Alice Dannenberg Art

This bright summer beach painting holds a surprise if you look closely. What seems like a young couple just spending a day at the shore together, actually tells a story. The young wo...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

My process starts with taking the photographs I work from, I like to experiment with angles and light in the photographing. Every inch of the canvas has multiple layers on to build u...

ARTIST: John Dalzell Kenworthy ARCA (1958-1954) British TITLE: "The Head Gardener" SIGNED: lower right corner MEDIUM: oil on canvas SIZE: 52cm x 41cm inc frame DETAIL: A most interesting unuusal and characterful mid Century portrait of a man mowing the lawn. The painting initialled lower right for Kenwrothy. John Dalzell Kenworthy ARCA (5 Nov 1858 - 4 Mar 1954) was an internationally acclaimed artist, sculptor and writer who was born at Whitehaven into a prominent West Cumbrian family. JD Kenworthy was a noted Cumberland artist, who lived at Seacroft House, St Bees, a coastal village south of Whitehaven. He painted both portraits and landscapes, in oil and watercolour in the 50 years centred on the turn of the twentieth century. He was an associate of the Royal Cambrian Academy (1914) and he exhibited at the Royal Academy in London, as well as at galleries across Manchester, Leeds and Liverpool. He travelled to paint in Scotland and France, where he became particularly well known. He also was a keen angler, and wrote a book in 1933 called 'Fisherman's Philosophy', in which he discusses Scottish salmon and loch trout, and fishing on the French Mediterranean coast. Kenworthy's works are held in the public collections of the Beacon Museum and Helena Thompson Museum. JD Kenworthy's portraits include two of 1st World War veterans, AJ Wandless a Master Mariner and Whitehaven war hero Abraham Acton. He also painted portraits of other notable people, including the Mayor of Whitehaven, Reverend Rees Keene, Dr James Irving Lace,[6] Justices of the Peace James Gibson Dees and Alderman Joseph Braithwaite and one of the aero chocolate...

"Funchal, le Port (Port of Funchal, Portugal)" Raymond Thibesart (France, 1874-1968) Pastel on paper 12 x 9 (18 3/4 x 15 5/8 frame) inches Stamp of studio on reserve INV Nbr. 821RT...

ARTIST: Margaret Dorothy Nicholson (1886-1972) British TITLE: "Portrait Of A Lady Steering A Boat" SIGNED: unsigned MEDIUM: oil on board SIZE: 57cm x 47cm inc frame CONDITION: ver...

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

Canvas measures 61x50 cm. Frameless He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro...

"Loch Long" by John Brandon Smith (British, 1848-1884), is a 19th-century British Romantic oil on canvas landscape painting. Signed "J.B. Smith on the lower right and is in a giltwoo...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...