Carol Heft Art

Note: Dehn was born in Minnesota. He attended the Minneapolis Institute of Art. This work is a view of the Stone Arch Bridge in Minneapolis with the Pillsbury "A"-Mill in the backg...

Peter Hurd (1904 - 1984) New Mexico Artist Image Size: 11 x 20 Frame Size: 25 x 33 Medium: Ink Wash Circa 1950s-60s "New Mexico Landscape" Biography P...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures, sheet measures 11 x 17 inches. Signed lower right. No da...

42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...

Francis Luis Mora is loved sketching and drawing and did so for almost every day of his career. This allegorical and very finished pencil drawing depicts a Faun in the forest. Poss...

TOBACCO ROAD Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 2 10 1/2 x 6 (sight), Signed David Fredenthal lower right. Framed by Lowy....

Pen and black ink on watermarked Ingres laid paper, 9 1/4 x 12 1/4 inches (234 x 310 mm), signed, dated and titled in brown ink, and initialed and titled in black ink in the lower right corner. Light to moderate age tone and mat tone, and with the signature and notations in brown ink having become quite attenuated, although legible. Presented in a basic black wood frame with a label from the Country Art...

This cartoon by Charles Addams is generations ahead of its time. To get the punch line, you need to know the meaning of a Satyr or Pan. Satyr: Part man and part beast. - A male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated permanent erection. Early artistic representations sometimes include horse-like legs; Satyrs were characterized by their vulgar, indecent ribaldry, and were rowdy lovers of wine, music, dancing, and women. They inhabited remote locales, such as woodlands, and they often attempted to seduce or rape nymphs and mortal women alike. It's prudish 1950s America, where TV programs show husband and wife sleeping in separate beds. The discussion and representation of sex was repressed. To make a bold statement about censorship and the uncompromising moral climate of the time, Addams uses a reference from the mythical world to make a statement about the real world. In doing so, he anticipates the sexual revolution of the late 1960s and 1970s. The satyr/pan symbolizes nonconformistism. He has his own earthy customs, attitudes, and ideas. Because of that is being handcuffed and formally taken away by the state whose goal is to repress natural erotic fun and frolic that is ubiquitous in todays society. A proper and perfectly pressed Park Ranger cleans out a lustful undesirable from pristine woodlands. With startled expressions, a vulnerable family of correct women witness the event as they are about to have a picnic. The Satyr grasps his Pipes of Pan just over his crotch. The background is populated by phallic symbols. This is one a the rare instances where Addams address the issue of sex. The Ranger is a dead ringer as a self portrait of Addams. Original illustration for a cartoon, showing a uniformed ranger leading away a manacled satyr, in front of a startled picnic party. Ink and grisaille wash on Whatman cold press illustration board, signed "Chas Addams...

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era illustrator, focusing on shipwrecks and battles occurring along the mid-Atlantic coast. ...

The Skull-and-Crossbones flag flies atop this illustration of a Pirate Ship. Two palm trees flank it, and it floats in a cropped stylized sea. A single hatted figure is seen looking ...

Beautiful original drawing by American artist, Albert Sway (b.1913). Cincinnati Cityscape, ca. 1935. Ink on paper measures 8 x 10 inches. Signed lower right. No damage or conservation. Birth place: Cincinnati, OH Addresses: Cincinnati, OH; NYC Profession: Painter, illustrator, etcher, lithographer, cartoonist, teacher Studied: Cincinnati Art Acad.; ASL Exhibited: AIC, 1936, 1938; PAFA Ann., 1936; Corcoran Gal biennial, 1939; GGE, 1939; Paris Salon, 1937; Stockholm, Sweden, 1937-38; Soc. Indep. Artists, 1938; WFNY, 1939; SAE; LOC, 1943-45; Albright-Knox Art Gal., 1951; SAGA, 1951-on; Royal Soc. Painters, Etchers & Engravers, London, England, 1954; Am.-Japan Contemporary Print Exhib., Tokyo, 1967. Awards: first prize in graphics, Cincinnati Mus. Assn., 1939. Member: Cincinnati Assn. Prof. Art; Cincinnati AC; SAE; SAGA Work: MMA; NYPL; CI; Penn. State Univ.; Soc. New York Hospitals. Comments: Contributor: cartoons in Saturday Review, New Yorker. Publications: illustrator, Lamb's Sectional Histories of New York State," Frank E. Richards; illustrator of filmstrips on New York State history produced by Our York State, NY, 1950-; medical illustrator, "A Syllabus for Health Visitors," Navajo Tribal Council, Arizona...

Bronx Post Office Mural Study WPA Horse Social Realism Mid 20th Century Modern Jo Cain (1904 - 2003) Couriers of History Bronx Post Office Mural Study Horse in the Sun (with two ad...