Carrie Mae Weems Photography

31st March 1980: Darth Vader and two stormtroopers from the film ‘Star Wars’ stand menacingly over some road works in London’s Oxford Street to promote the franchise’s second release The Empire Strikes Back. The sequel is regarded by many as the finest in the series of George Lucas's space opera - and outdid the original in worldwide takings, paving the way for Return Of The Jedi shortly after and the Star Wars 'prequels' as well as the recent The Force Awakens...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. Figurative, black and white, water, swim, swimming, lake, Bear lake...

'Alpha', from Samuel Field's Personal Computer Series. Photographed at the Cambridge Centre for Computing History, home to 800 Historic Computers. This collection is a fabulous remi...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Signed by Jesse Alexander in black ink on print margin. Titled in black ink and misc. notation in pencil on print verso. Archival pigment print Paper size: 17 x 22 in., Image size: 1...

Gelatin silver photogram (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has always centered on analog photographic techn...

Paris Auto Show - General Motors Design by Jesse Alexander is a 14 x 14 inch archival pigment print. This photograph features a black car on display, surroun...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...