Augustus Edwin John was a painter of portraits, figure compositions, landscapes and flowers. He was also a draughtsman, etcher and lithographer. John was born on January 4, 1878 in Tenby, Wales. He was the brother of the painter Gwen John. He studied at the Slade School of Art in 1894, won a Scholarship in 1896 and the Summer Composition Prize in 1898. John first visited Paris in 1900 and later traveled to Holland, Belgium and France. He was influenced by Rembrandt, El Greco and the Post-Impressionists. He began exhibiting at the New English Art Club in 1900 and became a member in 1903. He became a professor of painting at Liverpool University in 1901. He had his first one-man exhibition at the Carfax Gallery in 1903. John painted in Ireland, Dorset and Wales, where he camped with gypsies and worked with Innes and Derwent Lees in 1911. He has exhibited at the Chenil Galleries and Alpine Club Gallery. In 1921, he was elected an Associate of the Royal Academy and elected a full R.A. in 1928. He was a member of the London Group in 1940. Augustus John was awarded the Order of Merit in 1942. He has traveled widely throughout Europe and paid several visits to the USA and Jamaica. He used to live in Dorset, London and later on in Hampshire. He has conducted several retrospective exhibitions of his drawings at the National Gallery in 1940, at Temple Newsam, Leeds in 1946, National Eisteddfod of Wales and Welsh and English tour in 1948. In later life, John wrote two volumes of autobiography, Chiaroscuro in 1952 and Finishing Touches in 1964. He died at his home at Fordingbridge, Hampshire on October 31, 1961.
IDA WITH CHILD
By Augustus John
Located in Portland, ME
John, Augustus (British, 1878-1961) IDA WITH CHILD. Pencil on paper, not dated, but after 1901 and before 1907. Signed lower right. 7 3/4 x 13 1/4 inches (sheet), framed to 16 1/2 x ...
Pencil
Study of a Standing Female Nude, pencil on paper by Augustus John
By Augustus John
Located in London, GB
Augustus John was one of the finest draughtsmen of the 20th century. An early exponent of Post-Impressionism in Britain, he was considered, at a time, to be the most important artis...
Pencil
$10,000
H 6 in W 5 in
Two Seated Men Watercolor Drawing, Signed, 20th Century, Framed
By Henri Lebasque
Located in New York, NY
“Two Seated Men” by Henri Lebasque (1865-1937) Pencil and watercolor on paper 6 x 5 inches unframed (15.24 x 12.7 cm) Signed on bottom right Description: In ...
Watercolor, Pencil
$9,000
H 21 in W 12.5 in D 1 in
Vogue Magazine, Elegant Fashion Illustration for Adel Simpson
By Antonio Lopez
Located in Miami, FL
Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...
Watercolor, Gouache, Pencil
$5,200
H 24.5 in W 33.5 in D 1.25 in
“Reclining Nude, c. 1930” American Modernist Female Drawing Lady African Mask
By Louise Nevelson
Located in Yardley, PA
“Reclining Nude, c. 1930” by Louise Nevelson (1899-1988) This wonderful original ink drawing highlights Nevelson’s interest in the early 20th century avant-garde. Inspired by Picass...
Paper, Pencil, Graphite
La Bella Attrice
By Justas Varpucanskis
Located in Mokena, IL
La Bella Attrice, 2018 Graphite and White Chalk on Toned Paper, 7.75 x 5.5 inches Exemplifying the essence of Renaissance poise, La Bella Attrice showcases Justas Varpucanskis’s e...
Chalk, Graphite
$9,169
H 5.5 in W 6.75 in
18th century portrait drawing of the Rev. William Atkinson
By George Romney
Located in London, GB
Collections: Henry Scipio Reitlinger (1882-1950); Private collection, UK to 2019 Framed dimensions: 14.50 x 15.38 inches This drawing is one of only two known portrait drawings by Romney (as opposed to preliminary studies for portraits) and is dated by Alex Kidson as being executed no later than 1769. It is likely that the present drawing was originally part of a sketchbook, now largely dismembered (Abbot Hall Art Gallery, Kendal), which Kidson notes, contained some of Romney’s most beautiful early drawings. This drawing, and a second sheet formerly with Andrew Wyld, have been identifying as depicting the Rev. William Atkinson...
Pencil
$990
H 5.12 in W 3.94 in
Woman sitting - Pencil on Paper Unique Drawing Post Impressionism, 1910
By Henri Edmond Cross
Located in New York, NY
Henri Edmond Cross Woman sitting, ca. 1910 Pencil on paper 5 1/10 × 3 9/10 in l 13 × 10 cm Frame included - 9 x 7 in l 23 x 18 cm Stamped 'HEC' lower right Condition: Excellent cond...
Pencil
18th century ink study for the Leveson-Gower Children
By George Romney
Located in London, GB
Collections: J. Goodfriend, USA. Brown wash and pencil on laid paper Framed dimensions: 13.25 x 11.75 inches This powerful drawing was made at the time that Romney was painting the famous group portrait of the Gower Children now in Abbot Hall Art Gallery, Kendal. Romney was a bold and incisive draughtsman who made numerous rich brown ink studies, principally for historical compositions; by contrast, comparatively few studies linked directly to his portraits survive. The existence of a group of studies for the Gower Children underscores its importance to Romney. The sitters were the five youngest of the eight children of Granville, 2nd Earl Gower who, at the time the portrait was commissioned, was President of the Council in Lord North’s government and one of the best-connected and most influential people in England. The present drawing which is a large scale treatment of the composition in its final form perfectly distils Romney’s conceit: the younger children dancing whilst their elder sister, in the guise of a Bacchante plays the tambourine. The bold and dramatic study underlines both the artistic confidence and classical grandeur Romney gained during his trip to Italy between 1773 and 1775. The commission from Granville, 2nd Earl Gower to paint five of his children came shortly after Romney’s Continental tour. The initial idea, as represented by the present drawing, seems to have been to paint Lady Anne, the figure on the right of the composition playing the tambourine, who was the youngest of Gower’s first four children by his second wife Lady Louisa Egerton and who married the Rev. Edward Vernon Harcourt, later Archbishop of York, with three of her younger half-siblings by Gower’s third wife, Lady Susanna Stewart: at the left Lady Georgina, who became Countess of St Germans following her marriage to the Hon. William Eliot; at the right Lady Charlotte Sophia, later Duchess of Beaufort and in the centre Lady Susanna, later Countess of Harrowby. Romney added a fifth child to the finished portrait, Gower’s son: Lord Granville, later created Viscount Granville and Earl Granville. In Italy Romney had produced a large number of studies of classical antiquities and old master paintings. The commission from Gower offered Romney the opportunity to explore a complex multi-figural group, putting into practice the kind of ambitious classical quotations that Reynolds was currently exploiting. In 1773 Reynolds had completed the remarkable group portrait of the Montgomery Sisters, now in the Tate Gallery, London, which showed them adorning a herm of the Roman god Hymen; the composition used a garland to link the three figures who were shown in classical costume dancing at the foot of a Roman sculpture. Scholars have long pointed to a similar sources for the two compositions: the works of Nicolas Poussin. Whilst the Montgomery Sisters is based, in part, on a Bacchanal now in the Musée des Beaux-Arts, the Gower Children has always been associated with Poussin’s Dance to the Music of Time, now in the Wallace Collection, London. It seems more likely that Romney was looking to an antique source in the form of the Borghese Dancers, a Roman relief, then in Palazzo Borghese in Rome. Romney would have seen the relief of interlocking, dancing maidens and would also have known Guido Reni’s Aurora...
Ink, Pencil
Ritratto di Noemi
By Justas Varpucanskis
Located in Mokena, IL
Ritratto di Noemi, 2019 Graphite and White Chalk on Toned Paper, 7 x 10 inches “Ritratto di Noemi”, a captivating portrait, by artist Justas Varp...
Chalk, Handmade Paper, Graphite
$161Sale Price|20% Off
H 7.5 in W 7 in D 1 in
French Charcoal Portrait of an Elderly Man Smoking a Pipe Drawing
By Josine Vignon
Located in Cirencester, Gloucestershire
Title: Charcoal Portrait of an Elderly Man Smoking a Pipe Artist: Josine Vignon (French 1922-2022) Medium: signed black charcoal on artists paper stuck on board, glass covered Siz...
Charcoal, Pencil
Post-Impressionist Drawing of a Man Drinking, Late 19th Century
Located in New York, NY
The passepartout contains the following legend 'Jean-François Raffaëlli - Paris 1889 - E. Universelle - 1885'. No writings on the drawing paper itself.
Paper, Color Pencil
$9,169
H 11.75 in W 9.38 in
Regency portrait drawing of Arabella Graham-Clarke
By John Downman
Located in London, GB
Collections: The sitter, and by descent; Christie's, 19th March 1928, lot 6; Private collection to 2019 Literature: G.C. Williamson, John Downman, A.R.A., his Life and Works, Lon...
Pencil, Watercolor
$2,564
H 11.82 in W 8.67 in
The Loving Couple Drawing, Carbon Pencil on Paper, 1919
By Charles Angrand
Located in Paris, Île-de-France
Circle of Charles Angrand (1854-1926) The Loving Couple Pencil and stump on paper, 30 x 22 cm Dated "10.4.19" lower left. Trace of a dedication Otherwise unsigned. Provenance: Pr...
Conté, Carbon Pencil