Demonstrative of a unique marriage between artistry and technical excellence, Vistosi lighting fixtures were born from a rich Italian glassmaking tradition. The prolific glass manufacturer came to prominence after World War II for its modernist lighting designs, and today Vistosi is known for opulent chandeliers, lamps and sconces.

The history of Vistosi reaches as far back as 1640, when the Gazzabin family of Murano opened a furnace for producing Murano glass art. "Vistoso," which was originally a nickname, became part of the family's surname and eventually the name “Vistosi” was used to refer to the family’s glass creations.

Vistosi would be recognized by the glassmakers’ guild in Murano during the late 18th century — with Gio-Batta Vistosi becoming head of the guild — but Napoleon dissolved the Venetian state and closed the region’s glass factories by 1807. The modern iteration of the Vistosi company was founded in Murano in 1945 by Guglielmo Vistosi, a Gazzabin family heir.

During the 1950s, Vistosi's grandchildren, Gino and Luciano Vistosi, began specializing in lighting. In the 1960s and ‘70s, the company worked with renowned Italian furniture designers like Adalberto Dal Lago, Ettore Sottsass and Gae Aulenti. One of Vistosi's most famous collaborations was with Italian architect and designer Angelo Mangiarotti. In 1967, Mangiarotti designed a modular crystal-hook lighting system called Giogali that has enjoyed popularity and acclaim to this day.

In 1989, Vistosi was taken over by businessman Giancarlo Moretti, who had an extensive background in the lighting industry. Moretti's son, Matteo Moretti, reinvigorated the business with a series of new design collaborations in 1993. Some of the most notable partnerships included Chiaramonte and Marin, Mauro Olivieri and Michele De Lucchi.

Vistosi has participated in every Euroluce showcase since the lighting exhibition began in 1976. In 2005, the company won the ADI Design Index award for Mangiarotti's Giogali system. In 2007, Vistosi won the Eurispes award and participated in a Compasso d'Oro competition.

Today, Vistosi is still a leader in the lighting industry, shifting to LED and creating new types of lead-free crystal glass for its stunning range of lighting fixtures.

Find a collection of vintage Vistosi lighting and decorative objects on 1stDibs.

A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

Emerged during the mid-20th century
Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
A heyday of innovation in postwar America
Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

Simplicity, organic forms, clean lines
A blend of neutral and bold Pop art colors
Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood
Light-filled spaces with colorful upholstery
Glass walls and an emphasis on the outdoors
Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

Charles and Ray Eames
Eero Saarinen
Milo Baughman
Florence Knoll
Harry Bertoia
Isamu Noguchi
George Nelson
Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Finding the Right sconces-wall-lights for You

From the kitchen to the bedroom and everywhere in between, there is one major part of home decor that you definitely want to master: lighting. It’s no longer merely practical — carefully selected wall lights and sconces can do wonders in establishing mood and highlighting your distinctive personality.

We’re a long way from the candelabra-inspired chandeliers of the medieval era. Lighting designers have been creating and reinventing lighting solutions for eons. Because of the advancements crafted by these venturesome makers, we now have the opportunity to bring unique, customizable lighting solutions into our homes. It’s never been easier to create dramatic bedrooms, cozy kitchen areas and cheerful bars than it is today. Think of an elegant wall sconce as functional as well as a work of art, adding both light and style to your hallways, whimsical kids’ rooms and elsewhere.

When choosing a lighting solution, first determine what your needs are: Will you opt for a moody or a bright feel? The room that will serve as your home office will need adequate lighting — think “the brighter, the better” for this particular setting. For the bedroom, bedside wall lamps with warm-temperature bulbs could be the way to go to induce a sense of calm or intimacy. Try to match the style of the wall light or sconce that you’re installing to the overall design scheme of your room. It’s never “just a light.” You should approach the lighting of a room with a mindset that is one part practical and one part aesthetics-driven.

Let 1stDibs help you set the mood with the right wall lights and sconces for your home. Our collection includes every kind of fixture, from sculptural works by Austrian craftsman J.T. Kalmar to chic industrial-style wall sconces, from adjustable painted aluminum wall lamps designed by Artemide to a wide variety of minimalist mid-century modern masterpieces.