Charles [Karl] Hidenlang Art

Schmidt's 1923 poster for the Bauhaus Exhibition is celebrated for its innovative use of geometric forms and typographic elements, reflecting the school's avant-garde approach to des...

Vintage 1960s Sam Francis Lithograph: Sam Francis, "Blackstone," 1964. Lithograph in colors. 16 x 23 inches (Dimensions including frame: 27.5 x 21.5 inches). Framed in glass. Cente...

Sonia DELAUNAY Rythm and Dance Lithograph after a painting Printed signature in the plate Numbered /600 On vellum paper 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition, 1994 Exce...

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for Documenti d'Arte d'Oggi. Sheet size: 12 1/2 x 8 1/2 inches (317 x 215 mm). There is printed t...

Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career. Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...

Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...

Offset lithograph poster published by the Transworld Art Fair in Tel Aviv The work depicted in the image is Calder's "Boomerang", 1973 Plate (printed) signature Unframed ALEXANDER CA...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

“Echiquier,” or Chessboard, is Vasarely’s first Op Art painting, created in 1935. Color lithograph on BFK Rives paper, published in 1969. Limited edition of 138 copies, numbered 47/...

Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...

Artist: Gisela Beker, German/American (1932 - 2015) Title: Bauhaus (Red and Green) Year: Circa 1975 Medium: Serigraph, signed and numbered in pencil E...

A 1969 woodcut, titled "Andalusian Sky" by Bauhaus Master Werner Drewes. Signed and numbered in pencil. Edition: 21/XXX. An impression of this print is in the collection of the Sm...