26 x 20 inches Desmond Kinney was born in Portstewart in 1934, attending Methodist College in Belfast and then the Belfast College of Art. In 1962 he started a successful graphic design studio called Kinney Dobson with Ralph Dobson. Kinney is best known for his revival of the technique of working with mosaics through the various large scale murals he has worked on, many of which can be found in Dublin. With the majority focused on Irish Legends, these include the mosaic mural...

Rachel Painter The Water & Horizon No.4 Original Landscape Painting Oil On Board Image Size: 15 x 20 x 0.3 cm Sold Unframed Free Shipping Please note th...

This oil on canvas painting is an example of the artist's fascination with the moments just before something unexpected happens. The painting gives a scene often enacted in Northeast...