Adolph Joseph Pohl Figurative Sculptures

Stylized Art Deco standing sculpture of Jesus Christ (may be influenced by Christ the Redeemer "Cristo" in Rio de Janeiro, Brazil) by Austrian desig...

Joseph Csaky (1888-1971) was born in Hungary and lived in France as an adult. He was known for sculpture, design and drawing. "The Embrace" features two figures, with the taller of t...

"One hour of the night" Bronze sculpture with black brown patina depicting a stretching woman. It rests on an oval base imitating the rock. Signed on the terrace "Pollet". Signature of the founder "Gautier & Cie". Total height: 35.5 cm. 13.9in width: 25cm. 9.8in depth: 13cm 5.1in Weight: 3.5 Kg In very good condition, note a small patina wear on the elbow. Joseph-Michel-Ange Pollet born in Palermo on March 11, 1814 and died in Paris on January 1, 18711 is a French sculptor. Born in Palermo to French parents, Joseph-Michel-Ange Pollet studied sculpture in Italy with Bertel Thorwaldsen, Valerio Villareale and Pietro Tenerani. He came to Paris in 1836, then stayed in Ghent in 1838. After another stay in Italy from 1843 to 1845, he settled permanently in Paris and exhibited for the first time at the Salon of 1846. He won a medal of third class in 1847, a second class medal in 1848 and a first class medal in 1851. In 1855 he was awarded a second class medal at the Universal Exhibition. He was named Knight of the Legion of Honor by decree of June 14, 18563. Of neoclassical formation, the work of Pollet oscillates between this current and that of romanticism. In 1840, for the bicentenary of his death, he produced the bust of Rubens, the original plaster of which is kept at the Royal Museums of Fine Arts of Belgium. In 1848, he presented at the Salon a large plaster statue...

John Rais Designer & Blacksmith Mixed Metal Sculpture, United States, 2005. This piece is signed.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Statuette of a naked woman sitting in patinated plaster of Paris; plaster of Paris, is a very resistant material, used since ancient times, it was used by the ancient Egyptians as a binder in the construction of the pyramids and is used in sculpture for its strength, the name is linked to the ancient quarries of Montmartre in Paris; the statue is a work of the famous Belgian sculptor and bronze artist Joseph Zomers which he executed between 1915 and 1920 and whose signature is on the pedestal. The woman is represented posing with ill-concealed malice and shows without reticence her body with a thin erotic veil, the artist has not executed the face precisely to accentuate a mysterious charm; it is a figure of harmonic proportions that takes into greater consideration the erotic connotations, however, a refined and elegant eroticism that presents itself in a courteous manner, subtle and suggestive but at the same time provocative and irreverent; the woman, in her most intimate dimension, as a naked presence, defenseless but seductive, becomes the embodiment of the poetic essence of the artist, the emblematic figure of his aesthetics. It is an object in perfect Art Nouveau style (Jugendstil), in fact, many artists of this current used eroticism as their work, portraying women as ethereal and fatal beings, letting themselves be inspired by "le beau sexe" thanks to their naked forms, soft and seductive. Joseph Zomers was born in Liege in Belgium in 1895 and died in 1928; he studied art in Maredsous (Belgium), many of his works are permanently exhibited at the Musèe de Liège; Zomers is well known for his public monument "Tchantchès" in Liege. This great work in stone and bronze is located in the Otremeuse district in Rue Pont-Saint-Nicolas; designed by Joseph Zomers, the statue represents a "hiercheuse", the name was given to the women who pulled the carts in the mine, a tribute to those valiant young people vilified and victims of the exploitation of women's labor, the woman holds aloft the puppet of Tchantchès. Tchantchès is the name given to a puppet that appeared in Liège in the 19th century. The popular character, Tchantchès became over time the archetype of the goodman of Liege, witty and good-natured, wise and subtle, quick to find resolutions and fertile in resources, when he is depressed, he recovers with a joke that reveals the popular Walloon citizen, mocking and sentimental. It was therefore fitting to erect a monument to these two popular and significant symbols of the proud city...

Miniature bronze giraffe sculpture / paperweight by California artist Joseph Addotta, circa 1970s. The piece is in very good vintage conditio...

Sculpture in bronze with black patina Signed and numbered 8/8. Stamped with the foundry stamp Blanchet and marked AC (Atelier Csaky) The model from 1929, the present cast is a Post...

An Art Deco silvered bronze statue of a girl with sheep on marble base, signed J. D’ASTE, from circa 1920s.

A sculpture of a ’standing figure in the antique manner' by the acclaimed British sculptor, John W. Mills. Constructed in a patinated resin to resemble stone, this figure is truly a...

Discover the enchanting beauty of nature captured in this exquisite sculpture this stunning piece title Seascape Symphony is harmonious blend of a majestic clamshell shimmering ro...

Wonderful enameled metal kinetic sculpture by Joseph Meerbott. In two pieces, some minor loss to enamel.

Italian marble sculpture of a lion on the hunt by Joseph Frugoni (1897-1923). In very good condition.