Andreas H. Bitesnich Still-life Photography

Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work. In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative. The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end. One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look. All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white. Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure. Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will...

Listing is for UNFRAMED print. Inquire within for framing. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available...

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 Unframed, a beautiful still life of a bouquet of Arum lilies This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime, Ian prepared all the archival pigment prints available in our gallery, leaving behind an unparalleled collection that stands as a testament to his skill and dedication. Today, those photographs are more than just artworks; they are tangible reminders of his passion and his commitment to excellence. We continue to honor his memory by preserving his work and sharing it. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, packaged with care. Edition : 1/5 , unframed Archival pigment print available sizes ( Image size , the white margin is not counted) : 50 x 45 cm / 19,68 x 17,72 in - Edition of 5 75 x 66 cm / 29,53 x 25,99 in - Edition of 5 100 x 89 cm / 39,37 x 35,04 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Ian produced images over a 35 year career. For most he worked as both a Commercial and Fine Art photographer; during his last years concentrated on his personal archive. Ian and his widow Nathalie have worked for many years with alternative printing techniques in their workshop, ISP, creating Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin technique. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'. ISP Workshop continues with the work of Ian's widow to create archival pigment prints like this one but also rare and personalized photographs. categories : Black and white photography, 20th. century, Archival pigment print, Monochromatic Art...

Clam - Signed limited edition archival pigment print, Sepia tone - Edition of 5 This image was captured on film in 1984. The negative was scanned creating a digital file which...

CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a...

CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...