Artem Zakharchenko-Halytskyi Sterling Silver

A Chinese silver goblet profusely decorated with chased, richly defined chrysanthemum against a matte background and is supported by two intertwi...

A bold and well crafted Indonesian Yogya (Jogja, Djokja) silver bowl by Tom's Silver, Yogyakarta, Java, Indonesia, circa 1960's. The elegant bowl features a striking design of a Kala face, a protective monster often found above temple doors, and representative of time, death, and rebirth. A pair of makara flank the wide open, smiling mouth. A stylized foliate design surrounds the Kala. Kala are analogous with the Kirtimukha, or face of glory, originating in India and associated with Shiva. Both beings are devourers of evil and tasked with protection The bowl features two beaded borders, and a scalloped rim. The bowl set on three short out-swept feet. Stamped mark to the underside reading "TOM" "800" "DELUX". TOM stands for Tom's Silver, perhaps the most famous silver workshop in Yogyakarta. 800 is the purity of the silver (80%). DELUX is a common mark on Yogya silver...

Chinese Export Silver Goblet, with prunus decoration. The goblet weighs 258g and dates from around 1885. Marked WH for Wang Hing '宏兴‘ whi...

This antique Chinese silver bowl was made during the Qing dynasty in approximately the year 1900 by the Wang Hing Company and is presumed t...

A Chinese Export silver bowl decorated with chrysanthemum against a matte background. Made by the firm of Lian xiang sheng of Shanghai and Ca...

An unusual Indonesian lobbed silver dish Jakarta (Batavia) or Coromandel coast, third quarter 17th century, apparently unmarked The eight lobbed dish exuberantly decorated with floral motifs, with the middle section replaced, consisting of indistinctly marked German silver from the early 19th century, bearing the coat-of-arms of the Von Pfeffel family. Diam. 30.5 cm Weight 461 grams Note: Lobbed silver dishes with exuberant floral decorations were characteristic of the decorative arts in the Netherlands in the first half of the 17th century. This style of floral decoration was adopted by silversmiths as well as by furniture makers working on the Coromandel Coast and in Batavia, often by workers who had fled the Coromandel Coast because of war and famine. In Batavia this style was known as “Custwerck” (work from the Bengal coast). These lobbed dishes are seldom marked. Only after 1667 the use of the town mark became obligatory in Batavia but only for silver made in Batavia not for silver imported in Batavia from other VOC settlements. The engraved coat of arms in the centre is a replacement of the original centre. The coat of arms can be identified as those of Christian Hubert von Pfeffel (1765- 1834). As a diplomat, statesman, ambassador of Bavaria in London and Saxony and councillor to the King of Bavaria, he was made “Freiherr” in 1828 and since then used this coat of arms. His son Karl Maximilian Friederich Hubert Freiherr von Pfeffel (1811-1890) in 1836 married Karoline Adelheid Pauline von Rottenburg (1805-1872), the natural daughter of Prins Paul von Württemberg (1785-1852) and his mistress Margrethe Porth. Paul was the jounger brother of the King Wilhelm I of Württemberg (1781-1864). The heraldic motto of the von Pfeffels Vur Schande habe den Huot means as much as “Beware of Shame”. Christian Hubert Theodoor Marie Karl von Pfeffel Karl Maximilian’s grandson was the last male in the von Pfeffel line. His daughter, Marie Louise (Paris in 1882 - Cornwall 1944), born and grown-up in France, changed her name in de Pfeffel. She was the great grandmother of Boris Alexander de Pfeffel Johnson, the present British Secretary of State. None of the members of the von Pfeffel family had any direct links with the Dutch East Indies but indirectly by way of the Royal House of Württemberg they did. Sophia Frederika Mathilda von Württemberg (1818-1877), daughter of Wilhelm I King of Württemberg, in 1839 married Willem III...

A Pair of Chinese Export Silver Flower Vases of trumpet form, each with circular base and rising to a flared, shaped top. The vases, which are decorated with applied prunus, were ret...

A Chinese export silver bowl, profusely decorated with dragons among clouds on a matte background. The bowl has a vacant cartouche, and is fro...

Chinese export silver mug, ca 1860. Straight and upward tapering sides with applied pictorial frieze on engraved and stippled ground: Scenes of social life with contemplative sages and chaste maidens amongst palm trees and pagodas. Pastoral exoticism enlivened with scaly, slithering dragon handle...

A pair of very fine silver filigree rosewater sprinklers Possibly India, Karimnagar, early 18th century Height 31.6 cm and 31.7 cm, weight 39...

A Chinese export silver mug with flowers and foliage engraved within decorative panels; and a dragon handle. Marked with LC, for Leeching, 利升 (...

A heavy and well cast Chinese export silver tankard with a dragon handle, made of the Southeast Asian market, mid-late 19th century, China. The double walled mug or tankard featur...