Benedict Manufacturing Co. Vases

This stylish & artistic Tiffany Studios, New York bud vase is beautifully designed in brilliant iridescent favrile art glass. The vase has a sturdy round base, from which a tall slen...

An antique Arts and Crafts pair of vase by Moorcroft offer art pottery construction with hand painted floral design, maker mark as photographed, d...

Teco Pottery Arts & Crafts vase with Four buttressed handles created circa 1903-1910. This piece is designed by W.B. Mundie for Teco Pottery. The vase is...

Beautiful form. Signed R.Carnes 98 Lysiton, possibly not very legible.

Mottled bronze bud vase having a rare & unique form with flared mouth & curvaceous profile.

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Wonderful early 20th century craftsmanship with 8 owls in oak trees. Finding the most beautiful and rarest antiques in the best possible condition is w...

A stylish Ault Arts & Crafts green glazed bud shaped vase designed by Dr Christopher Dresser and made by renowned English potter William Ault (British, 1842-1929) dating from around ...

A stylish Arts & Crafts Bernard Moore high-fired luster solifleur vase with a rounded body on a narrow rounded foot with narrow neck and everted rim. Th...

A very rare and stunning Arts & Crafts studio pottery vase of twisted floral shape made in London by Horace Elliott (British, 1851-1938) dating from the...

A sculpture with a purpose, this bud vase is a staple in Teste’s work. Glazed in a shino pale pink glaze with an interesting craze, it has a strong presence ...

These are an unusual and distinctive pair of hand made oak vases or book ends made during the Arts & Crafts period of the late 19th century, circa 1890. They have been carefully han...