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Quand le Soleil se Couche et Mes Idées se Levent by Lélia Pissarro (b. 1963) Tempera on paper 20 x 24 cm (7 ⁷/₈ x 9 ¹/₂ inches) Signed lower right, Lélia Pissarro Executed in June 20...

Original painting on archival paper, circa 1963. Paper Size: 29.5 x 21 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate...

Original painting on archival paper, circa 1963. Paper Size: 29.5 x 21 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate...

Spring Flowers, Oil on Board by Dorothea Sharp Additional information: Medium: Oil on Board 50.8 x 40.6 cm 20 x 16 in Signed Dorothea Sharp was born in Kent and is best known for h...

Study for Going to Bed Drawing, Pencil on Paper by Stanley Spencer, 1935 Additional information: Medium: Drawing, Pencil on Paper 54.6 x 63.5 cm 21 1/2 x 25 in This is a study for ...

French Impressionist watercolour on paper view of a colourful tablescape still life by Henri Clamen. The painting is not signed but was acquired form the atelier of the artist with o...

This modern colorful expressive artwork "Oysters , lemons and fish" is full of expressionism and vivid colors. This contemporary piece depcitng food is done with acrylic paints on ...

Untitled (Flowers in a Glass), Watercolour Painting by Tessa Newcomb B. 1955, 1996 Additional information: Medium: Gouache with watercolour Dimensions: 32.5 x 21 cm 12 3/4 x 8 1/4 in Signed with initials and dated in pencil Born in Suffolk in 1955, Tessa Newcomb is the daughter of the artist Mary Newcomb. She attended the Norwich School of Art from 1972 and received a BA (Hons) in Fine Art from Bath...

Interior with Still Life and Chair, Gouache and Watercolour Painting by Rosemary Allan, 1954 Additional information: Medium: Gouache and watercolour 20.1 x 30.5 cm 7 7/8 x 12 in Sig...

White Pot, Oil on Panel Painting by Tom Harford Thompson B. 1964, 2022 Additional information: Medium: Oil on panel Dimensions: 20 x 30 cm 7 7/8 x 11 3/4 in Signed with stamp and da...

Farmer, Horse and Hay-cart, Pen and Ink by Gilbert Spencer, 1930 Additional information: Medium: Pen and Ink 30.5 x 35.6 cm 12 x 14 in Signed with initials and inscribed with a dedi...

"The Gift," an original watercolor on paper by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires unexplored fee...

Still life is an artwork realized by Serge Fotinsky in 1947. Original drawing in pencil. Signature lower right. 20 x 27 cm. Good conditions escept ...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

Represented by George Billis Gallery, NY & LA -- From the artist statement, "My artwork centers on mid-century American architecture and design, once revered for its groundbreaking i...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

"My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, as they might be seen through a shallow focus lens. ...

Represented by George Billis Gallery, NYC & LA -- "My watercolor paintings depict narrative dilemmas, light-hearted vignettes, or staged existential dramas on a microcosmic scale, a...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...

Still life is an artwork realized by Serge Fotinsky in 1947. Drawing in pencil. Pad signature lower left. Good conditions except for some yellowing ...