Ayala Serfaty Furniture

'ONCE' is a unique ceiling light sculpture reminiscent of biomorphic forms. It is part of Ayala Serfaty's world-renowned ‘SOMA’ series (her "clouds"), a set of fascinating and intang...

‘NADA I, 2020‘ is a unique wall light sculpture reminiscent of biomorphic forms. It is part of Ayala Serfaty's world-renowned ‘SOMA’ series (her "clouds"), a set of fascinating and i...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...

This 'Kuramura Pollock (Ocean)' armchair is a unique piece handcrafted by Ayala Serfaty featuring a deep green and white pattern and evoking Jackson Pollock’s drippings. World-renowned for her ‘SOMA’ series (her "clouds"), Ayala Serfaty has developed since 2010 a collection of seats made of wool, linen and silk fibres which she carefully gathers from all over the world. Work by the artist is notably included in the permanent collections of the Metropolitan Museum of Art and the Museum of Arts and Design in New York. Like a painter mixes paint on a pallet, Ayala Serfaty handcrafts a unique felt for each piece to create custom colours and textures. The materiality of textile came to inform her work from its very beginning. “I started out with felt when I went to a Joseph Beuys exhibition in London in 1985. Now I produce it myself. I was trained as a painter and for me, the value of felt – historically, culturally, and artistically – means that I can treat it like a painting or a sculpture. First, I sculpt the polyurethane foam over the metal structure. Next I figure out the shape of the garment so that it will totally cover it. I don’t cut a piece of fabric – I make the entire cover in one piece. Each one is unique, and with no fitting. I make the colours I need, mixing silk with wool and linen in different percentages”. The series of sensual and protective felt chairs, armchairs and benches is called ‘RAPA’ (‘the healer’ in Hebrew). The name echoes the idea so dear to Joseph Beuys who claimed to have been treated and healed during WWII by this material. Each featuring a unique organic pattern, these seats of singular beauty and consummate comfort defy categorisation while bringing to mind rocky soil, bird plumage, and animal hides. Visually rough but infinitely soft to the touch, they succeed in blurring the usual sensitive frontiers while asserting the physical and terrestrial character of life. Since the 1990s, Ayala Serfaty has forged a unique path in the world of contemporary design, translating the structural and aesthetic qualities of the natural world into three-dimensional objects. Her conceptual furniture...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...

Like a painter mixes paint on a pallet, Ayala Serfaty handcrafts a unique felt for each piece to create custom colours and textures. The materiality of textile came to inform her work from its very beginning. “I started out with felt when I went to a Joseph Beuys exhibition in London in 1985. Now I produce it myself. I was trained as a painter and for me, the value of felt – historically, culturally, and artistically – means that I can treat it like a painting or a sculpture. First, I sculpt the polyurethane foam over the metal structure. Next I figure out the shape of the garment so that it will totally cover it. I don’t cut a piece of fabric – I make the entire cover in one piece. Each one is unique, and with no fitting. I make the colours I need, mixing silk with wool and linen in different percentages”. The series of sensual and protective felt chairs, armchairs and benches is called ‘RAPA’ (‘the healer’ in Hebrew). The name echoes the idea so dear to Joseph Beuys who claimed to have been treated and healed during WWII by this material. Each featuring a unique organic pattern, these seats of singular beauty and consummate comfort defy categorisation while bringing to mind rocky soil, bird plumage, and animal hides. Visually rough but infinitely soft to the touch, they succeed in blurring the usual sensitive frontiers while asserting the physical and terrestrial character of life. Since the 1990s, Ayala Serfaty has forged a unique path in the world of contemporary design, translating the structural and aesthetic qualities of the natural world into three-dimensional objects. Her conceptual furniture...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...

‘CLEAR‘ is a unique wall light sculpture reminiscent of biomorphic forms. It is part of Ayala Serfaty's world-renowned ‘SOMA’ series (her "clouds"), ...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...

Each ‘SOMA’ piece is handmade out of thin blown glass rods that are individually flame-worked until they partially melt and join together. Little by little a cobweb-like structure ap...