Fall 2023

"Robin" is a leather basket, designed by Claude Bouchard and manufactured by Oscar Maschera, and is part of Foglia Couture collection. Genuine Italian leather vegetable tanned. Color...

Embrace your inner flower child and give in to FLOWER POWER. In luxurious green and black British-made velvet, this floral-shaped footstool will bring a touch of 1970’s hippie-chic t...

Signed by the photographer

Charming and whimsical pair of table lamps with classic form decorated with a reverse decoupage technique under glass of sea life and shells on a white background. Signed "Mercedes 9...

Iconic pendant by Stilnovo. 6 Lights, brass arms and canopy, original opaline glass balls. Excellent condition, beautiful brass patina.

Four beautiful Biedermeier chairs with an unmistakable design, black shellac for the structure and a beautiful blue silk for the seat. The chairs are polished in black shellac, have...

A superb pair of specimen marble obelisks constructed from a variety of specimen marbles. The highly decorative and large scale pair complements traditional and contemporary interiors.

Aldo Tura bar cart in form of a pipe, lacquered in red goatskin with golden brass applications and a huge container as champagne or wine cooler. Following the idea of Rene Magritte....

'Composition in Red and Blue' is a vintage abstract expressionist original oil painting on board by Charles Bunnell (1897-1968) from 1951. Signed and dated by the artist in the lower left corner. Abstract composition painted in shades of white, cream, blue, red, and tan. Presented in a vintage frame, outer dimensions measure 28 ½ x 22 ½ x 1 inches. Image size is 24 x 18 inches. About the Artist: Charles Bunnell developed a love for art at a very young age. As a child in Kansas City, Missouri, he spent much of his time drawing. When he was unable to find paper he drew on walls and in the margins of textbooks for which he was often fined. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer. He studied with Ernest Lawson in 1927-1928 and, in the winter of 1928-1929, he served as Lawson’s assistant. In the late 1920’s, the Bunnell’s settled just west of Colorado Springs and 1928, they welcomed the first of their three children. Their one-acre homesite, which they referred to as “Old Home Place”, was situated between two sets of railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half studying under Boardman Robinson. The two men clashed constantly due to a generation gap and markedly different philosophies. Robinson encouraged his students not to stray from realism and though Bunnell mastered Robinson’s preferred style of American Scene painting, he regularly irritated his professor with his abstract sketches. Bunnell taught at the Kansas City Art Institute during the summers of 1929, 1930, 1940, and 1941. Between 1934 and 1941, he painted and taught under federal projects which included assisting Frank Mechau on murals for the Colorado Springs Post Office. However, he did not take to mural making and, after criticism from Boardman Robinson about his use of “heavy daubs which have no place in mural work,” he abandoned mural-making altogether. By the late 1930’s, Bunnell’s work departed from the American Scene/Modernist style he was trained in towards abstraction. This is marked by his “Black and Blue” series, consisting of 83 abstracted ink and watercolors. Affected by the Second World War and the loss of his 10-year old son, Bunnell’s work of the early 1940’s took on a Transcendental and Surrealist tone. The works from this period are moody and readily reflect the political and personal turmoil experienced by the artist. In the late 1940’s, Bunnell began experimenting with Abstract Expressionism. He alone is credited with introducing Colorado Springs to the new style as it was excluded from the Fine Art Center’s curriculum by Boardman Robinson. Bunnell excelled in Abstract Expressionism and continued to evolve in the style through the 1950’s continuing to his death in 1968. He was recently recognized as a premier American Abstract Expressionist by his inclusion in the book American Abstract Expressionism of the 1950’s: An Illustrated Survey. Solo Exhibits: Kansas City Art Institute, Kansas City, Missouri, 1930; Santa Fe Museum, Santa Fe, New Mexico, 1947; University of Illinois, Urbana, Illinois, 1948; University of Kentucky, Lexington, Kentucky, 1949; Taos Gallery, Taos, New Mexico, 1951; Carl Barnett Galleries, Dallas, Texas, 1952; The Bodley Gallery, New York, 1955; Amarillo, Texas, 1955; Haigh Gallery, Denver, Colorado, 1955; Colorado Springs Fine Arts Center, Colorado Springs, Colorado, 1956; Dord Fitz Art Gallery, Amarillo, Texas, December 1956 – February 1957, 1959, 1969 (retrospective). Group Exhibits: Carnegie Institute, 1927-1928; Colorado State Fair, 1928 (1st prize); Artists Midwestern, Kansas City, Missouri, 1929 (Gold Medal); Art Institute of Chicago, 1947 (the exhibit traveled to ten major museums in the United States); “Artists West of the Mississippi”, Colorado Springs Fine Arts Center, Colorado Springs, Colorado (7 times); Denver Art Museum Western Annual, Denver, Colorado (5 times); Mid-America Annual, Kansas City, Missouri, 1958; First Provincetown Festival, 1958; Southwestern Annual, Santa Fe, New Mexico, Winter 1957-1958; Central City, Colorado; Cañon City...

A French Louis XVI period walnut commode circa 1790 with three drawers, linear brass hardware, cylindrical tapered legs and rounded fluted side posts. Step into the elegance of the F...

LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed) Framed; lower right signed and dated: H. Corrodi, 1892

Ventola table lamp by the artist Diego Mardegan exclusively for Glustin Luminaires. Beautiful two ways shade made of a brass structure, parchemin paper and waxed fabric hold by an...

A fine antique Victorian glass & sterling silver perfume bottle with an integral vinaigrette. By Sampson Mordan With a faceted ruby glass bottle mounted in etched gilt silver m...

Monumental eight panel floor screen featuring a serene European landscape in Grisaille. Bespoke screen from Dennis & Leen in Los Angeles, CA measuring over 20 feet wide and nine feet...

Vintage 1971 Hobie balsawood surfboard made by Mickey Muñoz. Features a classic 1970s stringerless balsa design with beautiful 11 piece redwood/balsa fin. Rounded pintail shape desig...

Designed by Thomas Sauvage for EGO Paris, the Tandem sun lounger was awarded the Red Dot design award in 2008. Constructed from a thermo-lacquered aluminu...

Art imitates nature across HERBARIUM: our reimagining of the exquisite floral mosaics by Mary Delany. The epitome of a late bloomer, the 18th century English artist began crafting he...

René MAGRITTE Les bijoux indiscrets (Indiscrete jewels), 1975 Original lithograph (Printed in Mourlot Workshop) Printed signature in the plate Unnumbered as usual (limited edition o...

Alfonso Hüppi (1935) Untitled Mixed media on canvas (paint, wood) 49 x 54 cm Signed and date 1962 Hüppi was born 11 February 1935 in Switzerland. He was...

Tito Agnoli for Matteo Grassi "Korium" Cognac Brown Leather Armchair, Italy 1970s This is an iconic "Korium" cognac brown leather armchair designed by Tito Agnoli for Matteo Grass...

Artist: Joseph Solman, American (1909 - 2008) Title: The Red Beard Medium: Oil on Canvas, signed Size: 20.25 x 12 inches Frame Size: 30 x 22 inches

A lovely pair of late 19th century pilgrim flasks of Italian origin,  from Central Italy and dating to approximately 1880,  realized in a very thick terracotta, the flattened ovoid s...

Gionathan de Pas, Donato D’Urbino & Paolo Lomazzi for Zanotta, 'settebello' modular sofa, fabric, polyure...

A hand carved antique draped stone sculpture with a beautiful patina. Unmarked. Sourced in France, early 1900s.

Handwoven Macorina rug 300 by ALLCA One of a kind Dimensions: W 200 x L 300 cm (0,5 cm. Thickness) Materials: 100% recycled PET, 100% handwoven, digitally printed Custom dimensio...

"Pau V1 is a 21st white armchair made by Italian artisans in painted and spray coated Polystyrene with an incredible metallic final coating that makes the object as reflective as chrome-plated metal. It is part of the collectible design language Pau that has been developed and authentically signed...

Column vase by Marta Bonilla Dimensions: D27 x H37 cm Materials: Terracotta, Clay Column vase: Piece of high temperature hand modeled with pinkish brown clay with chamotte. Glaz...

The triunphant entrance of a Sultan into a conquered city is the theme of these collection in which all the plates are part of the same image, connected amongst them and telling one ...

Low table by Nicolini Bertocco, Italy, 2019. Nilufar edition. Brass. Measures: 39 x 90 x h 40 cm, 15.3 x 35.4 x H 15.7 in. The collection is inspired by Mies Van Der Rohe’s famous cr...

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Parma Blue Pesaro Secretary with Roses. We love how the choice of sweet curves and pastello colors ...

Pair of stools in "Bamboo" style and gilt metal with a Dédar fabric. Creation by Studio Glustin.

Richard Heeps Dream in Color 'Pool Installation'. A set of nine individual artworks, vibrant yet serene they take you on a journey through California & Nevada through the eyes of the...

Glass takes the place of canvas in this Qing Dynasty reverse glass painting dating to the 19th century. Chinese painters and calligraphers bega...

Knitted and woven textile made from com- bining high quality polypropelyne rope and parachute chord that is sculpted with epoxy to form a strong composite structure. Finished with a ...

Newly reupholstered in fabric "Mons" from Astrid Textiles. Very good condition. Produced by A.P. Stolen in Denmark.

An original and authentic Italian 1950s curved comma sofa, designed by either Ico Parisi or Federico Munari. The sofa retains its original fabric and tassles and is of curved organic...

Set of 4 square cushions by Warm Nordic Dimensions: D45 x W45 cm Material: new wool, cotton, 100% Trevira CS, feathers Weight: 0.95 kg Also available in ...

Antique NW Persian Bakshaiesh Carpet ( 13' x 19' - 396 x 579 cm )

Brown Saltman, desk with chair, wood, United States, circa 1940s A cubist desk with chair. This set holds a similar idiom with clear forms and lines. Both the chair and the desk ...

A modular stool and storage system created to accessorize a living space. Can be used facedown to act as stools or a small coffee table or turned upright...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan. Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery. Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy. — Howard Tangye Craig (Richard's Friend - Sitting - Blue Jacket), 2012 Mixed media on grey...

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

Carl Malmsten, ‘Redet’ lounge chair, stained mahogany, reupholstered in Métaphores “Eden Citrine” fabric, Sweden, design 1936, production 1937. Crafted in 1937, the 'Redet' easy cha...

Pair of vases, French, of pigmented terra cotta. The vases are hand made in the tradition of Vallauris, on the French Riviera. The vases boast stylized Modernist facial features and ...

Onda dining table by Marmi Serafini Designed by Greg Natale Dimensions: D 130 x H 75 cm Materials: Marble Available in other marbles. Prices may vary according to the marble selectio...

Contemporary glazed porcelain sculpture by Matthew Solomon. Unique piece, signed and dated. Using fine porcelain and glazes he crafted himself, Matthew Solomon translated the unru...

Designed in 1971 - Paradisoterrestre Edition 2019 This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 19...

We offer here 2 extemely rare fiberglass lounge chairs by Luigi Colani. ca. 1968, probably made for Heinz Essmann, Germany. T chairs were repainted by our lacquer master company...

Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York and Santiago) integrates practices of poetry, performance, Conceptualism, and te...

Tanzanite Merelani Hills, Lelatema Mountains, Simanjiro District, Manyara Region, Tanzania Measures: 12 cm tall x 6.1 cm wide Tanzanite has only been found in one place on e...

The exquisite detailing on the Palissy extends beyond the print to the design of the sofa itself. Swathed in CASPAR velvet, an ornate tapestry of antique vases, birds and flowers ins...

Angelo Mangiarotti for Skipper "Eros" dining table in beautiful grey marble, Italy, 1970s Marble rests on 2 cone pedestals Great example of...

In this flashe painting on canvas, thin, carefully ordered stripes of color in gradient shades of soft hues, starting with pale peachy shade of beige in the center to light lilac and violet and purple transition back to light beige at the edges. Signed, dated and titled on verso. Audrey Stone has spent her lifetime being fascinated with color and line. Her paintings are explorations of these two elements, appearing in thick blocks of color and subtle color gradients. The boundaries between broad and narrow bands of color generate optical vibrations, stimulating visual processes for a viewer as the colors transition and inform an emotional and physical response to the work. Stone’s paintings present a dynamic opposition within graphic blocks of color in a perfect ordered symmetry, a simultaneity of excitement and calm, movement and stillness. Audrey Stone’s work has been exhibited across the US as well as in Tokyo, Vienna, Prague and Bulgaria. Her work has been featured in The New York Times, W Magazine, Times Union and New York Artist Circle, to name a few. The work is in the collections of Ameritas Foundation in Bulgaria and Credit Suisse among others. Stone earned...

Rare and unusual marble and chrome table signed Jean Charles for Maison Charles C 1970. This table has an unusual marble top with faux marble painting resting on a chrome and bronze ...

From our hand painted Furniture Collection, we are pleased to introduce you to our Deep Sea Blue Barberini Chest with Drawers. In a Deep Sea Blue color background with our sunflower...

Julia (Elsie Julia Miller) Schleicher (Canadian/American, 1916-1988) Woman Tennis Player Pastel and gouache on board 18 x 13-5/8 inches (45.7 x 34.6 cm) S...

Signed, "A Rackham" lower right Sotheby's New York - The work has recently been elegantly framed with a high end frame and archivalled matted and looks wonderful in person. Arth...

A graduate of the École Nationale Supe´rieure des Arts De´coratifs de Paris (ENSAD), jewelry designer Taher Chemirik has collaborated with some of the world’s most prestigious fashion labels, including Chloe´, Herme`s, Balenciaga, Chanel, Yves Saint Laurent, and Roger Vivier. With the "Interior Treasures" ("Bijoux d'Inte´rieur") furniture collection exclusively produced and sold by Galerie BSL...

Framed abstract oil on canvas, signed and dated 1968 in the lower right corner. Canvas size 30"H x 25"W Gilt-wood frame.

The chest of drawers attributed to the well-known Italian architect Piero Portalupi is an exquisite piece of furniture from the early 20th century. Made with the utmost attention to ...