Andres Vivo Landscape Paintings

This oil painting is original and signed by the artist. I have owned this piece since the early 1970's. The oil depicts a village and is vibrant in color.

An oil painting of two trees basking in the summer's golden sun. The sea can be seen in the distance, just beneath the horizon. The sky is a soft blue with a streak of grey clouds. ...

Aris Knikker (1887 - 19662) Dutch landscape with cows resting underneath a tree and windmill on the horizon Signed lower right A. Knikker Oil on canvas Di...

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

Linda Lillegraven's beautiful original oil landscape "Artemesia" depicts a serene moment of a western plain at evening, with the sunset shadowing the field as the moon rises from th...

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored. The ...

Lucien Hector JONAS (1880-1947) Dijon France 1938 A stylish “en plein air” painting of the town square in Dijon painted in May 1938. Painted in oil on to paper and then mounted on c...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

Beautiful example of Cote's later work. Executed with heavy impasto. 28.5" X 32.5" framed.

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Louis BONAMICI (1878-1966) Provence School Post Impressionist Les barques de peche c1920 A delightful post Impressionist painting of fishing boats nest...

Louis Aston KNIGHT (1873-1948) A languid stream in a verdant green landscape by the well recorded Franco American artist Louis Aston Knight. *Louis A...