Christian Heuser Art
to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
1
1
8,917
2,810
2,504
1,337
1
1
Artist: Christian Heuser
Lady Reading
By Christian Heuser
Located in Belgravia, London, London
Oil on panel
Panel size: 8 x 6.5 inches
Framed size: 12.5 x 10.75 inches
Signed top right
Category
19th Century Christian Heuser Art
Materials
Oil, Panel
Related Items
18th Century Venetian School Portrait of a Bishop Oil on Panel Green Brown Black
Located in Sanremo, IT
Painting oil on panel measuring 40 x 30 cm without frame and 48 x 38 with frame representing a great bishop of the Venetian school from the first half of the 18th century.
Very curi...
Category
Early 18th Century Italian School Christian Heuser Art
Materials
Oil, Wood Panel
$1,144 Sale Price
20% Off
H 15.75 in W 11.82 in D 1.19 in
The Matador’s Wife
Located in Spokane, WA
Measures
Painting 7.5 x 5.0625 inches
Framed 13.5 x 11.5 inches
In the manner of José Garcia Ramos (1852 - 1912) This is a beautifully framed 19th century Spanish School oil painti...
Category
Late 19th Century Christian Heuser Art
Materials
Panel, Oil
Portrait of a woman with a book
Located in BELEYMAS, FR
Italian school circa 1560, circle of Bernardino Campi
Portrait of a woman with a book
Oil on panel
H. 78 cm ; L. 57cm
Category
16th Century Italian School Christian Heuser Art
Materials
Oil, Wood Panel
Portrait of a Man
Located in New York, NY
Provenance:
with Leo Blumenreich and Julius Böhler, Munich, 1924
Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to:
Abraham M. Adler, New York, until 1985; thence by descent to the present owners
While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...
Category
16th Century Old Masters Christian Heuser Art
Materials
Oil, Panel
Venus and Cupid
Located in BELEYMAS, FR
Hendrick Bloemaert
(Utrecht 1601/02 – Utrecht 1672)
Venus and Cupid
Oil on panel
H. 75 cm; W. 61 cm
Signed and dated 1636
Hendrick Bloemaert is a notable figure of the Golden Age of...
Category
1630s Flemish School Christian Heuser Art
Materials
Oil, Wood Panel
Mother and Daughter Italian School by Giuseppe Costa
Located in New York, NY
Giuseppe Costa (Italian, 1852-1912)
Untitled, c. late 19th-early 20th century
Oil on wood panel
12 x 7 in.
Framed: 16 1/2 x 11 2/3 x 1 in.
Signed lower right
Giuseppe Costa was an I...
Category
Late 19th Century Italian School Christian Heuser Art
Materials
Oil, Wood Panel
$2,250
H 16.5 in W 11.33 in D 1 in
Portrait of a woman ironing
Located in BELEYMAS, FR
Paul LUNAUD
(Brantôme 1900 – 1949)
The ironer
Oil on wood
H. 80 cm; W. 64 cm
Signed and dated on the right in the center, formerly signed lower right.
1942
Provenance : Artist's stu...
Category
1940s French School Christian Heuser Art
Materials
Oil, Wood Panel
Portrait of a young fisherman in a landscape
Located in BELEYMAS, FR
Attributed to Godfried SCHALKEN
(Made 1643 – The Hague 1706)
Young fischer
Oil on panel in one board
H. 32.5 cm; L. 25.5 cm
Around 1670/75
Related works:
- Autograph version with nu...
Category
1670s Dutch School Christian Heuser Art
Materials
Oil, Wood Panel
St. Vincent Ferrer Preaching to the People of Salamanca
Located in New York, NY
Provenance:
Private Collection, New Jersey
The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...
Category
15th Century and Earlier Renaissance Christian Heuser Art
Materials
Oil, Wood Panel
$17,500
H 11.75 in W 8 in
Nita
By James Carroll Beckwith
Located in New York, NY
JAMES CARROLL BECKWITH (1852-1917)
Nita
Oil on panel
10 1/16 x 7 5/8 inches
Signed lower right
Inscribed, “Background of/Nita Sewell/1897,” verso
James Carroll Beckwith enjoyed enor...
Category
Late 19th Century American Impressionist Christian Heuser Art
Materials
Oil, Panel
Diana the huntress with her dogs
Located in BELEYMAS, FR
Barend GRAAT
(Amsterdam 1628 – Amsterdam 1709)
Diana the Huntress
Oil on wood
H. 33.5 cm ; L. 44 cm
Signed lower right on the stone
A discreet painter with respect to history, Baren...
Category
1670s Dutch School Christian Heuser Art
Materials
Oil, Wood Panel
Portrait of an Artist (possibly a Self-Portrait)
Located in New York, NY
Provenance:
Bradley Collection.
Private Collection, Upperville, Virginia.
Literature:
Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75.
This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin.
This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2).
Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566.
This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...
Category
16th Century Old Masters Christian Heuser Art
Materials
Oil, Panel
Christian Heuser art for sale on 1stDibs.
Find a wide variety of authentic Christian Heuser art available for sale on 1stDibs. You can also browse by medium to find art by Christian Heuser in oil paint, paint, canvas and more. Not every interior allows for large Christian Heuser art, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Erich Waske, Anne Siems, and Sebastian Herzau. Christian Heuser art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $6,008 and tops out at $6,131, while the average work can sell for $6,070.