United Kingdom

‘Tombs of the Sultans’ by Frank Dillon R.I. R.O.I. (1823-1909). The painting – which depicts the ancient Egyptian “City of the Dead” outside the old walls of Cairo – is signed by th...

‘Awakening’ by Herbert James Draper (1864-1920). This monumental masterpeice oil painting – which depicts two wood nymphs rising to meet the morning sun – is signed by the artist an...

‘Vigilance, Loyalty, and Devotion’ by Arthur Wardle R.B.C. R.I. (1864-1949). The painting – which depicts a young beauty surrounded by poppies and her three faithful canine companio...

‘News from the Front’ by Frederick Goodall R.A. H.R.I. (1822-1904). The painting – which depicts a diverse cross-section of Victorian figures gathered outside a post office as they...

‘A Day in the Country’ by William Frederick Witherington R.A. (1785-1865). The painting – which depicts a group of Victorian figures on a summer’s day before an extensive landscape ...

‘Young Beauty holding a Red Rose’ by Étienne Adolphe Piot (1831-1910). The painting is signed by the artist and hangs in a fine quality gold metal leaf frame. Academy Fine Paintings...

‘Vale of the Conwy’ by Samuel Lines (1778-1863). The painting – which depicts a single female figure in Welsh dress walking with a goat in an extensive mountain landscape – is signed...

‘Guinevere’ by Norman Prescott-Davies R.B.A, R.C.A. (1861-1915). The painting – which depicts an English medieval portrait of Queen Guinevere at Amesbury Priory contemplating her lov...

Investment Piece and Great Deal SKU 33301488 Comes With Hermès Dust Bag, Keys,Padlock,Clochette Date 2007 Model Birkin 35 Serial Number [K] Metal Palladium Materials Crocodile Leath...

Hermes mini Evelyne 16 black bag with black strap. This very practical and stylish bag has a detachable strap and can be worn over the shoulder or across the body. Metallic finish:...

Divine Loro Piana Bomber Leisure jacket. Bought for £2500 and new with tag/spare yarn. Made from incredibly soft navy baby cashmere with grey cashmere lining and rust brown trims. t ...

ARTIST: Mid/late 20th Century (English/Scottish School) TITLE: "Fishing In The Western Isles Scotland" SIGNED: labelled verso MEDIUM: oil on board CONDITION: very good, a couple of s...

Capri Holiday, 1958 - Snorkelling off Coast of Capri Island in Crystal Waters by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'C...

ARTIST: Frederick Golden Short (1863-1936) British TITLE: "New Forest Landscape Hampshire" SIGNED: lower right MEDIUM: oil on board SIZE: 43cm x 46cm inc frame CONDITION: very go...

This hand painted Limited Edition is gilded and painted by artist Shizico yi with original gold paint, oil and gesso paint on a premium aluminium panel made with giclee. Only 10 limi...

Antique Gypsy Band Ring 18ct Gold Hallmarked Birmingham 1879 Makers Mark B & H This 18ct yellow gold ring is an exquisite piece of jewellery that is sure to capture your atten...

Antique Adore Ring 18ct Yellow Gold Circa 1900 Introducing this stunning 18ct yellow gold antique ADORE ring, a true epitome of elegance and charm. This fabulous Edwardian acrost...

A large English copper street lantern. 20th Century Of large imposing form, hexagonal glazed lantern with a wonderful patina throughout. Top loop allows the lantern to be hung fro...

Peony No.11 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 100 x 125 cm and is part of an exclusive series of 10 prints, each han...

A Beautiful & Rare French Leather Club Chair, Circa 1950’s This beautiful cloud-back is a lovely thing. Classic and sophisticate styling and its condition is perfect. The original d...

Sea Drive 1967 Slim Aarons Limited Estate Edition Film producer Kevin McClory takes his wife Bobo Sigrist and their family for a drive in an ‘Amphicar’ across the harbour at Nassau....

ARTIST: Unsigned early / mid 20th Century Continental School TITLE: "Coastal Expansive Landscape" (probably France or Italy) SIGNED: appears unsigned MEDIUM: oil on relined canvas SI...

ARTIST: Early 20th Century Italian School TITLE: "Anticoli" & "Arsoli" MEDIUM: oil on panel (both) SIGNED: both lower left SIZE: 30cm x 25cm inc frame (a matched pair) CONDITION: ve...

Unveil the allure of metamorphosis with the Butterfly Statement Ring— a masterful blend of elegance and enchantment. Sculpted in gleaming rhodium-plated sterling silver, this exquisi...

Vintage Opal Cluster Ring 18ct Gold Hallmarked London 1970 Step back in time with this exquisite vintage 1970s cluster ring, a true statement piece that captures the elegance of...

Vintage Moonstone Ring 9ct Gold Tested Circa 1940’s This stunning tear drop shaped moonstone ring is a true vintage beauty. Made in the 1940s, it features a genuine, high-qualit...

Outstanding quality antique Regency figured mahogany 10 seater extending dining table having a quality figured mahogany extending top with a moulded edge and 2 original extra leaves,...

A unique and extremely elegant Paraibas Bezel Set Necklace that is gorgeous on its own or as a first or second layer necklace. It will look like you will be wearing a precious drop o...

A beautiful pair of tall table lamps blown Murano clear glass with gold inclusions, hand worked Romboidal lines on the glass surface two spheres with a central oval part.

Saint Tropez Boucherie, August 1971 - Women in Colorful Shorts Outside Butcher by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. '...

The Majestic Scottish Highlands by James M. Robert Greenlees (British, 1820-1894) signed oil on board, framed dated 1885 framed: 31 x 43 inches board: 23.5 x 36 inches Provenance: p...

"Broken Free!" by Joseph Dixon Clark (British, 1849 - 1944) signed oil on board, framed framed: 16 x 24 inches board: 10 x 18 inches Provenance: private collection, UK Condition: a ...

Easy to wear and extremely fine and elegant One Of A Kind Handmade Paraiba Tourmaline Ring Band. Beautiful colour contrast's between the Paraibas Gold and diamond tones. Lovely text...

English School c.1830 Portrait of Sir John Turney, Baronet oil on canvas, framed in antique period gilt frame framed: 36 x 41 inches canvas: 30 x 25 inches Provenance: private collec...

Flushing the Pheasant! by J. Langlois, British 19th century signed oil on canvas, framed framed: 33 x 53 inches canvas: 30 x 50 inches Provenance: private collection, UK Condition: ...

Vintage Aquamarine Cocktail Ring Platinum Tested Circa 1960s Step into a world of elegance with this fabulous vintage cocktail ring from the 1960s. At its heart lies a mesmerisin...

Antique Suffragette Ring 9ct Gold This stunning 9ct yellow gold Edwardian era suffragette ring is a true testament to craftsmanship and history. The ring features a captivating a...

Christ Healing the Sick French School, 19th century oil on canvas, unframed canvas: 15 x 20.5 inches Provenance: private collection, Europe Condition: some craquelure throughout, mo...

Sunset over the Highland Loch by F. E. Jamieson (British 1895-1950) signed (with pseudonym) oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private co...

The Roman Landscape French artist, .late 18th century oil on canvas, framed in antique gilt frame framed: 35.5 x 45.5 inches canvas: 29 x 39 inches Provenance: private collection, Fr...

Elegant mid-century style ceiling suspended mirror with a high quality handcrafted bronze patina full frame inspired by the celebrated work of Italian designer Gio Ponti. Designed an...

Portrait of a Foxhound Andrew Alexander ( Contemporary British) signed and dated 1985 oil on board, framed framed: 30 x 35 inches board: 24 x 29 inches Provenance: private collec...

Gordes, The Luberon Valley, Provence French artist, signed and dated 95 oil on canvas, framed framed: 29 x 38 inches canvas: 24 x 32 inches Provenance: private collection, France Co...

A wonderful antique rivetted copper boiler pot. c.1880 Great size and shape with the most perfect natural verdigris patina that only time can produce with a substantial riveted re...

Antique Heart Pendant 10ct Gold Stamped Circa 1880s * THE CHAIN IS SOLD SEPARATELY This exquisite Victorian heart pendant, crafted from a matt-finished 10ct yellow gold, beaut...

Antique Belcher Chain 9ct Rose Gold Circa 1900 This stunning Edwardian belcher link chain is made of 9ct rose gold and dates back to the early 1900s. The beauty of this piece lies...

Pair of Arts and Crafts Ladderback Chairs with Rush Seats English 19th Century Design This pair of English Arts and Crafts ladderback chairs, dating from the late 19th century, bea...

Richard K Blades is an expressive landscape painter working in the English Romantic tradition.  He follows in a long line of artists such as Turner, Constable, Seago, Daubigney and C...

A firey cloud over a calm sea captured in oil paint. Richard K Blades is an expressive English landscape painter in the English Romantic tradition.  He follows in a long line of art...

Vintage Aquamarine Cocktail Ring 18ct White Gold Circa 2000 Step into elegance with this striking cocktail ring, meticulously crafted from 18ct white gold. This stunning piece fe...

Antique Suffragette Ring 18ct Gold Circa 1910 This exquisite 18ct yellow gold Edwardian five-stone ring is a true celebration of vintage elegance. Beautifully crafted, it features...

Stunning Emerald with gorgeous neon glow vibrant medium green hues of 0.95 cts. Great on its own or as a layer necklace. Easy to wear and Ideal for any type of occasion such as form...

Beautiful sterling silver dress ring, set with a lovely fuschia pink topaz and cubic zirconia shoulders. The topaz has been heat treated. Ring size UK K 1/2, US 5 3/8, inside diame...

This pair of Chinese Export porcelain vases, dating to the early 20th century, is finely hand-decorated in the Famille Rose palette, a celebrated colour tradition within Qing dynasty...

Amena is a striking bronze sculpture epitomizing elegance and minimalism. The piece showcases a highly stylized female human figure, characterized by elongated limbs and an abstract ...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Vintage Heart Locket 9ct Yellow Gold Back & Front Stamped Circa 1940s *THE CHAIN IS SOLD SEPARATELY This stunning 1940s gold locket is a timeless piece that would make a wonder...

Antique Snake Bracelet 15ct Gold Stamped Circa 1890 This exquisite bracelet showcases stunning craftsmanship in 15ct yellow gold, featuring a unique snake link design that elegan...

Christ in the Garden of Gethsemane French Symbolist artist late 19th Century oil on canvas, unframed canvas: 13 x 16 inches Provenance: private collection, France Condition: a few ...

The Arc Well pendant lamp by New York-based lighting studio Allied Maker is a focused study in contemporary lighting design and technical craftsmanship. Handcrafted in the USA, it p...