Cleto Munari Sterling Silver

Large pair of Neoclassical (made in the Victorian Period), sterling silver column-form candlesticks, Sheffield, England, year-hallmarked for 1898, Henry Wigful - maker. Each candlestick measures 11 1/6 inches high x 5 1/4 inches deep x 5 1/4 inches wide. Columns are swirled in design. The capital of each column is designed with acanthus leaves. The base of each candlestick is decorated with profiles of the Green Man (a good luck symbol...

Pair of three-light Modernist Art-Deco candlesticks made in solid sterling silver  950/1000th and designed by Jean E. Puiforcat in the 1930s. All parts are stamped Minverve 1st Title...

Pair of 19th century weighted sterling silver candle holders.

Modernist seven-candle solid silver candlestick by Hans Hollein for Cleto Munari. This piece illustrates the avant-garde spirit of 1970s Italian design. It is both an everyday object...

Sterling Silver Tiffany barware / tableware silver sherry service for twelve people . Each cup is in great condition . Minor wear consistent with age / use . Maker's mark undersigned...

Pair of American Tiffany sterling silver monkey candlesticks.

Tiffany & company four-piece sterling silver coffee and tea set, circa 1940. Comprised of coffee pot, tea pot, sugar and creamer, all with faceted corners and monogrammed 'PPB', all ...

This pair of elaborate sterling silver candlesticks will set the table with many options for centerpieces. The sophisticated decoration of leaves and swirling silver embellish the ba...

Tall, Edwardian, sterling silver, neoclassical, column-form candlesticks, Birmingham, England, 1914, Bayliss and Coulthard - makers. Measures: 12 1/2 high x 5 wide x 5 deep (at squar...

Pair of Edwardian sterling silver candlesticks. Made by Gorham in Providence in 1905. Each: Ovoid, tapering, and fluted shaft with interlaced script monogram; stepped oval foot. Urn ...

Amazing mid-century silver plate serving plate. Gio Ponti designed and signed this astonishing item for Cleto Munari in Italy during the 1980s. The flat and efficient design on two round levels, make this piece simply irresistible and iconic for midcentury lovers. This piece will smarten a midcentury living room or minimal and chromed bar. This wonderful piece is in very good condition. Dimensions (cms): Diameter - 32 Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the "Ponti" style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an "expression" of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a "sophisticated," economic, "democratic" and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. Gio Ponti graduated in Architecture at the Polytechnic of Milan at the end of World War I, after he fought on the front line earning military decorations. In 1921 he married Giulia Vimercati, with whom he had four children: Lisa, Giovanna, Letizia and Giulio. In 1927 he opened a studio in Milan with the architect Emilio Lancia. From the beginning of the 1920’s until 1938 he worked with Richard-Ginori Manufactory and renewed its production. In 1928 he founded the Domus magazine with Gianni Mazzocchi. In 1933 he became the artistic director of Fontana Arte which was another success after the one he obtained with Richard-Ginori. In the 1930’s he participated in the Triennale exhibitions and later he successfully managed a few of them. From 1936 to 1961 he was a professor at the Milan Polytechnic, and in 1933 was associated with Antonio Fornaroli and Eugenio Soncini, until 1945. From this partnership major projects were born, including the Montecatini Palace in Milan from 1936 to 1938, in which Ponti created the "integral design" of the building and the interiors. Other works of the period were civil architecture, including the Littoria Tower in Milan in 1933, school buildings such as the School of Mathematics at the University City Rome in 1934 and the Humanities Faculty and the Rectorate of the University of Padua in 1937. There were also residential projects such as Casa Marmont in 1934 and Milan "Domus" from 1931 to 1936. The richness of the artistic production of Cleto Munari, arises out of the discovery that every boundary is undefined, and the consequent need to create a “collection about syllables” or rather a “collection of figures” which, because of their incompleteness, luminously suggest the irrepressible quest of man’s intelligence to transfigure the world, according to his own vision. It is this a perfect complicity between the whisper of the “heart...

This distinguished nine-piece tea and coffee service, crafted by the International Silver Company, epitomizes the height of American silver artistry from the early 20th century. Desi...