Charles Ancelin Figurative Prints
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Artist: Charles Ancelin
Charles Ancelin (1863-1940) - c.1925 Pochoir Print, Chevaux De Courses (No.6)
By Charles Ancelin
Located in Corsham, GB
An exciting study of a horse race with riders jumping over a post. This fine hand-coloured Pochoir print is signed in plate and inscribed in graphite with the print number in the ser...
Category
Early 20th Century Charles Ancelin Figurative Prints
Materials
Screen
Charles Ancelin (1863-1940) - c.1925 Pochoir Print, Chevaux De Courses (No.3)
By Charles Ancelin
Located in Corsham, GB
An exciting hand-coloured Pochoir print of race horses completing a cross-country race. The jocky's wear brightly coloured riding jumpers and look eminently stylish. Signed in plate....
Category
Early 20th Century Charles Ancelin Figurative Prints
Materials
Screen
Charles Ancelin (1863-1940) - c.1925 Pochoir Print Chevaux De Courses (No.9)
By Charles Ancelin
Located in Corsham, GB
An exciting hand-coloured Pochoir print of a buggy race. The jockeys wear brightly coloured riding jumpers and look eminently stylish. Signed in plate. Inscribed in graphite to the l...
Category
Early 20th Century Charles Ancelin Figurative Prints
Materials
Screen
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Still Life with Hans Maler Pop Art Serigraph Hand Signed
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there are three states of the same image image each with increasing detail and color. This is just for the one in the photo.
Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources.
Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997.
Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves.
In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York.
From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel.
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Most of the figures in his contemporary pieces are not paired with any others.
SELECTED COLLECTIONS
MUSEUM OF MODERN ART, NEW YORK, NY
ALBRIGHT- KNOX GALLERY, BUFFALO, NY
ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT
NATIONAL GALLERY OF ART, WASHINGTON, DC
BROOKLYN MUSEUM OF ART, BROOKLYN, NY
SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC
CORCORAN GALLERY, WASHINGTON, DC
UNIVERSITY OF NOTRE DAME ART...
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Located in Surfside, FL
On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175.
there are three states of the same image image each with increasing detail and color. This is just for the one in the photo.
Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources.
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Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves.
In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York.
From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel.
In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas.
By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history.
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Most of the figures in his contemporary pieces are not paired with any others.
SELECTED COLLECTIONS
MUSEUM OF MODERN ART, NEW YORK, NY
ALBRIGHT- KNOX GALLERY, BUFFALO, NY
ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT
NATIONAL GALLERY OF ART, WASHINGTON, DC
BROOKLYN MUSEUM OF ART, BROOKLYN, NY
SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC
CORCORAN GALLERY, WASHINGTON, DC
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IDENTITY CRISIS (BLACK)
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Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150.
Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered.
Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured.
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Save Stilettos
By Faile
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Artist: Faile
Title: Save Stilettos
Size: 39 x 27.5 in
Medium: Silkscreen
Edition: of 100
Year: 2016
Notes: Custom Framed
18 Color Silkscreen Ink on Paper
Archival Coventry Rag 290gsm.
Signed & Stamped, Faile 2010
"The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...
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Ray Euffa, Keys
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Previously Available Items
Charles Ancelin (1863-1940) - c.1920 Pochoir Print, Chevaux De Courses (No.8)
By Charles Ancelin
Located in Corsham, GB
An exciting study of two race horses jumping a hedge. Both jocky's wear brightly coloured riding jumpers and look eminently stylish. Signed in plate. Inscribed in graphite to the low...
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Charles Ancelin figurative prints for sale on 1stDibs.
Find a wide variety of authentic Charles Ancelin figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Charles Ancelin in screen print and more. Not every interior allows for large Charles Ancelin figurative prints, so small editions measuring 22 inches across are available. Customers who are interested in this artist might also find the work of Chas Laborde, William Lee Hankey, and Edouard Benedictus. Charles Ancelin figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $384 and tops out at $384, while the average work can sell for $384.