Arthur B. Davies Landscape Paintings

Palace of Fine Arts, San Francisco by Garrett Price (American, 1896-1979). Signed "Garrett" lower right. Unframed. Image size, 11.75"H x 15.25"W. G...

Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...

Watercolour view of boats in a port, looking out to sea, by French Painter Jean-Paul Claveau. The painting is signed and dated bottom left and presented in painted wood frame, with c...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Thelma Corbin Moody (1908-1986) Colored Roofs c. 1960s Gouache on Watercolor Paper 22" x 15", Unframed This piece is unsigned and came from a large...

An original watercolor signed illegibly but dates 1972.

Donald Stacy "Two Trees" c.1950s Gouache on paper 24" x 18" unframed $950 Unsigned Came from artist's estate *Custom framing available for additional char...

A large scale French Mid Century watercolour painting of a stylish late 1950s villa and its garden in the South of France. This painting was acquired with another by the same artist...

Jack Hooper "Fruit Still Life" 10-1996 Conte crayon and gouache on paper 19.75"x14.25" cherry wood frame with white sides 24.25"x18.25" Signed and dated in...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Feeding the swans...

Modernist painting of trees, interior forest scene by Colorado artist, Richard Sorby (1911-2001). Painted in dark colors of green, blue and black with brown, orange and white. Water...