Alton Furniture

Victorian pair of sterling silver-mounted cut crystal vases, England, circa 1895. Each heavy vase stands 7" high x 3 1/4" diameter at widest point. Crystal "twists" near the base of ...

Edwardian, sterling silver and onyx-mounted, hobnail cut crystal perfume bottle, Birmingham, England, 1920, H Matthews - maker. Barely reada...

German sterling silver cigarette case with a sapphire stone. This exquisite German sterling silver cigarette case is a masterpiece of timeless de...

This English 1950s heavy sterling silver bracelet has 17 large three-dimensional charms and opens or closes with a heart shaped padlock on a little safety chain. Some of the charms have moving or opening parts. The windmill really turns, the lid of the beer mug opens, the ship opens up, the leaves on the orange are separate from the orange, the bellow bellows, the treasury chest opens, the corn has loose leaves and the scissors 'cut'. Three of them are European solid silver pendants: the acorn (Italy 925) the long pendant (sword Dutch 835, used from 1906-1953) the German beer mug...

A highly sculptural sterling silver jewelry suite consisting of a necklace with bird pendent and a matching pair of earrings. The three-piece set was crafted by Peruvian silversmith ...

Large Estate Scandinavian Modernist natural deep madeira translucent amber and sterling silver statement ring. 20th Century Organic form statement ring featuring an artistic sterling...

Hallmarked in London in 1935 by Harrison Brothers & Howson, and carrying a retail shop mark for Asprey London, this very handsome, Sterling silver tray, features a 'Chippendale' bord...

Rare and charming set of wooden dolls by Kay Bojensen from his own workshop. The dolls were designed in the 1930s and was named Lise (female) and Ole (male) as these were the most co...

George VI Period, sterling silver footed salver/tray (in the George III Style), Sheffield, England, year-hallmarked for 1945, Emile Viner - maker. Scalloped border. Measures 8 inches...

Marked: London, 1896. Maker: J.N. Mappin.

Art Deco sterling silver tray. Made by Tiffany & Co. in New York, ca 1911. Round with soft faceting. A nice piece in the emerging geometric style. Fully mar...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...