Design Gestalt

44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

Greenfield's versions are rendered in the Byzantine style of their art historical predecessors, with the black Virgin Mother and Baby Jesus as the central focus within circular compo...

Walnut

Model Nation - portrait of models with smart phones taking photos All prints are available in limited editions. Available in multiple sizes. High-qualit...

Beautiful blue & yellow portrait of Seitenstetten Library, Austria by the master of interior photography Massimo Listri. All prints are limited edition. Available in multiple sizes...

TECHNICAL INFORMATION Victor Vasarely Titan A 1985 Screenprint 22 x 23 1/2 in. Edition of 300 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art Con...

This artwork depicts blue skycrapers on a red sky, with flat light mauve clouds. Numerous yellow-orange halos are floating in the red sky. This piece is not framed. Jean-Marc Bois...

This artwork pictures labyrinthine walls forming hollow mountains. This piece is not framed. Jean-Marc Boissy is a talented and promising French art...

Acrylic on aluminum - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of the view...

Recordings is a collection series of experiences with different men who have passed through my life sporadically. During this process, I collect the peak moment of joy, the ecstasy o...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Paloma Castello's Tropicarios is an invitation to experience a space in which the fiction and her memories of the tropics blend together to create a personal approximation between ou...

ABOUT THIS ARTIST: Julien Blank is a french photographer from Marseille, south of France. He photographs his city, streets and architecture through minimalist, bright and colorful co...

This painting would make a lovely Valentine's Day gift, order today in time for holiday delivery! This geometric abstract acrylic on canvas Op Art painting is part of Weaver's "Cubes...

Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...

Italian School, 16th Century Provenance: Private Collection, New York This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...

Photolithograph. Hand signed. One of the most important and famous works of Land Art by Christo. Lightly damaged.

Pachter has often used the tent as a symbol of the country, of military history, and the journey implied by the use of the tent, and of course, the primary symbolism of the pyramid. ...

Beautiful original drawing by Jackson Pollock. Gouache and ink on paper. Exhibitions: Marlborough Gallery, London, 1961, n.39 Marlborough Gallery, Rome, 1962, n.41, From the catalogu...

Vintage Poster for the exhibition Editions de se sur Marcel Duchamp. One of 400 copies with title and date of exhibition, of a total edition of 500. Unsigned. Schwarz, Ref: Catalogue Rainsonne 396 Marcel Duchamp was born July 28, 1887, in France. After the sensation caused by Nude Descending a...

MATISSE, Henri. Les Jockeys Camouflés. By Pierre Reverdy. Illustrated with reproductions of 5 drawings by Matisse. 4to., bound in original printed wrappers, Paris: The Author, 19...

A Widow in Her Bedroom, 55th St, NYC, 1963 by Diane Arbus is a vintage gelatin silver print, printed by the photographer. The subject, a widow, is dressed in a shiny dress...

Linocut on Daragnès paper, Edition of 25 Paper size: 52 x 33 cms (20 1/2 x 13 ins) image size: 18.5 x 14.3 cms (7 5/8 x 5 5/8 ins)

Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie. This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass. “Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...

Gauguin came back to Paris in August 1893 from his first stay in Tahiti, In the luggage numerous drawings and preparatory work for a book designed by him. In collaboration with the writer Charles Morice, parts of the text "NOA NOA" were created in Paris in the winter of 1893-1894. The plan was for a preferred edition with 10 almost identical woodcuts, all of which were made in the winter of 1893-1894. According to the individual proto-prints by Gauguin, the artist left the artist to Louis Roy...

Provenance: Santambrogio Antichità, Milan; sold, 2007 to: Filippo Pernisa, Milan; by whom sold, 2010, to: Private Collection, Melide, Switzerland De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by: Private Collection, Connecticut (2011-present) Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary. This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor. The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...

Helen Frankenthaler (1928-2011) "Parets" Collagraph drawn with Araldite glue, c. 1988 Printed in light burnt sienna from one steel plate, off white handmade paper Signed in lowe...

FREE SHIPPING TO WORLDWIDE Artisan: Laura Bugarini Cota MASTERPIECE Carved polychrome jar painted with geometric design.   - Dimensions: 11" x 14" i...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. The Andean coastal desert of southern...

Carte postale Stamped on verso "Foto Martin Chambi, Cuzco"

Acrylic on paper + frame

Araquém Alcântara Portrait, Canudos, Brazil, 2015 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Ar...

FREE SHIPPING TO WORLDWIDE Artisan: Laura Bugarini Cota MASTERPIECE Carved polychrome jar painted with geometric design.   - Dimensions: 9" x 10" in...

Araquém Alcântara Jaguarete #9, Brazil, 2018 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archiva...

Los Angeles based gallery presents a new series of Chinese contemporary ink paintings ranging from the 1960’s to the current period. Paintings are by chinese artists who are respected in China, or in the world of Chinese art, some of whom are masters in their own right. This is a Chinese ink...

"Sem Titulo" gouache on paper. Illustrated in Barsotti's book page 146. The full sheet size listed in the catalogue is 21cm x 30cm. The specialty frame incorporates a mat cut up t...

Rodrigo Katayama Rainforest, Brazil, 2018 41 x 27.5 inches Edition of 13 60 x 40 inches Edition of 9 71 x 48 inches Edition of 5 Archival Pigment Print

Alexandre Manuel Zhangjiajie I, China, 2018 12x12 inches Edition of 10 Silver Gelatin Print

This piece is a pot made by an unknown artist in Pre-Columbian Peru. It takes the shape of an owl and has a circular handle with the opening on its back. This pot is a light beige an...