Delectable Art

'King Penguin' by Tobias Martin is a Solid Bronze Animal Sculpture of a king penguin on rocks, white, vivid blue and orange patina. Tobias Martin was born in 1972 in Wiltshire, 12 ...

Celebrated for his bold, origami-inspired, metal sculptures that explore psychologically complex themes, Gerardo Hacer will take over the Broadway Mall on September 14th from 36th to 39th Streets in New York City, greeting pedestrians who will walk through the colorful exhibit of two dark turquoise coyotes, two medium turquoise rabbits, a magenta elephant, a yellow dog, and a green bear...

Cast resin multiple painted in colors, 2016, with the artist's stamped signature and title on the underside, from a limited edition of undisclosed size, published by Benesse Holdings...

"The Top Dog" Porcelain Sculpture 20" x 8" x 10" inch Ed. of 699 by Huang Yulong Size with base: H:500mm W:210mm L:250mm Body size: H:390mm W:185mm L:150mm The Top Dog(陶瓷&树脂) Child...

Lego, discarded wood, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...

Carmen Almon uses copper sheeting, brass tubing, steel wire and enamel paint to create exquisite botanical sculptures. She captures the fragility of a moment in time by interpreting ...

medium: reclaimed button-down, wire, floral tape, brass vase Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea C...

medium: reclaimed button-down shirts, wire, flower frog ARTIST STATEMENT "Flowers have been a large part of my work for years, but they took on new meaning for me in 2020. As our backyards and gardens became a common respite from the fear, isolation, and boredom of the early days of the pandemic, I thought about the ubiquity of flowers in our lives. We use them to celebrate when life is good, as well as to sooth ourselves when it is not. Their ambiguity is what allows them to be such a versatile symbol. As the world became more uncertain, I craved beauty, both in my life and in my work. Fairly quickly the floral motifs that have been a mainstay of my wall installations began to dominate my sculptures and appear in my paint-chip mosaic work. Most of my flowers are created using second-hand shirts sourced from thrift shops. As I shop for materials, I focus on searching for certain colors, textures, and patterns, but I also think about the people who once cherished these items of clothing. I think about how the shirts end up here. Did the size or style no longer fit the owner? Or maybe it was part of the final Goodwill run after a loved one passed. I like to think that an article of clothing can have a memory, retaining the essence of the person who wore it and that once transformed, a little bit of that spirit becomes part of the artwork. Over the years, since I started making flowers from shirts, I’ve had many people tell me that a petal or a leaf is made from the same material as a shirt that they once had. I often wonder if objects can circle back and reunite with their previous owner. I realize that the odds are slim, but they’re not zero. If you have donated a shirt to charity in New Orleans in the last couple of years, then there is a chance that a little bit of it is hanging on the gallery wall right now." BIOGRAPHY CARLTON SCOTT STURGILL was born in Cincinnati, Ohio in 1971 and is a graduate of the University of Cincinnati (B.A. 2002) and Chelsea College of Art and Design (M.A. Fine Art 2005) in London, United Kingdom. His multidisciplinary body of work includes painting, sculpture, collage, and installation and incorporates a wide variety of materials, with a particular emphasis on repurposed everyday objects. His site-specific floral installations created using second-hand button-down shirts have been displayed in settings as diverse as the Drifter...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Gregory GREEN Untitled (Louis Vuitton, Vanity Case Bomb), 2000 Mixed media 21 x 40 x 23 cm unique Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Ignacio Gana Mermaid Gold Bronze on granite base Signed and numbered by artist Available in two sizes: 23 x 12 x 11 inches, From a series of 10 48 x 27 x 21 inches, From a series o...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

"The Godfather" Bronze Sculpture 28"x18"x7" inch Edition of 8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a B...

Frost on the Pumpkin by Dan Ostermiller cast bronze rabbit sculpture, 6.5x7x5" AP/30 available from a closed edition. Shipping price includes the custom packing necessary for safe t...

2005 Wood Edition of 100 Limited Edition made by VILAC

Kiva Ford and Jupiter Nielsen Untitled (Yellow Orchid), 2017 Borosilicate and UV glass 9.75h x 6.5w x 6.5d in

Kiva Ford and Jupiter Nielsen Untitled (Pink Orchid), 2017 Borosilicate and UV glass 11h x 8w x 8d in

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This tragicomic depiction of a moose plummeting from a cliff merges playful, pop art inspired elements with deeply iconic Canadian imagery. The steel moose silhouette sculptures have...

Notable New Orleans artist Sarah House's work centers around what she calls "fractals" - occurrences of order in nature, here appearing as crystal forms juxtaposed with a more amorph...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...

A Sculpture, made of resin and Silver Chrome plated, in an edition of 8. The pear series exist in 2 sizes and several color variations. some other edition colors are showcased in the pictures. This listing of the Silver Chrome color large size. Cat Sirot...

Four Term Figure sculptures with classically draped figures and their distinguishing symbols in carved Vicenza stone. Autumn, winter, spring and summer. Measures: Height with squar...

The work of Eric Serritella is a paean to nature, offered in clay. His trompe l’oeil ceramic sculptures are effigies of nature burned by man. His forms echo natural organisms so per...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

"Relic of the recent past..." is a freestanding sculpture by Darla Jackson measuring 13.5”h x 5.5”w x 7”d. The piece, which is part of an edition of 3, is made from hydrocal, black g...

"Mastiff" by Dan Glanz Bronze dog sculpture 16.5 x 13.5 x 23" ed/30 (#3 currently in inventory) ABOUT THE ARTIST:  Award winning sculptor, Daniel Glanz, began his career in illus...

"Blue Dumpster" is an original paper, wire, enamel, dry pigments artwork by Drew Leshko measuring approx. 4.5"h x 6.5"w x 3"d. Drew Leshko is a Philadelphia, Pennsylvania-based arti...

"Discount Cigarettes" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 15"h x 10"w x 0.75"d. Drew Leshko is a Ph...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

"Weekday, Faraway" is an original Metal, mirrored glass, crushed quartz, polyesterfibre, plastic, wire, and enamel paint artwork by Kendal Murray measuri...

"Tantalize, Synchronize, Exercise!" is an original metal, mirrored glass, polyester fibre, wire, plastic, and enamel paint artwork by Kendal Murray measu...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

"N.E.S.W" BRONZE sculpture 37" x 19" x 19" inch Edition 3/8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a Bac...

Kiva Ford and Jupiter Nielsen Untitled (Blue Flower), 2017 Borosilicate glass 9.5h x 6.5w x 6.5d in

"Percheron" by Dan Glanz Bronze Horse sculpture 12x5.5x16.5" ed/30 mounted on granite. The strength of this work horse is captured in bronze. ABOUT THE ARTIST:  Award winning scu...

This work of art was done with 14,570 delicately placed pins upon hanging ropes. The concentration of pins is what makes the tiger appear. They are all firmly inserted with resin whi...

Made from a real pizza nestled in its original box opened using high-chromium stainless steel, the piece measures 16" x 16" x 21", weighs approximately 80 pounds and is an Artist Proof. The artist sees his creation as a reflection of the cultural distortions represented by memes, a statement he has expressed perfectly in his reflective, yet unevenly textured, medium. "You look at your reflection [in the piece], and it's distorted in the stainless steel." The piece was born in 2007, just as the social internet was beginning to explode out of the digital back rooms and onto the world stage under the watchful eyes of Myspace, Facebook, YouTube, Reddit, Twitter, Tumblr, and other popular platforms. But Big Sausage Pizza was conceived well before that, in the Wild West days of the internet when few truly public forums existed and media of every kind was most commonly shared via email. In those days one never knew what to expect from a link or an attachment and each click had equal odds of either brightening your day with a dancing baby or posing a risk to your computer, your dignity, or your relationships... and that was half the fun. Every recipient of these images, videos, or audio files suddenly had the means not only to pass them along to as many people as they pleased, but to change and individualize them before sending them on. In this way, the media very quickly mutated and were distributed around the globe. In other words, they became true memes. Pizza has evolved in much the same way. Like the internet, it started as an artifact of a specific culture, but today both are so common throughout the world that most of us can barely remember a time when they were special and exotic. Just as the internet simply IS, pizza also simply IS. We used to make pizza at home, or at least buy it in a place where they were handmade and offered a limited list of toppings. Today, the meme that is pizza is brought to our tables by an almost entirely mechanized process, and it's so wildly mutated that each individual has the ability to create a new twist on the old...

A 'Seated Dachshund’ sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled dachshund sat up straight on his hind l...

'Pieds Beau' Chair by Julien Righi French Sculptor Mythological themes run through Juliens work in his series of sculptures of cities that are timeless, both ancient and futuristic. They are safe havens taking you to new worlds with cities built on the ruins of the old world, wonderful cities with fairy tale castles, mystic monasteries and temples reaching up and up towards the light. Julien portrays in all his pieces the evolution of mankind with a powerful chaotic beauty bringing great hope for our future If waste can transcend to greater aesthetic heights, then mankind can too. We can rise up like the cities he creates up and up towards the light, filling us with light, until we are the light by transformation, transmutation and alchemy. Julien Righi b 1977- contemporary sculptor...

Golden by Craig Campbell Expressionistic Dog Sculpture 12 x 4.5 x 8.5" Bronze 1/1 Man's best friend, a Golden Retriever retrieving ABOUT THE ARTIST: Craig Campbell began sculpting ...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

Lee Wells / Stewart Home Shredding the Classics, 2015 (after Stewart Home's, Book Shedding Actions) printed hardbound books, paper and electric paper s...

This contemporary plaster sculpture of a ram’s head is inspired by the art of Ancient Rome and Ancient Greece with a reference to Neoclassicism and Neoclassical period old masters, when the discoveries of archaeological sites became the focal point in art history between the 18th and 19th century. The artist is able to attribute incredible details to this work of art featuring a majestic appearance due to its large curling ridged horns. This animal figurative work of art is sculpted on the round, the artist took inspiration both from his imagination and archaic reminiscences. He modeled the inert chalk creating an animal with very real facial expression and incredible realistic features with intricate detailed head. This sculpture is the plaster cast hand modeled by the artist that served him as a reference model to create a bronze sculpture with the lost wax technique, also the bronze version is on sale on my page. So it represents the first phase of a fascinating and long process of creating sculptural art, a studio piece made as a maquette before a bronze version was cast. The present aries' head sculpture has been painted to simulate the green patina that archaeological metal sculptures take over the centuries. Two green patina sculptures...

"Unfolding the Magic" There is something magical about Kevin Box’s sculptures. Each one of them is an ode to imagination, to simplicity, to childhood fun. Viewers, however, experienc...

Hitromemut (Uprise) Beautiful large sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumental version of this in front of the Habima Theater, Israel's National Theatre in the heart of Tel Aviv. this is from the small edition of 10. The elements of this work, are balanced on top, in opposition to its construction. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...

"Untitled Sculpture (1)" Sculpture 18" x 4" x 4" inch by Chad Muska Unique Stone, wood, steel For Chad Muska, an American multi-talented individual, art isn’t just a part of life....

Ignacio Gana Chocolate Girl 48 x 21.5 x 18.75 inches Bronze on granite base Series of 10 Signed by artist Currently on display at Art Angels Ignacio Gana Sculpture Bronze Sculpture

"My King" Porcelain and Aluminum Sculpture 31" x 20" x 4" inch by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a B...

Robert Mickelsen Parasol, 2009 Borosilicate glass 33h x 34w x 34d in

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Kiva Ford My Compliments to the Chef, 2014 Borosilicate glass and stainless steel 20.50h x 8w x 8d in