Brian Cobble Interior Drawings and Watercolors

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

Oil painting and Oil based color pencils on Archival Cardboard 2mm - Original Painting and Drawing, Still-Life, Interior, Ready to hang Work Title : Fenêtre sur lac (EN : Window on lake) Artist : Gabriel Riesnert...

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...

Frammenti Pastel on Paper (Fabriano Elle) 100x70 cm 2023 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional implications of the relationship between human and dwelling. In this research, the landscape is the protagonist. People today rule over 75% of the land not covered by ice, which has led to modifying and shaping places, ignoring the life-giving forces of nature. The attempts of modern people...

Original art by Daria Kusto. Ink, acrylic on wotercolor paper. The magic flow reality... Shipped well protected, unframed

Elegant & fabulously rare, original Philippe Jullian (1919-1977) (ink signed LR) watercolour depicting a lavish Moorish opium salon interior with a reclining nude portrait on the wall and two monkeys with their turban clad handler. Sagittarius Gallery, NY label inscribed Jullian No. 18 on verso Art Sz: 8 3/4"H x 11 1/8"W Frame Sz: 16"H x 18"W w/ Hermes orange mat & antique bamboo frame Provenance: The estate of D. D. Ryan (1928-2007), noted fashion editor at Harper's Bazaar, an associate of Halston and a regular on best-dressed lists! Another widely appreciated achievement is her association with the creation of Eloise, the fictional little girl who lives at the Plaza Hotel. Eloise began as a character that Kay Thompson, a cabaret singer, portrayed to amuse her friends, of whom Ms. Ryan was one. Ms. Ryan urged her to write a book, put her together with Hilary Knight, the illustrator, and never stopped pushing her to finish the job. The result was “Eloise,” published in 1955 and a best seller the next year, and its popular sequels. “The book would never have existed without D. D. Never,” Mr. Knight said in an interview Thursday. “She would have just dropped it and gone on to something else.” Beyond her historic Eloise moment, Ms. Ryan thrived at the crossroads of New York’s fashion and artistic worlds, seeming to make a statement every time she dressed, almost always in clothes she made herself, always recognizable with her famous precisely stylized eyebrows. Her first job in Manhattan was as an assistant to the photographer Richard Avedon; she was photo editor at Harper’s Bazaar under the legendary editor Diana Vreeland, and she designed the costumes for Stephen Sondheim’s 1970 Broadway musical “Company.” Her social circle included Cole Porter, Andy Warhol, Mr. Sondheim and Truman Capote. When she recommended a new pair of sandals or a piece of costume jewelry — only “really good costume jewelry...

Taju Mayakiri is the son of the Well know Nigeria Old Master and Postwar artist - Tijani Mayakiri ( 1937 - 1992), he invented a style of Painting that has the sketch at the back and...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

Frammenti Mineral Oxide on Paper (Fabriano Elle) 50x70 cm 2024 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional impl...