Bruno Angoletta Art

Interpretation 1: An utterly exhausted man collapses face-first into a diner's countertop. His face and the countertop become one. Seemingly oblivious to the acute nature of the man's condition, the night server gleefully offers him coffee instead of more appropriate help. Interpretation 2: The night server/psycho killer pours unsuspecting customer poisoned coffee and then taunts his lifeless body in a victorious tone. Like Charles Addams...

Title -Green Light Go Year- 2011 MonoType / Embossment =They are made by drawing on a plate or glass with a substance such as printer"s ink or oil paint. An impression is infused i...

Mid-century French modern abstract painting of green and blue eye, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame....

Bright abstract ink drawing of cityscape by French artist Isabelle Troquet, circa 1985. Signed lower left. Original artwork on paper displayed on a white mat with a gold border. A...

Pigmented wax and ink on Shikoku paper. Unframed. Working on paper has always been an important part of Tracey Adams daily practice. For almost thirty years, drawing has provided a...

Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...

Green Neoexpressionist Painting. This is an original artwork realized by TUSET in 2018. We can frame it in natural wood or black on request. The dimensions of the painting are 42 x ...

Anna Kunz was born in Chicago, Illinois, where she continues to live and work. After receiving her BFA from the Art Institute of Chicago, Kunz went on to complete her MFA at Northwes...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Leon Bibel, 'Untitled (Death March)', brush and ink, c. 1936. Estate stamped, verso. A fine expressionist rendering, on cream wove drawing board, with margins (3/8 to 5/16 inch). Minor toning at the board edges, otherwise in very good condition. Image size 12 5/16 x 9 3/8 inches; sheet size 13 x 10 inches. Matted to museum standards, unframed. One of a series of powerful Anti-fascist brush and ink drawings created by the artist at the commencement of the Spanish Civil War...

Sanat Kar - Untitled - 16 x 12 inches (unframed size) Ink on paper Paper pasted on board and pen marking of the back visible in the front. Inclusive of shipment in roll form. Style...