Alexander Rodchenko Photography

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

An original silver gelatin black and white photograph by Poly-Press, Bonn, Germany. A view of Manhattan and the East River, circa 1975. Features: Original silver gelatin print photog...

Nude Portrait - Silver Gelatin Fibre Print - Oversized (Photo by Boyan Dimitrov/Alamy) A woman poses for a nude studio portrait. Additional Information: Unframed Paper Size: 3...

Stamford Bridge (1920) Limited Edition Silver Gelatin Fibre Print (Photo by Alfred Hind Robinson/Getty Images Archive) Stamford Bridge, Chelsea Foo...

Big Ben From The South Bank (1955) - Silver Gelatin Fibre Print (Photo by Nat Norman/Frederic Lewis/Archive Photos/Getty Images) A woman looking across the Thames towards the Palac...

An original silver gelatin black and white photograph by Associated Press Photo. The Hudson River in New York during Navy Day in October 1945. Features: Original Silver Gelatin Print...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Jerusalem Wailing Wall Photo with couple at night. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed on mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Silver Gelatine Print by Erich Andres, 1954. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photograph...

An original silver gelatin black and white photograph by Press Agency New York Times office in Paris (Wide World Photos.) Sled race in Central Park, New York, 1934. Features: Original silver gelatin print photography framed. Press Agency New York Times Office in Paris - Wide Wolrd Photos. Photographer: unknown. Title: Sled Race in Central Park, 1934. Provenance: Private collection. Frame Size: 20.63 in high (52.5 cm) x 16.75 in wide (42.5 cm) x 1.57 in deep (4 cm). Image Size: 5.51 in high (14.2 cm) x 7.48 in wide (19.8 cm). French typed legend, copyright credit, and ink stamp at the back that read: "Course de traineaux dans un parc a New York. Sur la neige qui recouvre les allées du Central Park Casino a new York, un groupe d'artistes a eu l'idée d'organiser une course de traineaux - voici une vue de la course - Photos NYT - NY 5/1/34 - SP." (Sled race in a New York park. On the snow covering the paths of the Central Park Casino in New York, a group of artists had the idea of ​​​​organizing a sled race - here is a view of the race - Photos NYT - NY 5/ 1 /34 - SP.) Note: The Central Park Casino, originally the Ladies' Refreshment Salon, was a restaurant in Central Park, near East 72nd Street in Manhattan, New York City. The name of the building came from the Italian for "little house," but the Casino itself was never a gambling business. Originally, Calvert Vaux designed the building in 1862 as part of the Greensward Plan for Central Park. The original plan was a wooden chalet-style structure with a broad hip roof. Before construction began, however, Vaux decided that a more permanent building was needed. The following year, with the assistance of Edward C. Miller and Jacob Wrey Mould, the Casino was redesigned as a Gothic Revival stone structure. The building opened in early 1864 as a restaurant planned for unaccompanied female visitors to Central Park and was one of Central Park's three original restaurants. Soon, it was patronized by both men and women. The building that housed the Casino belonged to the City of New York, and the City often leased the Casino to independent operators. In the early 1920s, the Casino was rundown and renovated during the winter of 1921–1922. Jimmy Walker, mayor of New York City during the late 1920s, frequented the Casino and reportedly spent more time there than in New York City Hall. Besides entertaining elite guests in the restaurant, Walker had an office in the Casino and conducted city administration there while meeting with political cronies. In 1929, Walker terminated the lease of C.F. Zittel and allowed a friend, Sidney Solomon, to transform the Casino into one of New York's most expensive nightclubs. In February 1929, they released the new project. Solomon changed the Casino's interior using a design from Viennese designer Joseph Urban, though he kept the exterior mostly the same. The renovated Casino reopened on June 4, 1929. When the Great Depression hit four months after the Casino reopened, the nightclub faced increasing criticism for operating on city land while maintaining prices only the wealthiest New York residents could afford. In 1930, as part of the enforcement of Prohibition, the United States government raided the Casino and seized alcoholic beverages. Walker's successor, Fiorello H. La Guardia, and his parks commissioner Robert Moses, who held a vendetta against Walker, wanted to tear down the Casino to build a playground on the site. In 1934, Moses served an eviction order on the Casino's management. When the Parks Association of New York City objected...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...