Amedeo Simonetti

Oil on Canvas by Maria Polo Signed MARIA POLO and dated 1968 Maria Polo (Venice, Italy, 1937 – Rio de Janeiro, Brazil, 1983). Painter, designer, engraver and vitralista. Studied at...

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

19th century French oil on wood orientalist painting with frame. Dimensions with frame: 47 x 34 x 5.

Late 19th century painting of St. Jerome with halo and skull. A well painted canvas in original gilt frame generally in good condition. Some losses to the frame and small nic...

Painting, Duomo in Firenze, signed P.K, 19th century.

An Orientalist Moorish Man portrait, 19th century. Ready to hang no visible damage. The Frame has some minor loss to the gilding Consistent with age. Size 6.25" x 9.75" D...

An Orientalist school 19th century painting depicting a street scene in Cairo with a man and a young woman riding a white donkey. Signed lower right: T. Merlin. Housed in an antique ...

An Orientalist Moorish Man portrait, 19th century. Ready to hang no visible damage. The Frame has some minor loss to the gilding Consistent with age. Size 6.25" x 9.75" D...

"Moonlight" oil on canvas, XIXth century by R. T. Stuart. The painting is in good condition, to report some old restorations on the canvas. The original frame in wood and gilded stu...

Architectural rendering in watercolor, gouache, and pencil on paper by Luiz Olivieri Italy/Brazil, circa 1900. Unsigned. Unframed, age toning, edge losses.

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on the verso in the artist's hand. Measures: 12" H x 9" W inches. Frame measures: 24" H x 21" W The painting is in good condition. Henry Stanier (1831-1894) Stanier was born in Birmingham, England (1831-1894) but lived also in Spain, where he passed away in Granada in 1894. During the 1880s and 1890s Stanier often painted the view from the Mirador de San Nicolas. Inspired by the rich cultural legacy of Granada’s Moorish past, he also produced a number of carefully observed architectural subjects, sometimes incorporating picturesque or exotic figures in an Orientalist vein. Such scenes were occasionally exhibited in London at the Royal Society of British Artists, although it appears that Stanier found a ready market for his work amongst Granada’s passing foreign tourists. As a young artist in his home city of Birmingham, Stanier had been an active exhibitor of flower pieces and historical genre scenes. Later, in the 1860s and 1870s, he painted Egyptian landscapes...

This is a beautiful Orientalist painting on wood, nice for add to any great collection, to many colors and figures, also a good size. the painting looks French painter 1820-1876 look...