Regency Georgian Furniture Porcelain

A pair of blonde wood and ebonized pedestal or lamp tables with turned and dished circular tops supported by S-shaped scroll supports on a triangular platform base and carved bun fee...

Beautiful Italian silver candle holder made in 1950s.

An English painted satinwood Adam style occasional table with tapered legs and finely painted decoration.

The upper tier of this shaving stand originally would have had an open ring that supported a bowl. It has since been filled with a fine mahogany board, offering the opportunity to pl...

Originally a shaving or wig stand, this pedestal has been re-purposed in recent years to serve duty as a planter. It would do an exemplary job of holding a small piece of bronze, or...

An amazing octogonal beveled top solid walnut side table candle stand in excellent condition. Semi gloss with hand rub finish appearance. Measures 13.5" W x 13.5" D x 18" H.

Large, unique and matching pair from circa 1900-1910. If you are a collector of Gothic Revival accessories from houses of prayer then this large and hand-crafted wooden pair could b...

The polished brass detail embracing the main structure of the Coloma contemporary sideboard reflects our inspiration in the gold rush and consequently Coloma, where the whole story started. The structure of this stunning piece features three American walnut wood...

Cello-shaped candelabra, in wrought iron, circa 1960.

an unusual papers stand in rattan

Unique and timeless pedestal flower, plant, vase, or sculpture stand. When it comes to Art Deco pedestals this particular piece is among the most handsome and stylish we ever had th...

Hand-carved walnut & fruitwood Italian pedestal table. This 19th century, hand-crafted display stand is another good example of 19th century workmanship and it is decorative items s...

This is a charming tripod side table with a rectangular marble top. The upper wood base depicts a carving frieze with oval medals adorned in the center by " fleurs de lis ". The uppe...

A fine small George III style mahogany candle stand or kettle stand with oval dished pie-crust top, baluster turned stem and swept tripod base, of good colour and patina. Circa 1950 ...

Monumental Credenza, Sideboard, Storage Cabinet by Maitland Smith Mid-Century Modern Design heavy solid crafted and made in the Philippines. Made out of tessellated stone over wood...

Lovely 19th century Birch candle stand with square top featuring decoratively carved corners. On vasiform tripod base.

19th century Candle Stand in original white over light blue/grey paint, with all-over crazed surface. Extensive decorative carvings on apron and pedestal base. Quebec, circa 1880.

Pair of candle sticks with perfect patina.

Set of 5 unique roots candles by Jeremy Descamps. Unique pieces. Materials: candles in solid oak from the country burned in flam, inserts in brass, support of candles in brass. Di...

Unique roots candle large by Jeremy Descamps Unique piece Dimensions: 20 x 20 x 120 cm Materials: candles in solid oak from the country burned in flam, inserts in brass, support o...

Unique Roots Candle Medium by Jeremy Descamps Unique piece Dimensions: 20 x 20 x 80 cm Materials: Candles in solid oak from the country burned in flam, inserts in brass, support o...

Unique Roots candle small by Jeremy Descamps Unique piece Dimensions: 20 x 20 x 40 cm Materials: Candles in solid oak from the country burned in flam, inserts in brass, support o...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

American cherry Hepplewhite tripod spider leg candle stand with an exceptionally figured curly maple veneered oval top. American, Connecticut Valley...

American shaped tilt-top candle stand. The shaped top is hinged to a block on a pedestal centering on a reeded urn form supported by an arched tripod base. The legs have stop reeded leg caps and terminate in spade feet. Mahogany with American cherry top. This piece is attributed to John Meads based on its distinctive quality and Albany cabinetmaking characteristics, which drew style elements from both New York City and Boston. This uniquely regional variation was executed with a mastery of detail placing this piece as the product of an important Albany NY cabinet shop. The attribution was suggested by the Albany Institute. Meads was born 1777, immigrated to New York in 1792, and worked as apprentice to English Master...

Chippendale mahogany circular top candle stand with a vasiform turned pedestal. The top rests on arched tripod cabriole legs terminating in pad feet. English or American, circa 1770.

A Rare Early Georgian Mahogany Tripod Candle Stand This fine piece of early English furniture dates to the mid-19th century, George II period. I...

Extremely rare jewish hanukkah table with 8 brass candlestics in style of vienna secession professionally stained and repolished.

Thonet flower stand no.31 in very good original condition with signs of usage.

An Extremely Attractive And Very Good Quality Late 18th Century, George III Period, Mahogany Torchere, or Candle Stand, Having Well Figured Octagonal Top With Elegant Wavy Gallery, R...

Large Tree Shaped Candle Holder in Hand Forged Steel 1970s This well sized hand forged candle holder is wonderfully shaped like a tree, it origins from Europe, 1970s. It is original...

Wonderful, modern and subtile candleholders in brass. Designed and made in Denmark from circa 1960s second half.

Spectacular pair of gilded bronze candelabre. Seven candles can go on each candelabra, the decorations delicat of flowers with stones of colors in glass, gives all the charms of the ...

A pair of Hitchcock style tilt top Stenciled candle stands in very good vintage condition. The larger one measures 19"W x 15"D x 23.5"H. 33"H with tilted top The smaller table meas...

A walnut top side table with a Neo-Gothic wrought iron base. The base has a twisted pedestal support resting on a knob with applied lifework and three sabre legs with fluted feet....

A rare Victorian Carved Mahogany mirrored stand or side table, Circa 1910s. Measures 16" in diameter at the top and stand 29.5" tall. ...

An English iron tiered table from the 19th century with four levels, circular openwork sections and large scrolling feet. Created in England during the...

A rare egyptian influenced Regency Period candlestand or gueridon. Great thebes style legs and neoclassical motif.

Federal simple classic tilt-top table, with turned column featuring 3 legs. Stunning piece for your farmhouse decor. True antique pieces that came out ...

1940s Vintage triangular heart shape two-tier mahogany side table or candle stand with cane shelf. Measures 18W x18D X 28H..

A charming English George III period inlaid mahogany tripod candle stand, the string inlaid hexagonal top supported on a turned column, terminating...

Circular hinged bleu turquin marble top with brass gallery with turned stop fluted support joining three legs.

Art Deco Bronze candlesticks, Nickel-plated, France circa 1930 Beautiful pair of angular art deco candlesticks. Bronze, nickel plated....

Postmodern pedestal or plant stand rendered in stacked wood base and top, painted in a black and grey matte fleck tone paint, suspended between three grey painted wood cylinder colum...

Late 19th or Early 20th CenturySpanish standing candlestick Unique piece She is heavy, made of iron (not hollow) Spanish standing chandelier from a palace or even a chapel or church It has 8 normal candles without a circle and a central Velon, total 9 candles This wrought iron chandelier was made late19th Century or Eraly 20th C. It is a spectacular chandelier or giant candle...

Inspired by the Mehraab element of Indian architecture, this simple design from Stephane Odegard's Udaipur Atelier, uses hammered brass clad mehraab on a...

19th century English walnut kidney shaped side table c.1880 Hand carved - Pokerwork carving - Custom made The table shows some past repairs to the base (please see images) 2...

Early 20th century Victorian European walnut inlaid tilt top table c.1900 The ebonized legs and center finial show brass mounts The hoofed feet also have brass mounts A fin...

18th to 19th Century American curly maple tilt top candlestick table Handsome early American candlestick table Measures: 20" wide x 15" deep x 28" hig...

Early 19th century mahogany side table from England. The top has a banded edge which is hand-carved decorated and beveled. The top is supported on a hand turned and hand carved decor...

Oval gueridon featuring a marble top. The purple brocatelle marble originates from Spain and is ringed by a gilt bronze rim decorated with intertwined foliage on a dark blue background. Satyr heads...

Remarkable Art Deco candle holder in patinated brass, first half of the 20th century. A beautiful and sizeable candle holder with a remarkable A...

Circular dished top over a turned support raised on tripartite saber legs and spade feet.

Circular top on a ring turned support and tripartite legs, square block leg terminals with toupie feet.

Circular top with molded edge with shaped molded support. Tripartite legs.

Early 19th century English regency rosewood side table with brass inlay and mount's. Great color and patination. Perfect drinks table.

Found in England, this pair of stands or small side tables are made of walnut with a trefoil top and base and two glass shelves each. Shelf heights are adjustable. Unknown maker. Sol...

A well proportioned and solid 18th century New England carved wood candle stand, the circular top with rectangular chamfered cleat underneath,...