Sexy Gifts

A fabulous vintage Boho original oil painting on canvas. A chic Abstract composition in rich warm colors. Signed by the artist. Acquired from a palm Beach estate

Stunning vintage sketch of the unfinished head of Michelangelo piece. Done as a study by an artistic

Henri STEPHANY ( 1880 - 1934 ) Frequently collaborated with Jacques Emile RUHLMANN "Fruits" circa 1933 Gouache on paper H.19"3/4 x W.18"3/8 H.27...

Great altarpiece from the first half of the 18th century. Oil on canvas painting with spectacular contemporary frame in carved and gilded wood, with some signs of aging. Religious pa...

Italian painting from the first half of the 20th century. Framework oil on board depicting a countryside landscape with cows of good pictorial quality. Painting signed lower right (s...

Italian painting from the first half of the 20th century. Oil artwork on pressed wooden board depicting a landscape in Macchiaiolo style, Sunset in the countryside of good pictorial ...

Pierre de Cortonne (in Italian: Pietro da Cortona, whose real name is Pietro Berrettini) (Cortona, November 1, 1596 - Rome, May 16, 1669) is a painter and Italian architect of Bar...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterfall. A castle in the distance and sailboats on...

"The Casino" is an example of Malcah's work which encompasses her view of life. Malcah Zeldis is in more museums in the world than any other contemporary...

Great Italian painting from the second half of the 17th century. Oil artwork on canvas of good pictorial quality depicting religious subject, episodes from the life and passion of Ch...

Presenting an enchanting oil painting by the Danish artist Jørgen Sejersen, made in between 1960-1980s. This particular artwork captures a peaceful scene, showcasing a young boy im...

Antique Italian painting from the 18th century. Framework oil on canvas depicting a religious subject Saint Joseph with a child of good pictorial quality. Beautifully sized painting ...

Astonishingly beautiful and monumental mural spanning eleven individual panels which when assembled are 16 feet long by 6 feet high. The panels are reverse paint and applique on sheets of Plexiglass and were painted by Peter Ostuni (American, 1908-1992) in 1951 for the lobby bar of the Savoy-Plaza Hotel at Fifth Avenue between 58th and 59th Street, New York City under design firm Tom Lee...

Vintage still life oil painting on board depicting a pitcher and a bowl of lemons on a checkered towel. Nicely done in confident technique with balanced composition, good color, and ...

Large expressionist landscape painting in enamel on board depicting grasses or flowers against a seaside sunset, circa 1980s-1990s. Well matched with a wide, white, wooden frame. Mea...

Discover a captivating piece of art at Hutton-Clarke Antiques: a wonderful continental oil on board painting, depicting a vivid rural scene.Circa 1840. The artwork portrays a hunter ...

Splendid 17th century Italian painting. Oil on canvas artwork of considerable size depicting a particular and very rare subject, Samson turns the millstone. After being captured by t...

Italian painting dated 4th July 1967. Oil on board framework depicting seascape Old fishing boats at anchor with good pictorial quality. Carved, silver and gilded wooden frame of bea...

Watercolor on paper, young boy in a dress by Patrick Wybrant, circa 1850s. Purportedly a child of a prominent Boston Family. Provenance: Property from the Collection of Maggie Cohen, New York City Overall: 8-1/2"h x 7-1/2"w Sight: 5-1/2"h x 4-1/2"w This item can be viewed in person at The Berkshire Galleries in Great Barrington Massachusetts. Patrick Wybrant was born in Rathdrum, County Wicklow in 1816. He painted in Great Britain from 1849 to 1852, spent approximately three years in the United States. During that time he painted watercolor portraits for prominent Massachusetts families. Wyrat returned to work in Yorkshire around 1855-1856. He may have continued to work until his death, in Knaresborough, West Riding...

A large oil painting on ply board by French artist Roland Gautier. A surreal figurative observation of the female form facing a male body in the foreground. Colourful and bold with a...

A large oil painting on ply board by French artist Roland Gautier. A surreal figurative observation of two forms with floating heads. A bold piece of qui...

Great mythological painting from the mid-17th century. Oil artwork on canvas depicting a magnificent Bacchus based on the prototype of the painting the allegory of the month of Octob...

Huge oil on canvas figurative in a style reminiscent of Matisse or Picasso dating from the 50s/60s. Multicoloured canvas representing a scene with characters in the nature in cubist ...

Mid-Century Native Tribal Hawaiian artwork Lake Painting in Original Frame by Seay. A great example of the post-WWII Hawaiian and tropical art/decorating...

Hand Painted artwork Mirror with Buck in nature with tree and foliage. The frame is a natural walnut wood finish. Dimensions: 32.5 x 21"

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

“EQUESTRIAN WASHINGTON,” OIL ON CANVAS PAINTING OF GEORGE WASHINGTON ON BLUESKIN, AFTER REMBRANDT PEALE, circa 1830-1850 (POSSIBLY PRIOR): Born in Bucks County Pennsylvania during the American Revolution, Rembrandt Peale (Feb. 22, 1778 – Oct. 3, 1860) was the son of Charles Willson Peale (1741-1827), the leading painter in the American colonies. A member of the Sons of Liberty, Charles left home shortly after Rembrandt's birth to fight with Washington's army. He taught most of his 17 children to paint, of which Rembrandt is the most celebrated, though two others, as well as an adopted nephew, achieved significant notoriety. Charles was one of the two most famous artists to paint Washington from life, the other being Gilbert Stuart (1755-1828). The last to do so was Rembrandt Peale, at the mere age of 17, whom Washington sat for in 1795, near the end of his presidency. This became the most celebrated feather in the cap of the young artist, who proudly wore it for the remainder of his life when marketing his trade. The sketch that he created that day laid the groundwork for not only his repute for having done so, but also a crazed obsession to create what he desperately hoped would someday become the “national portrait and the “standard likeness” of Washington. The most familiar of Rembrandt’s paintings of the president & general is regarded as the “porthole portrait,” a three-quarter, head and shoulders image, painted in 1824, that illustrated him in a blue and buff yellow military coat, with prominent epaulettes, presenting the subject as if viewed through an oval window, painted as part of the canvas. Also of great significance was an 1823 work that pictured him on horseback, entitled Before the Battle of Yorktown, accompanied by Henry Knox, Alexander Hamilton, Lafayette, and Rochambeau.* Next to his father and Stuart, Rembrandt Peale’s renditions of Washington are the most recognizable, perhaps in a near tie with those of the artist John Trumbull (1756-1843), who for a short time, in 1776, served as the general’s aide-de-camp. All four men trained in Great Britain under Benjamin West, arguably the most celebrated painter world-wide. West encouraged each to paint historical views of American figures and achievements, offering advice to the young Rembrandt Peale specifically, conveyed to him in a letter by his father, suggesting that he consider subjects that possessed “powers to dignify man.” This view of Washington, upon his horse, commonly referred to as “Equestrian Washington,” is widely thought to have been first painted by Rembrandt. Although this work has sometimes been equated with various paintings rendered in the 1820’s, that illustrated him on horseback with various staff, on or about the battlefield (i.e., the Yorktown picture), this work instead presents him as a lone figure on a horse before a tree-lined landscape, with a presumed army encamped or engaged in the distance, the sky tinged with the red light of fires or cannon. Leading historian E.P. Richardson, commonly referred to as the ‘Dean of American Art Historians,’ co-founder of the Archives of American Art at the Smithsonian (1954), director of the Detroit Institute of Arts (1945-62), and of Winterthur (1963-66), and of the Board of the Pennsylvania Academy of Fine Arts (1968-70), was of the opinion that Rembrandt produced this work earlier following his 1808 return from Paris. There he would have viewed similar...

Antique Italian painting from the 18th century. Oil on canvas framework of the Venetian school depicting a mythological subject Diana's bath of good pictorial quality. Bucolic landsc...