Rembrandt Lazarus
Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1842
By Rembrandt van Rijn
Located in St Annes, Lancashire
Wonderful image after Rembrandt
Fine Steel engraving.
Published by Fisher, London, Dated 1842
Category
Antique 1840s English Baroque Prints
Materials
Paper
$35
H 10.25 in W 7 in D 0.07 in
Recent Sales
The Raising of Lazarus
By Rembrandt van Rijn
Located in Oakland Hills, CA
which Lazarus rises from the grave. Rembrandt utilizes light and shadow to highlight Lazarus
The leper ( "Lazarus Klep")
By Rembrandt van Rijn
Located in Hudson, NY
etching
one of states of seven
9.3 x 6.5 cm
signed RHL and dated1631
ref.B171
Category
18th Century and Earlier Old Masters Figurative Prints
The Raising of Lazarus, Small Plate
By Rembrandt van Rijn
Located in San Francisco, CA
Rembrandt f. 1642.
A fine 18th century impression of Bartsch and New Hollstein’s second and final state
Category
1640s Old Masters Prints and Multiples
Materials
Etching
Rembrandt Van Rijn The Raising of Lazarus 1630 Etching Millenium Edition Framed
By Rembrandt van Rijn
Located in Keego Harbor, MI
A spiritual etching on Ingres d’Arches off-white laid paper paper titled “The Raising of Lazarus
Category
Antique 1630s Paintings
Materials
Paper
H 28.5 in W 24.25 in D 1.5 in
Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1841
By Rembrandt van Rijn
Located in St Annes, Lancashire
Wonderful image after Rembrandt
Fine Steel engraving.
Published by Fisher, London, Dated
Category
Antique 1850s English Baroque Prints
Materials
Paper
H 10.75 in W 8.25 in D 0.07 in
Original Antique Print After Rembrandt, the Raising of Lazarus, Dated 1846
By Rembrandt van Rijn
Located in St Annes, Lancashire
Wonderful image after Rembrandt
Fine Steel engraving.
Published by Fisher, London, Dated 1846
Category
Antique 1840s English Baroque Prints
Materials
Paper
H 10.75 in W 7.75 in D 0.07 in
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Rembrandt van Rijn for sale on 1stDibs
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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