Casey Waterman Still-life Sculptures

Bespoke 1/1 original Neon SMSPF wall sculpture Easy wall mount Signed 1/1 Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best stre...

Javier Calleja is showcasing a fresh crop of paintings and sculptures in NANZUKA’s 2G gallery and the dealer’s emerging outpost, 3110NZ by LDH Kitchen, ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"Subway Textures" is a one-of-a-kind piece created from Eustace Mamba, as part of his ongoing series of sewn mixed media cityscapes. This wall-hanging sculpture is made from sewing a...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Bespoke Chanel Pill wall sculpture Easy wall mount Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best...

"Black Milk" is a one-of-a-kind piece created from Eustace Mamba, as part of his ongoing series of sewn mixed media cityscapes. This free-standing sculpture is made from sewing canv...

Bespoke Metal bodied fire extinguisher in deep glass fronted case. Mixed media, . - Easy wall mount with French cleat. Signed and numbered. Plastic Jesus: Born : London (United King...

The images on the water towers are from the artist sketchbook. It was also a part of a wheatpaste street art initiative from 2020. During the COVID lockdown he wanted to inject a little bit of nature back in downtown New York. Referencing not only wildlife in general but also specifically from the neighborhood. In this series you might find dogs or cats from artists he personally knows but you might find a raccoon that somehow invaded the city. Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

This piece titled "Fault Lines: Bantam #B4" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2”h x 1.5”w x 1.5”d and ships with th...

Artist: Claus Oldenburg (1929) Title: Fire Plug Souvenir - "Chicago August 1968" (P. 10) Year: 1968 Medium: Cast plaster multiple with acrylic paint Ed...

Daniel Arsham Future Relic no.3 (Clock), 2015 Plaster and broken glass comes with the original box some minor wear to the box. 14 × 12.7 × 6.4 cm Edition of 400 Daniel Arsham is a c...