Spring Catalogue, 2024

Born and raised in Georgia, from a young age, Laura developed a deep love for an array of creative outlets. Design, painting and florals have played a huge part in her life. Laura at...

Massimo Listri Palazzo Ca' d'Oro II, Venezia 2022 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inche...

Acrylic on canvas. Signed, dated, and titled verso. 52.25 x 52.75 in. 54 x 54.25 in. (framed) Custom framed in a maple hardwood floater. Provenance Salander O’Reilly Galleries, New York Private Collection, Connecticut Provenance Estate of Samuel Feinstein...

Oil on canvas. Signed and dated lower left. 51 x 38 in. 52.5 x 39.25 in. (framed) Framed in maple. Gabriel Godard, a self-taught painter, was born in 1933 in Delouze, France. Hist...

ABOUT THIS ARTIST: Niall Staines is a digital artist based in Ireland. His work is graphic, vibrant and visually arresting. Nature is a consistent theme in his work, often turning se...

Acrylic on canvas. Signed and dated lower left, verso. 40 x 40 in. 41 x 41 in. (framed) Custom framed in white oak. Canadian contemporary artist...

Mid-20th century painting on 8-ply rag paper in vivid color palette by artist Jack Hammack. Presented in a giltwood antique frame.

Exceptionally rendered graphite drawing by artist Albert Radoczy. Delicate mark-making of female figure. Signed and dated lower right. Presented in a handsome vintage giltwood frame,...

Amazing surreal landscape or botanic painting on stretched canvas. Though the painting is mid-century, we find the coloration to be on-point for current design. Stretched canvas; art...

"Trio 3" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availa...

"Brugmansia" Oil Painting D 20" inch by Sasha Sokolova Bio Born in Moscow into a family of artists, Sasha Sokolova is an award winning contemporary realist painter, working across a range of traditional oil and water colour techniques. Her current works explore a variety of themes spanning the human figure and nature and feature many of the travel destinations from which she draws much of her inspiration. Following scholarships from the V. Spivakov fund and Young Talents Fund, Sasha graduated with honours from the Sergey Andriyaki School of Watercolour and Fine Arts in Moscow and went on to complete a Masters of Fine Arts at the Gerasimov Institute of Cinematography. Sasha was selected as the only Russian artist to work on the Oscar nominated "Loving Vincent", the first fully painted feature film. Sasha exhibits regularly in Russia and throughout Europe. In 2021 Sasha’s painting “The Last Portrait” was awarded Honourable Mention in ModPortrait 2021 and will be exhibited with other finalists in Zaragoza and Barcelona...

"One heart" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available ...

"Abstract Composition" Painting Pastel on Paper 16" x 22" in by Mohammed Ismail 1986 Signed and Dated ABOUT THE ARTIST Mohammed Ismail (1936-1993) Dr. Mohamed Ismail was born in...

"Pygmalion and Galatea" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

"Quiet Day" Oil Painting 47" x 59" inch by Egor Plotnikov Egor Plotnikov was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyatka. 2006 – graduated f...

"Cairo Street Corner" Oil Painting 39" x 28" inch (1974) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

Nancy Ellen Craig was born in New York City and graduated from Bennington College and the Art Students League in New York before beginning her career...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston. Negative Code 15S.

Realist painter Doug Newton says, "Inspired by my collection of sea shells. The subtle colors and textures of the shells are challenging to capture in oil paint. I paint directly fro...

"Nothing to be Ashamed of (Body Positivity)" by Oluwatosin Ogunniyi is a remarkable artwork that beautifully captures the transformative power of self-...

Bulb of Africa was not just a hairstyle; it was a celebration of African heritage and a testament to the resilience of its people. Passed down through generations, it represented strength, beauty, and the rich tapestry of African traditions. The Bulb showcased the natural texture and volume of African hair, transforming it into an intricate masterpiece of braids, twists, and coils. The Bulb of Africa became a symbol of empowerment, reminding people of their strength, resilience, and the beauty of their shared heritage. It served as a reminder that hair was more than a physical attribute; it was a connection to something greater—a connection to their ancestors, their community, and celebrating the beauty within themselves. Beyond their physical beauty, African women possess an immeasurable inner strength that resonates through "Bulb of Africa." Odunayo masterfully captures this strength, highlighting the resilience and determination that have defined African women throughout history. The women depicted in the artwork emanate confidence, wisdom, and a sense of purpose. Their gaze speaks volumes, embodying the stories of countless African women who have overcome adversity, shattered barriers, and carved out their own paths to success. In "Bulb of Africa," Iyiola Odunayo...

Inspired by the mythological Greco-Roman origins, these works of art are dreamlike superimposed views of expressive and sometimes sensual figures. Like the immortal mythological heroes, my subjects remind us of the human ability to remain beautiful and noble despite de passing of time and damage it brings. Amazons, mysterious female warrior, were recognized as heroines and embodied features like independence, courage, strength. This double portrait of an amazon is a combination of a deconstructed, sectioned ancient marble head...

Ball covered with adhesive tape "FRAGILE" on a black background. symbolizing the planet. Several layers of paint on a fine canvas. Matt varnish :: Painting :: Photorealism :: This p...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Arthur Clifton Goodwin Trinity Church, Boston, 1928 Signed lower left Oil on canvas 30 x 36 inches Provenance: Sotheby’s New York, American Art, May 24, 1990, Lot 166 Private Collec...

Gentle Touch, 2013 Black clay, porcelain, grog, and graphite collage on paper

Gaston Le Sargeant De MONNECOVE Oil on Canvas Picture Size : 18 x 24" (46 x 61cm) Outside Frame Size: 26 x 32" (66 x 81cm) A classic example of De Monnecove's work capturing French hunting art...

A fine painting by John Ahlberg, signed and dated 1910 of two polar bears sleeping on the ice in the Arctic with icebergs in the background and some floes of ice floating the open se...

Artist: Slonem, Hunt Title: Bayou Belle Date: 2023 Medium: Oil on Panel Unframed Dimensions: 15" x 20.5" Framed Dimensions: 26.5" x 32" Signature: Signed Verso Edition: Unique...

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

Nicolas Carone Untitled (W-1351-S), 1965 Oil and pencil on board 26 x 40 inches

This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is also hand numbered in pencil from the edition of 200, at t...

Artist: Jammie Holmes Title: A Self Portrait of an Artist on Narrow Street Size: 20 x 16 Inches Medium: 4 Color Process Serigraph Print on Mohawk Superfine UltraWhite, 160 lb cover. Edition: of 35 Year: 2020 Notes: Hand Signed and Numbered by the Artist. Jammie Holmes is a self-taught painter from Thibodaux, Louisiana, whose work tells the story of contemporary life for many black families in the Deep South. Through portraiture and tableaux, Holmes depicts stories of the celebrations and struggles of everyday life, with particular attention paid to a profound sense of place. Growing up 20 minutes from the Mississippi River, Holmes was surrounded by the social and economic consequences of America’s dark past, situated within a deep pocket of the Sun Belt, where reminders of slavery exist alongside labor union...

Ed. 39/50, hand-signed and numbered by Terry O'Neill. Includes black frame. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art ga...

Artist: Slonem, Hunt Title: Savannah Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23.5" x 18" Framed Dimensions: 28" x 22.5" Signature: Signed Verso Edition: Unique Pr...

Rare and remarkable pair of mid century lions in repose hand carved, in a stylized modern form, from the Cammatillo tree or Kingwood grown in the Minas Gerais region of Brazil.

Nick Veasey White Basque, 2022 Signed and numbered by artist Lenticular with colour changing dichroic from teal to blue 31.5 x 23.5 inches Edition of 15 This piece is currently on d...

Additional Information: Mino Rosso, the renowned Italian artist, captured the essence of post-war Italy through his evocative paintings, seamlessly blending traditional and modern in...

Born in Paris in 1836, Victor Gustave Cousin was a painter of landscapes and still lifes. He studied under Francois Edouard Picot (1786-1868), de...

The Highland River signed by F. E. Jamieson (British 1895-1950) oil painting on canvas, framed framed: 25.5 x 35 inches canvas : 20 x 30 inches provenance: private collection, UK con...

Midday nap, 130x100cm , oil\canvas

Echoes (1/19) is a unique acrylic on canvas, gloss finish painting by contemporary artist James Lumsden, dimensions are 45 × 40 cm (17.7 × 15.7 in). The artwork is signed, sold unfr...

Contemporary figurative painting

Work on cardboard Molded frame in wood and gilded plaster 52.5 x 60.5 x 7 cm

Lorna Simpson (b. 1960) III (Wish #1, Wish #2, Wish #3), 1994 Medium: Complete set of three ceramic, rubber and bronze wishbones within molded felt printed with waterless lithography...

Sawrey Gilpin (1733-1807) Study of a hound in a landscape Oil on canvas Canvas Size - 14 x 17 in Framed Size - 17 x 20 in Provenance: Victor Brockbank Fine Art, London; Private Collection, London. Sawrey Gilpin was a member of an old Cumberland family who chose a career in sporting painting, at which he was encouraged as a young man by the great Duke of Cumberland who had suppressed the Jacobite rising of 1745. Gilpin, though centred on London, always retained his Northern links, and had as patron many northern sportsman, like the sporting fanatic Colonel Thornton of Thornville Royal for whom he painted numerous pictures. Gilpin has suffered from being under the shadow of his incomparable contemporary George Stubbs, but he emerges as a leading horse and animal painter of a competence which is always reliable and occasionally inspired. He is an important link between the early English School of Wootton, Tillemans and the like, and the later painters exemplified by Ferneley and Herring. He was the president of the Society of Artists in 1773, and was elected RA in 1797. A clubbable man, he was popular with his fellow Royal Academicians. He frequently collaborated with them, adding portraits of favourite animals to numerous pictures by Barret, Walton, Romney, Zoffany, Reinagle and even the young Turner. He was the teacher of Thomas Gooch...

Mata de verde, 2019 by José Ignacio Suarez Solis From The Series Matas Acrylic paint on canvas Size: 110 H x 160 W cm. Unframed _____ Son of Cuban parents, José Ignacio Suarez Solis ...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Mes Dessins d'Antibes', 1958 lithograph on paper Velin Arches 300 g. 20.1 x 25.8 in. (51 x 65.5 cm.) Edition of 200 Unframed ID: PIC2001-014 Prints based on original drawings by Pablo Picasso executed by Daniel Jacomet, artistic printer. The series “Mes dessins d'Antibes” is a fantastic study of the Homeric and mythological Antibes (the Greek Antipolis). In these lithographs Picasso...

French mid-century Impressionist oil on canvas view of Montparnasse in Paris by Robert Coutelas. Signed bottom right. With dedication and date to the back stretcher where the artist ...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas and features a warm muted pink rectangular shape at the center of the composition, with a...

Aaron Bohrod Footnotes, 1990 Signed lower right Oil on gesso board 20 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regiona...

Series: Fairytale Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proof ...

This is an original oil painting on by Ginny Williams. Celebrating the elements of still life often found in paintings of the Dutch golden age, this piece showcases blue and white po...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

After a treacherous year of change and the emotional brutality and transition of life, I engaged on a physical and, non-intended, journey through mental revival. To leave old rumina...

A very charming mid 20th Century, Post Impressionist work by Paul Altman. Despite the limited information available about Altman, it doesn't diminish the ...

Colour lithograph on paper. Hand-signed and numbered by the artist. Paper size: 33 x 28 cm
 H.C. aside from an edition of 50 Henry Moore's (1898-1986) drawings and prints offer a un...

Carmen Herrera (Cuban, b. 1915) Untitled (NRW), 2017 Medium: Lithograph in colors, on 300g Velin d’Arches paper Dimensions: 100 x 67 cm Edition size: 100 + 10 AP + 10 PP + 1 HC + 1 A...

Serge Poliakoff Composition bleu et verte, 1963 Lithograph on paper 10 3/10 × 12 4/5 in 26.2 × 32.5 cm Edition of 200: Hand-signed in pencil Original (double-sided) greeting card f...

Paul Jouve Tiger Eating, c. 1931 Original etching Unsigned proof On vellum 42 x 50 cm (c. 16 x 20 in) REFERENCES : Félix Marcilhac, "Paul Jouve, Peintre sculpteur animalier", Les É...