Bernard-Albin Gras Floor Lamps

The timeless Elise lamp pays tribute to the advent of the machine age. Its refined machined marble base, combined with its towering frosted acrylic diffuser...

Floor lamp in metal with an articulated arm and a diffuser pivoting on 360°. The base of cast iron always comes black varnished. Available with halogen or LED light source. Two step...

LED light for floor, in varnish coated aluminum and steel. Its head rotates by 300° for direct lighting, the arm pivots on the base by 120°. 3W-LED which you can switch on with one c...

Floor lamp in metal with an articulated arm and a diffuser pivoting on 360°. The base of cast iron always comes black varnished. Available with halogen or LED light source. Two step ...

LED lights for floor, in varnish coated aluminum and steel. Its head rotates by 300° for direct lighting, the arm pivots on the base by 120°. 6W-LED which you can switch on with one ...

LED lights for floor, in varnish coated aluminium and steel. Its head rotates by 300° for direct lighting, the arm pivots on the base by 120°. 6W-LED which you can switch on with one...

A tall post modern neon floor lamp made by Rudi Stern circa 1970's. It features black enameled steel construction, red neon lamp, and top torchiere li...

This amazing 1980s Post-Modern pair of torchiere floor lamps by Jim Bindman for Rainbow Lamp Corp features beautiful verdigris copper tubes with copper shades and accents. Signed wit...

1970’s adjustable polish chrome floor lamp design by Casella. Can be rotated 360* and can be lower down to 39.25”or extend up to 54.25” high. It has a full range dimmer built in ...

A houseof icon, this statement lamp has become a favourite, combining soft ambient lighting and pop-art shapes. Sitting on a tripod base, the oversized dome shade diffuses the light ...

An original articulated desk lamp by Grass in exceptionally original condition, very difficult to find with both the steel shade and the original factory painted surface intact.

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...