Budd Hopkins Paintings
American, 1931-2011
Budd Hopkins' paintings in the 1960s combined the precise, hard-edge geometric shapes he was enthralled with and drawn to as a child with gestural, atmospheric painting characteristic of second- and later-generation Abstract Expressionists. "I had come to understand that an abstract painting at its most powerful was a kind of aesthetic scrim behind which lurks a concealed, obsessive 'thing' or image of some kind, transformed, made palatable by the artist's mediating skills."
Hopkins viewed collage as an artistic technique and a philosophical, aesthetic means of unifying a disjointed and fragmented world. He saw collage, the assemblage of fragments and varying points of view, in the poetry, painting, sculpture, music, architecture, and, especially, motion pictures of his day:
"Consciously or unconsciously, contemporary artists work to create harmony from distinctly jarring material, forcing warring ideas, materials and spatial systems into a tense and perhaps arbitrary detente. Seen most broadly, the presence of the collage aesthetic is the sole defining quality of modernism in all the arts."
Hopkins worked to achieve harmony, clarity and precision while maintaining a sense of mystery:
"I like neither extreme in art wholeheartedly, neither the purified world of geometrical art nor the free, indulgent world of Expressionism."
In 1963, Hopkins' work was included in American Painters, a film documentary of American artists and styles with commentary from Alfred Barr of the Museum of Modern Art, Thomas Hess of Art News Magazine, Sidney Janis, gallery director, and Harold Rosenberg, art critic.
Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinals" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space…" Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious.
Hopkins exhibited his paintings and sculptures in museums, galleries such as Andre Zarre, Levis Fine Art and Poindexter (New York) and Jan Cicero (Chicago), and universities throughout the United States. Hopkins had a major retrospective exhibition at the Provincetown Art Association and Museum in the summer of 2017.
The Whitney Museum, Washington Gallery of Modern Art, Metropolitan Museum of Art, Museum of Modern Art, Corcoran Gallery of Art, the British Museum, include Hopkins' work in their permanent collections.(Biography provided by Berta Walker Gallery)
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Artist: Budd Hopkins
Mahler's Castle II by Budd Hopkins
Located in Hudson, NY
Budd Hopkin's Mahler's Castle paintings exemplified a shift away from his holistic single image paintings of 1971 and 1972 to a new hieraticism. Both Mondrian and Newman, for instan...
Category
1970s Abstract Expressionist Budd Hopkins Paintings
Materials
Canvas, Acrylic
Dancing Guardian
Located in Provincetown, MA
Budd Hopkins was part of New York’s initial wave of abstract expressionists which included Mark Rothko, Robert Motherwell, and Jackson Pollock, among others. Hopkins’ hard-edged pain...
Category
1990s Abstract Expressionist Budd Hopkins Paintings
Materials
Acrylic
Large Budd Hopkins Modernist Hard Edged Abstract Expressionist Oil Painting 1965
Located in Surfside, FL
Budd Hopkins, American (1931-2011)
Strike Red
Oil on canvas, 1965, signed 'Hopkins' and dated lower right.
Dimensions: 85 x81 in., 86 x 52 in. with frame.
Provenance: bears partial label remnant verso from Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others.
Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC.
Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS.
Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious.
He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland.
In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds."
His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu.
His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson...
Category
1960s Abstract Expressionist Budd Hopkins Paintings
Materials
Paint
Saratoga
Located in Provincetown, MA
Budd Hopkins was part of New York’s initial wave of abstract expressionists which included Mark Rothko, Robert Motherwell, and Jackson Pollock, among others. Hopkins’ hard-edged pain...
Category
1960s Abstract Expressionist Budd Hopkins Paintings
Materials
Oil, Canvas
Untitled Abstract
Located in Concord, MA
BUDD HOPKINS (1931-2011)
Untitled Abstract, 1964
Oil on paper on canvas
14 x 11 inches
Signed and dated at lower right: Hopkins ‘64
Budd Hopkins was born in Wheeling, West Vi...
Category
1960s Abstract Expressionist Budd Hopkins Paintings
Materials
Canvas, Oil, Paper
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Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal.
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No. 2: Abstract Expressionist Oil on Canvas Paper in Blue, Teal & Light Pink
By Jenny Nelson
Located in Hudson, NY
Abstract expressionist style painting on canvas paper in teal, dark blue, and pink with accents of green
'Untitled 2 (Blue & Pink)' by Jenny Nelson
Oil on canvas paper, Painted in 2016
14.5 x 10.5 inch painting in 20 x 16 inch white 8-ply mat
This modern abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2016. The colorful abstract is composed of calming tones of teal and dark blue. The contrasting patches of pinks and green beautifully pop against the subtle pale pink background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting includes an 20 x 16 inch 8 ply matte and is signed on the lower right hand corner.
About the Artist:
It is with her commitment to a lifelong, organic process that Jenny Nelson has achieved what so many artists and creatives work for; a language and a technique that is very much her own. She has wooed audiences here and abroad with consistently exquisite and balanced abstract paintings in neutral palettes of blues and grays that give way to pops of pink and orange. But to pin her as solely an abstractionist would be limiting her skill and versatility as a painter. Classically trained at Bard College, Nelson’s thorough knowledge of composition and color relationships as experienced through drawing from life are the tools that prepared her to work in abstraction and develop her technique. Nelson begins all her paintings the same way; she mixes an extensive palette of colors, preps the square canvas, and goes to town obliterating the surface with lots of color and wild gestures using oil sticks and brushes. After sitting with the discomfort and rawness that remains, Nelson turns the canvas around and around until a shape or color comes to the foreground. The next step is reductive as she blocks out bits of chaos with a solid color applied with a palette knife, oil sticks and brushes. Tension is built through the push and pull of paint as it is layered over colors and unruly forms. Nelson studies the painting at all stages of this process, waiting for it to communicate the next step until harmony and balance is achieved. Each work, with its own identity demanding attention and complete surrender to the process, may seem daunting at the onset. But Nelson is comforted by the perspective that painting is infinite and each new canvas is just one of many, therefore easing her expectations. Some pieces in this new body of work differ from previous paintings in that the abstractions are once again rooted in life. Inspired by the photographs of artist Joseph Podlesnik, Nelson uses his architectural and observational compositions as the framework for her new work. While the origins of the photographs’ subjects are not recognizable in the finished painting, she channels the energy discovered in his real-life findings to her canvas for a result that is entirely abstract. Invigorated by this approach, Nelson bravely moves forward, prepared to shift genres if that is where her journey takes her. A graduate of Bard College, Jenny Nelson also studied at the Lacoste School of the Arts in France and Maine College of Art. She completed a Residency at Byrdcliffe Art Colony from 2004 – 2008 and has exhibited regionally and nationally for many years. Nelson currently teaches workshops and an ongoing weekly class at the Woodstock School of Art.
More about the artist:
Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally including, Tria Gallery, Manhattan, NY; Hidell Brooks Gallery in Charlotte, North Carolina; Carrie Haddad, Hudson, NY.
SELECTED EXHIBITIONS:
Solo Shows:
2019 Carrie Haddad Gallery, Hudson, NY
2019 Hidell Brooks Gallery, Charlotte NC
2018 Light Waves, Hidell Brooks Gallery, Charlotte NC
2017 New Works, Carrie Haddad Gallery, Hudson NY
2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC
2013 Traveling Light, Tria Gallery, Manhattan NY
2012 New Work, Smink Modern, Dallas TX
2012 New Work, Carrie Haddad Gallery, Hudson NY
2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY
2010 New Paintings, Chace-Randall Gallery, Andes NY
2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ
2008 The Light Between, Chace-Randall Gallery, Andes NY
2007 New Work, Carrie Haddad Gallery, Hudson NY
2006 Of Line and Light, Chace-Randall Gallery, Andes NY
2006 Abstractions, Gallery 100, Saratoga NY
2005 Spring Collection, Coffey Gallery, Kingston NY
2005 New Work, Carrie Haddad Gallery, Hudson NY
2004 Summer, Omega Institute, Rhinebeck NY
2004 New Work, Carrie Haddad Gallery, Hudson NY
2003 Paintings from Shady, Coffey Gallery, Kingston NY
2001 Fisher Studio Art Gallery, Annandale-on-Hudson
Group Exhibitions:
2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA
2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY
2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC
2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2013 AD Boston Art Fair, Gold Gallery, Boston
2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY
2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2012 Tria Gallery Summer Exhibition, Manhattan, NY
2012 AAF NYC, Tria Gallery, Manhattan, NY
2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2011 AAF NYC, Tria Gallery, Manhattan, NY
2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY
2010 Art Hamptons, Tria Gallery, Manhattan NY
2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA
2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA
2009 Curators Choice, Chace-Randall Gallery, Andes NY
2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY
2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA
2009 Small Works, Anne Irwin Fine Art, Atlanta GA
2009 Winter White, Tria Gallery, Manhattan NY
2009 Contrasts, Anne Irwin Fine Art, Atlanta GA
2009 AAF NYC Tria Gallery, Manhattan NY
2008 Summer Cocktail, Tria Gallery, Manhattan NY
2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY
2007 Faculty Plus One, Columbia Greene Community College, Hudson NY
2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY
2007 One New Work, Chace-Randall Gallery, Andes NY
2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY
2006 Beach, Gallery Yellow, Cross River NY
2006 Flow, Kleinart/James Gallery, Woodstock, NY
2006 Group Exhibition, James Cox Gallery, Woodstock NY
2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY
2005 Group Exhibition, Chace Randall Gallery, Andes NY
2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY
2005 New Talent, Alpha Gallery, Boston MA
2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY
2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY
2003 Senate House Show, Kingston NY
2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY
Juried Exhibitions:
2004 Woodstock Artists Association, Woodstock NY
2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY
Selected Collections:
Warren Bierwirth, Paris, France
Cecilia Greene, New York NY
Helen Chapman, New York NY
Michael & Sheila Faharty, New York NY
Christopher Dlutowski, New York NY
Jim & Dianne Footlicke, New York NY
Laurent Gaudry, New York NY
Nancy Seigal, Boca Raton FL
Holli Gersh, Boca Raton FL
Kenneth & Margaret Uhle, Ridgefield CT
Dr. Lee Sider, Mt. Tremper NY
Friedrike Merck, Woodstock NY
Weston & Julia Blelock, Woodstock NY
Miller Howard Investments, Woodstock NY
Kingston Hospital, Kingston NY
Media:
Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017
Jenny Nelson's chaos, Hudson Valley One, 2017
A Conversation with Artist Jenny Nelson,, Blog Talk Radio...
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Title: Diamond
Year: 1964-1966
Medium: Oil on Canvas, signed and dated
Size: 25 x 25 in. (63.5 x 63.5 cm)
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Budd Hopkins paintings for sale on 1stDibs.
Find a wide variety of authentic Budd Hopkins paintings available for sale on 1stDibs. You can also browse by medium to find art by Budd Hopkins in paint, oil paint, acrylic paint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Budd Hopkins paintings, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Joseph Glasco, Agnes Hart, and Mark Wilson. Budd Hopkins paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,300 and tops out at $30,000, while the average work can sell for $15,000.