Armond Lara Art

Meyer studied art at University of Central Missouri, Indiana State University and received her degree in painting and drawing from Columbia College. She has had the privilege of havi...

This piece is one of the most recent and belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024. It originates from the concept of the "face" on coins. It is a ...

Almazan Realistic Still Life Acrylic Painting virtual frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic an...

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

[Bruce Sargeant (1898-1938)] Three Bathers by the Water Signed in red, recto Oil on canvas 96.25 x 67 inches (244.5 x 170.2 cm) $15,000 + $900 framing This work is offered by Cla...

coast original watercolor paper expressionist painting. This Catalan painter, settled for years in Mallorca, offers a series of landscapes in which the natural is treated in the imp...

The Still Life is a painting realized by Claude Deschamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions....

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

Ruz. Vertical. horizontal lines. Interior Landscapes - Abstract Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are i...

Guinovart. Josep Guinovart i Bertran (Barcelona 1927-2007) was a painter, draftsman and engraver from Catalonia, Spain. After studying at the School of the Lonja and the Promotion ...

Tomatoes by Mark Midgley. Original Oil on Canvas. The Cape Town artist, Mark Midgley, is originally from Leeds in the UK. He moved to South Africa in 1979, where he started a silk...

Antique and exceptionally rare and fine Portrait of 6 Dogs on Enameled Ceramic Maison Pichenot-Loebnitz France, ca. 1870. 25 x 8 (31 x 13 framed) inches This rectangular panel made of enameled ceramic was made by Jules Loebnitz in the second half of the 19th century depicts a suite of 6 very fine canines in a landscape setting. The Pichenot-Loebnitz factory was founded by Mr Pichenot, grandfather of Jules Loebnitz, in 1833. From 1841, Mr Pichenot created a new, innovative method of uncrackable earthenware panels for architectural mantels, winning a medal at the Exhibition of 1844. In 1857, Jules Loebnitz, an artist as much as an industrialist, became director of the factory. For his first major job, Loebnitz passionately collaborated with architect Félix Duban on the restoration of the Blois Castle, recreating the antique tiles of the mantelpieces. He then went to work with the most prominent architects of his times; Eugène Viollet-le-Duc, Laval, Charles Garnier, Just Lisch and Paul Sédille. A friendship was born in 1867 between Paul Sédille, the architect of the Printemps department stores and the Basilica of Bois-Chenu in Domrémy-la-Pucelle, and Jules Loebnitz that would lead to a tight, long-lasting professional, artistic, and intellectual collaboration. This was an important meeting between the theorist of polychrome architecture and the man who had pushed French ceramic art considerably forward, allowing for large, enameled earthenware plates decorated with very bright and long-lasting glass-like colors. Many architectural projects were born from the collaboration of Sédille and Loebnitz: World’s fair pavilions, apartment buildings, villas, hotels, and monuments. During the Great Exhibition of 1878, Paul Sédille created the door of the Palais des Beaux-arts, while Jules Loebnitz was in charge of the ceramic decoration of the facade. A reporter covering the 1878 World’s fair described the monumental door...