Charlotte Andry Gibbs Portrait Paintings

Rudolf KLINGSBÖGL Austrian Viennese painter and teacher. Chassidic rebbe with Shtreimel. Klingsbogl was active in Vienna and is known for his typical portraits and paintings of interiors - workshops, pubs and cellars. His style is very distinctive. rare to find good jewish work that survived the holocaust as so much of it was destroyed. Other works by Rudolf Klingsbogl (sometimes known as Klingsberg}: Rabbis Studying Around a Table, The Huntsman, The Pet Bird, Blacksmith Interior Scene, Three Men with Chat and Drink, The Sailors, The Old Drinker, Debating the News, Sunday Afternoon, Man Looking at Pocket Watch. Game of Cards in a Tavern, Wolfgang Amadeus Mozart as a Child, Franz Schubert at the Piano, Johann Strauss (The Younger). Realistic portrait of an older rabbi visiting and blessing a child in a European marketplace...

Walk through Retiro is an Impressionism painting bu the young Cuban artist Cristian Velazquez who lives in Spain. El Retiro Park is a green oasis in the heart of the city. In it ...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

The Cardinal's Letter Otto Eichinger (1922 - 2004) signed oil painting on board, framed framed: 15 x 12 inches board: 12.5 x 10 inches provenance: private collection, UK condition: v...

Lisa Fricker's "Memory" is an original, handmade oil painting that depicts a nude female, it measures 7 x 5 inches. This painting is framed and ready to hang.

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

This small-format painting by Inés Silvalde, created in 2019, transforms a playful and rebellious hand gesture into a queer celebration of irreverence and self-expression. Titled Pir...

Certainly a family of artists, such as, of course, Amadeu (1912-2004), known for a long artistic career, as a teacher of several generations of painters and as an artistic popularize...

Regina Maris, 1908 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 16 x 19.25 inches Superb oil painting by the well li...

Sweet and large oil painting "Sisterly love" signed and dated 1902 by August Algermissen The present painting depicts two sisters seated in an interior, the youngest is gleefully lo...

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...