Abel Barroso Figurative Prints

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

This vintage work by Esteban Chavez illustrates his skills as a master-printer. Plate size dimension is 4.25" x 4" Framed, the work measures 16.5" x 14" Please note, there is a sm...

Ethereal figurative abstract print of two figures merging by Deborah Rumer (American, 20th Century). Titled "Like a breeze passing...", numbered (Ed100), signed, and dated (© Deborah...

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

John Baldessari (American, 1931-2020) Hand and Chin (With Entwined Hands), 1991 Medium: Photogravure with color spit bite aquatint on Somerset Dimensions: 83,5 x 56,5cm (33 x 22 in) ...

Abstract Lithograph of The Louve with E.M. Pei Glass Pyramids Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...

Artist: Mr. Brainwash Title: Keep a Child Alive (Pink) Medium: Screenprint in colors on archival paper Date: 2012 Edition: HC (aside from the edition of 150) Sheet Size: 30" x 22 1/4...

Ada in Blue Hat By Alex Katz 2004 Etching and aquatint in colors on paper. 85.1 × 170.2 cm Edition of 75 (edition number 56) Signed, dated and numbered

Etching and aquatint on paper. Hand signed lower right by Antoni Clave. Hand numbered 58/80 lower left corner. Artwork size 22 x 30 inches. Image size 19 x 27 inches. Frame size...

Color silkscreen with enamel inks, flocking, and over printed flocking on Somerset 500 gsm Satin Radiant White with deckle edges. Edition of 60

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

Barbara Jackson. Alone- this is an etching / aquatint with a print run of 40 plus 10 artist proofs. Each print is individually inked and passed through the press by the artist, numb...