Waylande Gregory Large Chuby Lamp

Waylande Desantis Gregory was born in Baxter Springs, Kansas, on June 13, 1905. He was a sculptor, a designer and a craftsman. He studied at Pittsburg State Teachers College, 1922 and enrolled in the Kansas City Art Institute. Within a few months, Gregory accepted a position with the McCartney Ornamental Plastering Company. Though still very young, Gregory was soon assigned his first major project of the design and casting of architectural ornaments for Strong Hall, the administration building at the University of Kansas, Lawrence. Gregory next found his way to the Chicago Art Institute, where he came under the influence of historian-sculptor Loredo Taft and began to work in marble, bronze and ceramics. Ceramics became Gregory’s primary medium. He apprenticed himself to the Midland Terra Cotta Company in Cicero, Illinois, then enrolled at the University of Kansas City to study chemistry, geology and mineralogy. Before embarking on his career as a ceramic sculptor, however, in 1928 he went as artist-designer to the Cowan Art Pottery Studio in Rocky River, Ohio. When the Cowan Studio closed in December 1931, Gregory went to the Cranbrook Academy of Art as a fellow-in-residence. In 1932, he established his own studio in Bound Brook, New Jersey and turned his attention to creating ton-size, ceramic statuary. He died in Elizabeth, New Jersey, on August 18, 1971.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Well-crafted antique and vintage table lamps do more than provide light; the right fixture-and-table combination can add a focal point or creative element to any interior.

Proper table lamps have long been used for lighting our most intimate spaces. Perfect for lighting your nightstand or reading nook, table lamps play an integral role in styling an inviting room. In the years before electricity, lamps used oil. Today, a rewired 19th-century vintage lamp can still provide a touch of elegance for a study.

After industrial milestones such as mass production took hold in the Victorian era, various design movements sought to bring craftsmanship and innovation back to this indispensable household item. Lighting designers affiliated with Art Deco, which originated in the glamorous roaring ’20s, sought to celebrate modern life by fusing modern metals with dark woods and dazzling colors in the fixtures of the era. The geometric shapes and gilded details of vintage Art Deco table lamps provide an air of luxury and sophistication that never goes out of style.

After launching in 1934, Anglepoise lamps soon became a favorite among modernist architects and designers, who interpreted the fixture as “a machine for lighting,” just as Le Corbusier had reimagined the house as “a machine for living in.” The popular task light owed to a collaboration between a vehicle-suspension engineer by the name of George Carwardine and a West Midlands springs manufacturer, Herbert Terry & Sons. 

Some mid-century modern table lamps, particularly those created by the likes of Joe Colombo and the legendary lighting artisans at Fontana Arte, bear all the provocative hallmarks associated with Space Age design. Sculptural and versatile, the Louis Poulsen table lamps of that period were revolutionary for their time and still seem innovative today. 

If you are looking for something more contemporary, industrial table lamps are demonstrative of a newly chic style that isn’t afraid to pay homage to the past. They look particularly at home in any rustic loft space amid exposed brick and steel beams.

Before you buy a desk lamp or table lamp for your living room, consider your lighting needs. The Snoopy lamp, designed in 1967, or any other “banker’s lamp” (shorthand for the Emeralite desk lamps patented by H.G. McFaddin and Company), provides light at a downward angle that is perfect for writing, while the Fontana table lamp and the beloved Grasshopper lamp by Greta Magnusson-Grossman each yield a soft and even glow. Some table lamps require lampshades to be bought separately.

Whether it’s a classic antique Tiffany table lamp, a Murano glass table lamp or even a bold avant-garde fixture custom-made by a contemporary design firm, the right table lamp can completely transform a room. Find the right one for you on 1stDibs.