Museum Worthy
Museum-Worthy Design
Discover pieces rich in history and cultural significance — and the interesting stories behind them.
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Romanesque Madonna - 1175/80
Located in Wien, Wien
ROMAN MADONNA
“Sedes Sapientiae”
Auvergne
Around 1175/80
Pine wood
Polychrome remains
Height 44 cm
This depiction of the Madonna is a masterfully carved, extremely early figure made...
Category
15th Century and Earlier Gothic Museum Worthy
Materials
Wood
Well dressed 2 - Arman, bronze, sculpture, decorative, green, female, figure
By Arman
Located in London, GB
Pierre Arman (1928-2005)
Well dressed 2
2005
bronze with green patina and coat hooks
162 x 52 x 37 cm
signed on base (beside right foot)
numbered 19/30
Price:
£35,000 GBP
Provenanc...
Category
Early 2000s Modern Museum Worthy
Materials
Bronze
Antique Store Accident, Saturday Evening Post Cover
By John Philip Falter
Located in Fort Washington, PA
Original cover illustration for The Saturday Evening Post, June 20, 1959.
The Post described “After years of observing ancient chairs tremble and sway and utter squeaks of alarm, a...
Category
Mid-20th Century Museum Worthy
Materials
Oil, Board
Landscape with Cows near Warwick, New York
By Jasper Francis Cropsey
Located in New York, NY
Signed and dated lower left: J. F. Cropsey / 1885
Category
Late 19th Century Hudson River School Museum Worthy
Materials
Oil, Canvas
Script: Column 9
By Elizabeth Turk
Located in New York, NY
Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore.
In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it.
A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...
Category
2010s Contemporary Museum Worthy
Materials
Marble
Landscape with Green Tree
By Alfred Henry Maurer
Located in New York, NY
Alfred Henry Maurer has been called the First American Modern because of his role in bringing modern methods of working to the United States
Category
Early 20th Century American Modern Museum Worthy
Materials
Oil, Board
The Japanese Corner
By Elliott Daingerfield
Located in New York, NY
A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...
Category
19th Century American Impressionist Museum Worthy
Materials
Canvas, Oil
Evoked by Mixture
By Richard Anuszkiewicz
Located in New York, NY
RICHARD ANUSZKIEWICZ
Evoked by Mixture, 1964
Liquitex on panel
48 x 48 inches
Category
1960s Museum Worthy
Materials
Acrylic
Untitled (First Theme)
By Burgoyne Diller
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Burgoyne A Diller (1906 - 1965)
Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller mad...
Category
20th Century Abstract Museum Worthy
Materials
Canvas, Oil
Twiggy
By Barry Lategan
Located in Santa Monica, CA
signed by artist
Category
Museum Worthy
Mountie II - large, figurative, trees, horse, acrylic, oil, painting on jute
By Peter Hoffer
Located in Bloomfield, ON
The iconic presence of a Mountie in red serge on a ghostly white horse is set against the epic backdrop of a forested landscape. Peter Hoffer's paintings evoke nostalgia for classica...
Category
2010s Contemporary Museum Worthy
Materials
Oil, Jute, Acrylic, Pigment
Guy Pene du Bois WPA American Modernism Realism NYC Scene Oil Lawyers in Court
By Guy Pène Du Bois
Located in New York, NY
Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk.
Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized.
In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment.
During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...
Category
1930s American Modern Museum Worthy
Materials
Paper, Oil, Board
Descending from the Cross, by Torchlight
By Rembrandt van Rijn
Located in New York, NY
Rembrandt Harmensz. van Rijn
1606 Leiden – Amsterdam 1669
The Descent from the Cross by Torchlight 1654
etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches)
Bart...
Category
17th Century Old Masters Museum Worthy
Materials
Drypoint, Etching
"Bottles and Fruit"
By Mercedes Matter
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Mercedes Matter (1913 - 2001)
Born in New York in 1913 to famed Philadelphia Modernist, Arthur B. Carles, Mercedes Matter g...
Category
1980s Abstract Museum Worthy
Materials
Board, Canvas, Oil
Translumina
By Richard Anuszkiewicz
Located in Palm Desert, CA
A painting by Richard Anuszkiewicz. "Translumina" is a geometric abstract, acrylic on wood painting executed teal, blue, violet and black by American Op Artist Richard Anuszkiewicz. The work is signed in black acrylic paint, verso, "Richard Anuszkiewicz 1988." Anuszkiewicz’ canvases depict tight geometric shapes in vivid colours that seem to shift under the eye. Anuszkiewicz belongs to the small number of great artists who construct their life's work with all the hallmarks of a series: lucidity, progress, and, above all, depth. Like his mentor Josef Albers, like Piet Mondrian — like Giorgio Morandi, just to name a representational painter — Anuszkiewicz focuses his vision on the limitless possibilities of a single theme. In his case, the theme is not a single motif...
Category
1980s Op Art Museum Worthy
Materials
Wood, Acrylic
Liberty
By Dan Christensen
Located in New York, NY
Acrylic on Canvas
Category
1980s Post-War Museum Worthy
Materials
Acrylic
"Cityscape at Dusk"
By John Bradley Storrs
Located in Lambertville, NJ
Signed Lower Right
John Bradley Storrs (1885 - 1956)
Born and raised in Chicago, John Storrs was a pioneer modernist sculptor known for his precisely executed, solid, non-objectiv...
Category
20th Century Modern Museum Worthy
Materials
Canvas, Oil
High Window
By Anthony Caro
Located in New York, NY
Cast and Welded Bronze
Category
1970s Post-War Museum Worthy
Materials
Bronze
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Krishna, Hindu God, Bronze Sculpture, Indian Artist K.S. Radhakrishnan"In Stock"
By K.S. Radhakrishnan
Located in Kolkata, West Bengal
K.S. Radhakrishnan - Krishna - HT : 13 x W : 10 x CIR : 20 inches
Bronze Sculpture.
Krishna : Figurative sculpture of Hindu God by great Modern Indian Artist K.S. Radhakrishnan who has successfully brought about a defenitive resurgence in Indian sculpture.
Style :
K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship.
Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium.
With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world.
About the Artist and his work :
Born : Born 1956, Kerala.
Education :
1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal
1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal.
Solo exhibitions :
2006 : ’Freehold’ at Museum Gallery, Mumbai
‘Freehold’ at Artalive Gallery, New Delhi
2005 : ’The Ramp’ at Tao Art Gallery, Mumbai
‘Unbearable Lightness of being’ at India International Centre, New Delhi
2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi
‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara
2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi
1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi
‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta
1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France.
1987 : Jehangir Art Gallery, Mumbai.
Participated Exhibitions :
2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi
Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery.
2006 : Travel to U.S.A, sponsored by Arts India, New York
Travel to Russia, sponsored by Art Resource Trust, Mumbai
Travel to Morocco, sponsored by Popular Prakashan, Mumbai.
2005 : Travel to Istanbul, Turkey to attend artists workshop
Travel to China (Silk Route) sponsored by Uttarayan, Baroda
Travel to South Africa organised by Gallery Navya, New Delhi.
2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop
Travel to France and Italy sponsored by TMI Foundation France
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