Brett Weston Abstract Photography

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in white frame. There is no glass or acrylic covering the work to highlight the texture of the paper. Betsy Kenyon...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This silver gelatin print is signed in pencil on the front of the mount. Likely printed in the 1980s.

Silver print. Overall sheet dimension is 16" x20". Signed by Siskind in pencil, and with the title and negative date in pencil on back of print. 1949 (Printed in 1980s).

This vintage silver gelatin print is signed in pencil on the front of the mount. This rare exhibition print in glossy paper (later prints of this image from Portfolio II were made on...

"Moon Over", an abstract black & white photograph after Ansel Adams by Bill Clark (American, 20th Century). Signed "Bill Clark" and dated "1996" lower right. Titled "Moon Over" lower...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

His famous series that mimicked the abstract expressionist painters movement - but in photography. A great image and a striking work for any sophisticated or rustic environment. Ima...

Hand printed photograph. Print Date 2013 Anne Larsen worked as a successful photographer for one of the largest commercial studios in Copenhagen, Denmark. In 1994 she moved to the United States to pursue a career in fine-art photography. Anne’s intimate still life images and delicate photographs of the natural environment, all made with a 4x5" view camera or medium format camera; share a common luminosity and elegance. Anne Larson hand made silver gelatin prints are distinguished by their impeccable execution and tonal subtlety. Anne has assisted and taught on workshops instructed by James Baker, Morley Baer, Ruth Bernhard, Charles Cramer, Philip Hyde, Ray McSavaney, and John Sexton. Her prints are in numerous private and public collections in North America and Europe. Her images have been included in exhibitions at the Susan Spiritus...

This is from the photogrpaher John A. Ferrari he shot work for Eva Hesse, Robert Mangold, Ronald Bladen and Sol Lewitt. It bears his stamp and label from Zabriskie Gallery. This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp. Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber Arp...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Merce Cunningham Dance Company 50th Anniversary Photography Portfolio Edition of 40 91.5 x 76.5 cms (36 x 30 1/8 ins)