Arnold Mesches Art

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...

Richard Serra East-West/West-East: A Permanent in the Brouq Nature Reserve, Qatar (Hand Signed by Richard Serra), ca. 2014 Superb provenance: donated by the artist to a major contemp...

Christopher Wool Christopher Wool (Hand Signed), 2015 Double sided offset lithograph poster. Hand signed by Christopher Wool 24 × 19 inches Sig...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: h...

Paul Pedulla hand-signed and numbered limited edition archival pigment print framed using all acid-free materials. Framed in a clean simple, white or black wood frame with 6-ply matt...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

This is a unique woodcut print of a waterfall in a forest in light mint blue against a dark cobalt background. The monotype brings to mind the tradition of Japanese printing...

This square woodcut print on paper evokes the peacefulness of looking upwards through a forest canopy in a symmetrical pattern composed of the silhouettes of trees in shades of dark ...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...

This woodcut print on paper is a peaceful view through a forest canopy. The symmetrical composition of trees is shades of dark blue and cobalt blue. The monotype brings to mind the t...

With hand-drawn lines overlaying a field of narrow, vertical stripes, Tom Orr’s Waterfall prints capture the sense of movement and space of a cascade. Shimmering moire’ patterns and subtle tonal differentiations between the two sets of lines enhance this dynamic visual phenomenon. Orr has previously explored this theme in different media in gallery-based installations and public sculpture commissions. Tom Orr created the "Waterfall" series of etchings at Manneken Press in 2008. Each of the three prints in the series are hand-printed from two etched copper plates...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...